O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/48872 |
Resumo: | The Anti-Futurism of Solarpunk: Development of a Figurative and Narrative Aesthetic, investigates and analyses a sub-genre of literary and graphic fiction, known for its strong beliefs in ecological action, in hopes of creating an original aesthetic that aligns with its themes and narratives. The first part is dedicated to the current definition of solarpunk, how it distinguishes itself and navigates amongst similar narrative genres. Particularly, we will be considering its relationship with the concept of utopia and work towards demystifying it, starting with the book that originated the term, its contemporary understanding and how it was built upon the social-religious myth, ending with its disassociation and recontextualization within the sub-genre. In the history of fiction, the current of solarpunk is new in comparison with other genres but its arrival was not represented by a single and characteristic piece of work. Humanity’s relationship with nature is as old as our existence but our efforts in preserving it are highly dependent on the cultural geography and time, and therefore its analysis is crucial to understand how society separated itself mentally from the ecosystem. In the occident, humans have been telling stories dedicated to the appreciation of nature and other humanistic values since the end of the XVIIIth century, making Romantism a counter-culture affirmation that contrasts with the beginning of the industrial revolution, distinguishing itself as the progenitor of a new way of thinking and the start of an art movement with long standing ramifications in art, society and the eventual ecological stories of the XXth century, directly related to the birth of solarpunk This research showcases the parallelism between it and our current situation, which is on a global scale. This thematic relationship guides us to the second part, the analysis of other artistic movements, equally relevant to the birth of the subject matter, specifically Realism, Impressionism and Art-Nouveau (Modern-Style, Tiffany-Style). Each of these movements contains germinating parts that constitute solarpunk’s identity and where it stands thematic and aesthetically. The third part represents the project component of this dissertation, made up of the analysis of what we understand are the most relevant visual elements brought from Futurism, to create a new thematically opposing aesthetic. This entails its representation of movement and how it was transposed to animation and comic books/graphic novels, finishing with an understanding of what the Anti-Futuristic Solarpunk aesthetic represents and ending with its demonstration through six original illustrations. |
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O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativaJacobus, DustinQueiroz, JoãoDesenhoIlustraçãoAnimaçãoAnti-futurismoFicção EcológicaSolarpunkEstéticaUtopiaRomantismoDomínio/Área Científica::Humanidades::ArtesThe Anti-Futurism of Solarpunk: Development of a Figurative and Narrative Aesthetic, investigates and analyses a sub-genre of literary and graphic fiction, known for its strong beliefs in ecological action, in hopes of creating an original aesthetic that aligns with its themes and narratives. The first part is dedicated to the current definition of solarpunk, how it distinguishes itself and navigates amongst similar narrative genres. Particularly, we will be considering its relationship with the concept of utopia and work towards demystifying it, starting with the book that originated the term, its contemporary understanding and how it was built upon the social-religious myth, ending with its disassociation and recontextualization within the sub-genre. In the history of fiction, the current of solarpunk is new in comparison with other genres but its arrival was not represented by a single and characteristic piece of work. Humanity’s relationship with nature is as old as our existence but our efforts in preserving it are highly dependent on the cultural geography and time, and therefore its analysis is crucial to understand how society separated itself mentally from the ecosystem. In the occident, humans have been telling stories dedicated to the appreciation of nature and other humanistic values since the end of the XVIIIth century, making Romantism a counter-culture affirmation that contrasts with the beginning of the industrial revolution, distinguishing itself as the progenitor of a new way of thinking and the start of an art movement with long standing ramifications in art, society and the eventual ecological stories of the XXth century, directly related to the birth of solarpunk This research showcases the parallelism between it and our current situation, which is on a global scale. This thematic relationship guides us to the second part, the analysis of other artistic movements, equally relevant to the birth of the subject matter, specifically Realism, Impressionism and Art-Nouveau (Modern-Style, Tiffany-Style). Each of these movements contains germinating parts that constitute solarpunk’s identity and where it stands thematic and aesthetically. The third part represents the project component of this dissertation, made up of the analysis of what we understand are the most relevant visual elements brought from Futurism, to create a new thematically opposing aesthetic. This entails its representation of movement and how it was transposed to animation and comic books/graphic novels, finishing with an understanding of what the Anti-Futuristic Solarpunk aesthetic represents and ending with its demonstration through six original illustrations.Marques, António Pedro FerreiraRepositório da Universidade de LisboaFortuna, João Ricardo Santos Matos2021-07-12T14:10:05Z2021-05-282021-05-28T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfapplication/pdfhttp://hdl.handle.net/10451/48872TID:202736792porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:52:28Zoai:repositorio.ul.pt:10451/48872Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:00:40.426731Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
title |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
spellingShingle |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa Fortuna, João Ricardo Santos Matos Jacobus, Dustin Queiroz, João Desenho Ilustração Animação Anti-futurismo Ficção Ecológica Solarpunk Estética Utopia Romantismo Domínio/Área Científica::Humanidades::Artes |
title_short |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
title_full |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
title_fullStr |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
title_full_unstemmed |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
title_sort |
O anti-futurismo solarpunk : desenvolvimento de uma estética figurativa e narrativa |
author |
Fortuna, João Ricardo Santos Matos |
author_facet |
Fortuna, João Ricardo Santos Matos |
author_role |
author |
dc.contributor.none.fl_str_mv |
Marques, António Pedro Ferreira Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Fortuna, João Ricardo Santos Matos |
dc.subject.por.fl_str_mv |
Jacobus, Dustin Queiroz, João Desenho Ilustração Animação Anti-futurismo Ficção Ecológica Solarpunk Estética Utopia Romantismo Domínio/Área Científica::Humanidades::Artes |
topic |
Jacobus, Dustin Queiroz, João Desenho Ilustração Animação Anti-futurismo Ficção Ecológica Solarpunk Estética Utopia Romantismo Domínio/Área Científica::Humanidades::Artes |
description |
The Anti-Futurism of Solarpunk: Development of a Figurative and Narrative Aesthetic, investigates and analyses a sub-genre of literary and graphic fiction, known for its strong beliefs in ecological action, in hopes of creating an original aesthetic that aligns with its themes and narratives. The first part is dedicated to the current definition of solarpunk, how it distinguishes itself and navigates amongst similar narrative genres. Particularly, we will be considering its relationship with the concept of utopia and work towards demystifying it, starting with the book that originated the term, its contemporary understanding and how it was built upon the social-religious myth, ending with its disassociation and recontextualization within the sub-genre. In the history of fiction, the current of solarpunk is new in comparison with other genres but its arrival was not represented by a single and characteristic piece of work. Humanity’s relationship with nature is as old as our existence but our efforts in preserving it are highly dependent on the cultural geography and time, and therefore its analysis is crucial to understand how society separated itself mentally from the ecosystem. In the occident, humans have been telling stories dedicated to the appreciation of nature and other humanistic values since the end of the XVIIIth century, making Romantism a counter-culture affirmation that contrasts with the beginning of the industrial revolution, distinguishing itself as the progenitor of a new way of thinking and the start of an art movement with long standing ramifications in art, society and the eventual ecological stories of the XXth century, directly related to the birth of solarpunk This research showcases the parallelism between it and our current situation, which is on a global scale. This thematic relationship guides us to the second part, the analysis of other artistic movements, equally relevant to the birth of the subject matter, specifically Realism, Impressionism and Art-Nouveau (Modern-Style, Tiffany-Style). Each of these movements contains germinating parts that constitute solarpunk’s identity and where it stands thematic and aesthetically. The third part represents the project component of this dissertation, made up of the analysis of what we understand are the most relevant visual elements brought from Futurism, to create a new thematically opposing aesthetic. This entails its representation of movement and how it was transposed to animation and comic books/graphic novels, finishing with an understanding of what the Anti-Futuristic Solarpunk aesthetic represents and ending with its demonstration through six original illustrations. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-12T14:10:05Z 2021-05-28 2021-05-28T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
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http://hdl.handle.net/10451/48872 TID:202736792 |
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http://hdl.handle.net/10451/48872 |
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TID:202736792 |
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openAccess |
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