The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.21814/vista.4438 |
Resumo: | This article aims at discussing aspects related to the context of the decline of television, approaching Latin American television studies with other theories about television. In this study, we focus our discussion on Globoplay, Grupo Globo's streaming platform — the largest Brazilian media conglomerate. Our analysis investigates Grupo Globo's project to recover old soap operas as a media and marketing strategy for the streaming platform. Based on a theoretical discussion, the study believes that Brazilian television has found ways to guarantee its existence due to platformisation. On the assumption that the socialising character is a major advantage of television, this study questions whether television would be losing its socialising function to the detriment of new media cultures. In fact, we observe that social television and participatory culture employ elements that aggregate and reconfigure this current phase of television, described as a hypertelevision by some authors, such as Scolari (2009). With this in mind, we may not be witnessing television's decline but its new essence. In addition to mobilizing consumption, the return of old soap operas promotes the socialization of the collective nostalgic feeling generated by these productions on social networks. It is evident that the platform has explored this reciprocal relationship between nostalgia and convergence culture to consolidate itself in the Brazilian streaming scenario. In light of these notes, we believe that affective memory has a considerable impact on the strategies employed by the platform, functioning as a profitable and effective mechanism for the survival of Brazilian television. |
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The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming PlatformAs Reconfigurações na Televisão Brasileira e as Novas Dinâmicas Comunicacionais: Um Estudo Sobre a Plataforma de Streaming GloboplayArtigos TemáticosThis article aims at discussing aspects related to the context of the decline of television, approaching Latin American television studies with other theories about television. In this study, we focus our discussion on Globoplay, Grupo Globo's streaming platform — the largest Brazilian media conglomerate. Our analysis investigates Grupo Globo's project to recover old soap operas as a media and marketing strategy for the streaming platform. Based on a theoretical discussion, the study believes that Brazilian television has found ways to guarantee its existence due to platformisation. On the assumption that the socialising character is a major advantage of television, this study questions whether television would be losing its socialising function to the detriment of new media cultures. In fact, we observe that social television and participatory culture employ elements that aggregate and reconfigure this current phase of television, described as a hypertelevision by some authors, such as Scolari (2009). With this in mind, we may not be witnessing television's decline but its new essence. In addition to mobilizing consumption, the return of old soap operas promotes the socialization of the collective nostalgic feeling generated by these productions on social networks. It is evident that the platform has explored this reciprocal relationship between nostalgia and convergence culture to consolidate itself in the Brazilian streaming scenario. In light of these notes, we believe that affective memory has a considerable impact on the strategies employed by the platform, functioning as a profitable and effective mechanism for the survival of Brazilian television.Este artigo tem como objetivo discutir aspetos relacionados ao contexto do declínio da televisão numa aproximação dos estudos televisivos latino-americanos com outras teorias a respeito da televisão. Neste estudo, focamos nossa discussão na Globoplay, plataforma de streaming do Grupo Globo — o maior conglomerado mediático brasileiro. A nossa análise investiga o projeto de resgate de telenovelas antigas do Grupo Globo como estratégia mediática e mercadológica da plataforma de streaming. A partir de uma discussão teórica, o estudo acredita que a televisão brasileira tem encontrado formas de garantir a sua existência por meio da plataformização. A partir da premissa de que o grande trunfo da televisão seja a sua função socializadora, este estudo questiona se a televisão está a perder esse aspeto em detrimento das novas culturas mediáticas. De facto, observamos que a TV social e a cultura participativa empregam elementos que agregam e reconfiguram essa atual fase da televisão, descrita como uma hipertelevisão por alguns autores, como Scolari (2009). Com isso em mente, estamos a assistir não ao declínio da televisão, mas à sua nova essência. Além de mobilizar o consumo, a volta das novelas antigas promove nas redes sociais a socialização da nostalgia coletiva gerada por essas produções. O presente artigo evidencia como a plataforma explora essa relação recíproca entre nostalgia e cultura da convergência para se consolidar no cenário do streaming brasileiro. Diante desses apontamentos, acreditamos que a memória afetiva desempenha um impacto considerável nas estratégias empregadas pela plataforma, de modo a funcionar como um mecanismo rentável e eficaz para a sobrevivência da televisão brasileira.Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho2023-04-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.21814/vista.4438eng2184-1284Santos Neto, ValdemirBressan Júnior, Mário Abelinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-06T22:45:12Zoai:journals.uminho.pt:article/4438Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:50:19.344041Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform As Reconfigurações na Televisão Brasileira e as Novas Dinâmicas Comunicacionais: Um Estudo Sobre a Plataforma de Streaming Globoplay |
title |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform |
spellingShingle |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform Santos Neto, Valdemir Artigos Temáticos |
title_short |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform |
title_full |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform |
title_fullStr |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform |
title_full_unstemmed |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform |
title_sort |
The Reconfigurations in Brazilian Television and the New Communicational Dynamics: A Study About the Globoplay Streaming Platform |
author |
Santos Neto, Valdemir |
author_facet |
Santos Neto, Valdemir Bressan Júnior, Mário Abel |
author_role |
author |
author2 |
Bressan Júnior, Mário Abel |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Santos Neto, Valdemir Bressan Júnior, Mário Abel |
dc.subject.por.fl_str_mv |
Artigos Temáticos |
topic |
Artigos Temáticos |
description |
This article aims at discussing aspects related to the context of the decline of television, approaching Latin American television studies with other theories about television. In this study, we focus our discussion on Globoplay, Grupo Globo's streaming platform — the largest Brazilian media conglomerate. Our analysis investigates Grupo Globo's project to recover old soap operas as a media and marketing strategy for the streaming platform. Based on a theoretical discussion, the study believes that Brazilian television has found ways to guarantee its existence due to platformisation. On the assumption that the socialising character is a major advantage of television, this study questions whether television would be losing its socialising function to the detriment of new media cultures. In fact, we observe that social television and participatory culture employ elements that aggregate and reconfigure this current phase of television, described as a hypertelevision by some authors, such as Scolari (2009). With this in mind, we may not be witnessing television's decline but its new essence. In addition to mobilizing consumption, the return of old soap operas promotes the socialization of the collective nostalgic feeling generated by these productions on social networks. It is evident that the platform has explored this reciprocal relationship between nostalgia and convergence culture to consolidate itself in the Brazilian streaming scenario. In light of these notes, we believe that affective memory has a considerable impact on the strategies employed by the platform, functioning as a profitable and effective mechanism for the survival of Brazilian television. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-04-21 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.21814/vista.4438 |
url |
https://doi.org/10.21814/vista.4438 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2184-1284 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho |
publisher.none.fl_str_mv |
Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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