Banksy in commercial communication

Detalhes bibliográficos
Autor(a) principal: López, Matías
Data de Publicação: 2022
Outros Autores: Martín-Ortega, Lara, Bellido-Blanco, Santiago
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v8i2.611
Resumo: The advertising market draws on elements and aesthetics from other areas and disciplines, appropriating artistic imaginaries of Street Art, subverting them to change the user's perception of messages. The media increasingly show creative solutions that take ideas from the art world as a reference. They reuse pre-existing images to give them a new message that responds to a different discourse. In this article, we will study how the imaginary of advertising appropriates urban movements, analysing the influences of the artist Banksy on persuasive commercial activity and vice versa. The conclusions of this analysis are that the very appropriation, an inherent consequence of the art and advertising binomial, improves the creative dimension of the works in both areas. Communication tends to reuse the artistic imaginary for commercial purposes, while the artist drinks from commercial aesthetics to represent the reality in which he lives. There is also a proliferation of the number of pieces related to the actions of the author Banksy in recent years. Observing iconography and techniques of persuasive communication in the work of this anonymous author.
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spelling Banksy in commercial communicationThe advertising market draws on elements and aesthetics from other areas and disciplines, appropriating artistic imaginaries of Street Art, subverting them to change the user's perception of messages. The media increasingly show creative solutions that take ideas from the art world as a reference. They reuse pre-existing images to give them a new message that responds to a different discourse. In this article, we will study how the imaginary of advertising appropriates urban movements, analysing the influences of the artist Banksy on persuasive commercial activity and vice versa. The conclusions of this analysis are that the very appropriation, an inherent consequence of the art and advertising binomial, improves the creative dimension of the works in both areas. Communication tends to reuse the artistic imaginary for commercial purposes, while the artist drinks from commercial aesthetics to represent the reality in which he lives. There is also a proliferation of the number of pieces related to the actions of the author Banksy in recent years. Observing iconography and techniques of persuasive communication in the work of this anonymous author.AP22022-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v8i2.611https://doi.org/10.25765/sauc.v8i2.611SAUC - Street Art and Urban Creativity; Vol 8 No 2 (2022): Liminal, state of in-betweenness; 120 - 1312183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/611https://journals.ap2.pt/index.php/sauc/article/view/611/384López, MatíasMartín-Ortega, LaraBellido-Blanco, Santiagoinfo:eu-repo/semantics/openAccess2024-01-26T14:15:41Zoai:journals.ap2.pt:article/611Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:53.018600Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Banksy in commercial communication
title Banksy in commercial communication
spellingShingle Banksy in commercial communication
López, Matías
title_short Banksy in commercial communication
title_full Banksy in commercial communication
title_fullStr Banksy in commercial communication
title_full_unstemmed Banksy in commercial communication
title_sort Banksy in commercial communication
author López, Matías
author_facet López, Matías
Martín-Ortega, Lara
Bellido-Blanco, Santiago
author_role author
author2 Martín-Ortega, Lara
Bellido-Blanco, Santiago
author2_role author
author
dc.contributor.author.fl_str_mv López, Matías
Martín-Ortega, Lara
Bellido-Blanco, Santiago
description The advertising market draws on elements and aesthetics from other areas and disciplines, appropriating artistic imaginaries of Street Art, subverting them to change the user's perception of messages. The media increasingly show creative solutions that take ideas from the art world as a reference. They reuse pre-existing images to give them a new message that responds to a different discourse. In this article, we will study how the imaginary of advertising appropriates urban movements, analysing the influences of the artist Banksy on persuasive commercial activity and vice versa. The conclusions of this analysis are that the very appropriation, an inherent consequence of the art and advertising binomial, improves the creative dimension of the works in both areas. Communication tends to reuse the artistic imaginary for commercial purposes, while the artist drinks from commercial aesthetics to represent the reality in which he lives. There is also a proliferation of the number of pieces related to the actions of the author Banksy in recent years. Observing iconography and techniques of persuasive communication in the work of this anonymous author.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-30
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 8 No 2 (2022): Liminal, state of in-betweenness; 120 - 131
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