Hijacking Banksy:
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v2i1.45 |
Resumo: | In this article I examine the methodological and ethical rigor of a geographic profiling study and resulting article, published in 2016 in Journal of Spatial Science, which identifies by name a candidate for being the artist known as Banksy. I demonstrate that the article is characterized by a number of methodological flaws which fundamentally undermine the researchers’ basis for determining Banksy’s identity. On this background I argue that the researchers’ decision to include a specific name in the article is ethically problematic and I suggest that the main purpose for the inclusion has likely been to attract attention to the study. I further propose that the sensationalist approach to increasing academic readership exemplified by the inclusion of a specific name in the article without solid empirical evidence to back it up may adversely affect researchers who continue to work within the field of street art studies. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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Hijacking Banksy:In this article I examine the methodological and ethical rigor of a geographic profiling study and resulting article, published in 2016 in Journal of Spatial Science, which identifies by name a candidate for being the artist known as Banksy. I demonstrate that the article is characterized by a number of methodological flaws which fundamentally undermine the researchers’ basis for determining Banksy’s identity. On this background I argue that the researchers’ decision to include a specific name in the article is ethically problematic and I suggest that the main purpose for the inclusion has likely been to attract attention to the study. I further propose that the sensationalist approach to increasing academic readership exemplified by the inclusion of a specific name in the article without solid empirical evidence to back it up may adversely affect researchers who continue to work within the field of street art studies.AP22016-11-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v2i1.45https://doi.org/10.25765/sauc.v2i1.45SAUC - Street Art and Urban Creativity; Vol 2 No 1 (2016): Center Periphery: Practice; 60 - 662183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/45https://journals.ap2.pt/index.php/sauc/article/view/45/35Bengtsen, Peterinfo:eu-repo/semantics/openAccess2024-01-26T14:15:31Zoai:journals.ap2.pt:article/45Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:46.969318Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Hijacking Banksy: |
title |
Hijacking Banksy: |
spellingShingle |
Hijacking Banksy: Bengtsen, Peter |
title_short |
Hijacking Banksy: |
title_full |
Hijacking Banksy: |
title_fullStr |
Hijacking Banksy: |
title_full_unstemmed |
Hijacking Banksy: |
title_sort |
Hijacking Banksy: |
author |
Bengtsen, Peter |
author_facet |
Bengtsen, Peter |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bengtsen, Peter |
description |
In this article I examine the methodological and ethical rigor of a geographic profiling study and resulting article, published in 2016 in Journal of Spatial Science, which identifies by name a candidate for being the artist known as Banksy. I demonstrate that the article is characterized by a number of methodological flaws which fundamentally undermine the researchers’ basis for determining Banksy’s identity. On this background I argue that the researchers’ decision to include a specific name in the article is ethically problematic and I suggest that the main purpose for the inclusion has likely been to attract attention to the study. I further propose that the sensationalist approach to increasing academic readership exemplified by the inclusion of a specific name in the article without solid empirical evidence to back it up may adversely affect researchers who continue to work within the field of street art studies. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-11-23 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v2i1.45 https://doi.org/10.25765/sauc.v2i1.45 |
url |
https://doi.org/10.25765/sauc.v2i1.45 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/45 https://journals.ap2.pt/index.php/sauc/article/view/45/35 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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AP2 |
publisher.none.fl_str_mv |
AP2 |
dc.source.none.fl_str_mv |
SAUC - Street Art and Urban Creativity; Vol 2 No 1 (2016): Center Periphery: Practice; 60 - 66 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799137063535116288 |