On-demand music streaming and its effects on music piracy
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/25934 |
Resumo: | In the late 1990’s, music industry revenues began to decline, mostly due to the proliferation of the Internet which enabled consumers to easily pirate music. Record companies and artists began fighting legal battles and investing in educational campaigns in an attempt to teach young people the value of intellectual property. However, the times are now starting to change. In 2016, US retail revenues from recorded music grew 11,4%, the biggest increment since 1998. Streaming revenues have now surpassed income from the sale of traditional formats. Nevertheless, there is still a big player in the market worth paying attention to: music piracy. This thesis seeks to investigate the impact on-demand streaming services have been having on illegal downloading and uncover young music consumers’ habits and preferences. Through an online survey, the study used a conjoint analysis to uncover consumers’ preference structure. It also included direct questions to assess music consumers’ characteristics and habits. The results show that ethics and perceived risk negatively influence the decision to pirate music. On the other hand, higher ethics and involvement are associated with the propensity to pay for streaming services. Also, as age increases the propensity to pay for streaming rises and the tendency to pirate decreases. Even though consumers are price sensitive, price is not always the main decision factor. Finally, we observe that streaming did in fact help to reduce the incidence of music piracy among young music consumers. |
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On-demand music streaming and its effects on music piracyMusic industryOn-demand streamingMusic piracyMillennialsGeneration ZConjoint analysisIndústria da músicaStreaming on-demandPirataria de músicaGeração ZAnálise conjointDomínio/Área Científica::Ciências Sociais::Economia e GestãoIn the late 1990’s, music industry revenues began to decline, mostly due to the proliferation of the Internet which enabled consumers to easily pirate music. Record companies and artists began fighting legal battles and investing in educational campaigns in an attempt to teach young people the value of intellectual property. However, the times are now starting to change. In 2016, US retail revenues from recorded music grew 11,4%, the biggest increment since 1998. Streaming revenues have now surpassed income from the sale of traditional formats. Nevertheless, there is still a big player in the market worth paying attention to: music piracy. This thesis seeks to investigate the impact on-demand streaming services have been having on illegal downloading and uncover young music consumers’ habits and preferences. Through an online survey, the study used a conjoint analysis to uncover consumers’ preference structure. It also included direct questions to assess music consumers’ characteristics and habits. The results show that ethics and perceived risk negatively influence the decision to pirate music. On the other hand, higher ethics and involvement are associated with the propensity to pay for streaming services. Also, as age increases the propensity to pay for streaming rises and the tendency to pirate decreases. Even though consumers are price sensitive, price is not always the main decision factor. Finally, we observe that streaming did in fact help to reduce the incidence of music piracy among young music consumers.No final dos anos 90, as receitas da indústria da música começaram a diminuir, principalmente devido à proliferação da Internet, que permitia aos consumidores piratear música facilmente. Discográficas e artistas começaram a travar disputas jurídicas e a investir em campanhas educacionais na tentativa de ensinar aos jovens o valor da propriedade intelectual. No entanto, os tempos estão a mudar. Em 2016, a receita associada à música cresceu 11,4%, o maior incremento desde 1998. As receitas de streaming já ultrapassaram as receitas dos formatos tradicionais. No entanto, ainda há um grande player no mercado ao qual vale a pena prestar atenção: a pirataria. A presente tese procura investigar o impacto que os serviços de streaming têm tido na pirataria de música, e compreender os hábitos e preferências dos jovens consumidores de música. Num questionário on-line, o estudo recorreu a uma análise conjoint para desvendar a estrutura de preferências dos consumidores. Também incluiu perguntas que permitiram avaliar as características e hábitos dos consumidores. Os resultados demonstram que a ética e o risco influenciam negativamente a decisão de piratear música. Por outro lado, maior ética e envolvimento estão associados a uma maior propensão a pagar por streaming. Além disso, à medida que a idade aumenta, a propensão a pagar por streaming aumenta, e a tendência para piratear diminui. Apesar dos consumidores serem sensíveis ao preço, este nem sempre é o principal fator de decisão. Finalmente, observamos que o streming ajudou a reduzir a incidência da pirataria entre os jovens consumidores de música.Machado, Fernando Alcides SobralVeritati - Repositório Institucional da Universidade Católica PortuguesaNunes, Mariana de Almeida Gaspar Freixo2018-11-05T10:47:23Z2018-10-2320182018-10-23T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.14/25934TID:201990369enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:31:22Zoai:repositorio.ucp.pt:10400.14/25934Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:20:43.835792Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
On-demand music streaming and its effects on music piracy |
title |
On-demand music streaming and its effects on music piracy |
spellingShingle |
On-demand music streaming and its effects on music piracy Nunes, Mariana de Almeida Gaspar Freixo Music industry On-demand streaming Music piracy Millennials Generation Z Conjoint analysis Indústria da música Streaming on-demand Pirataria de música Geração Z Análise conjoint Domínio/Área Científica::Ciências Sociais::Economia e Gestão |
title_short |
On-demand music streaming and its effects on music piracy |
title_full |
On-demand music streaming and its effects on music piracy |
title_fullStr |
On-demand music streaming and its effects on music piracy |
title_full_unstemmed |
On-demand music streaming and its effects on music piracy |
title_sort |
On-demand music streaming and its effects on music piracy |
author |
Nunes, Mariana de Almeida Gaspar Freixo |
author_facet |
Nunes, Mariana de Almeida Gaspar Freixo |
author_role |
author |
dc.contributor.none.fl_str_mv |
Machado, Fernando Alcides Sobral Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Nunes, Mariana de Almeida Gaspar Freixo |
dc.subject.por.fl_str_mv |
Music industry On-demand streaming Music piracy Millennials Generation Z Conjoint analysis Indústria da música Streaming on-demand Pirataria de música Geração Z Análise conjoint Domínio/Área Científica::Ciências Sociais::Economia e Gestão |
topic |
Music industry On-demand streaming Music piracy Millennials Generation Z Conjoint analysis Indústria da música Streaming on-demand Pirataria de música Geração Z Análise conjoint Domínio/Área Científica::Ciências Sociais::Economia e Gestão |
description |
In the late 1990’s, music industry revenues began to decline, mostly due to the proliferation of the Internet which enabled consumers to easily pirate music. Record companies and artists began fighting legal battles and investing in educational campaigns in an attempt to teach young people the value of intellectual property. However, the times are now starting to change. In 2016, US retail revenues from recorded music grew 11,4%, the biggest increment since 1998. Streaming revenues have now surpassed income from the sale of traditional formats. Nevertheless, there is still a big player in the market worth paying attention to: music piracy. This thesis seeks to investigate the impact on-demand streaming services have been having on illegal downloading and uncover young music consumers’ habits and preferences. Through an online survey, the study used a conjoint analysis to uncover consumers’ preference structure. It also included direct questions to assess music consumers’ characteristics and habits. The results show that ethics and perceived risk negatively influence the decision to pirate music. On the other hand, higher ethics and involvement are associated with the propensity to pay for streaming services. Also, as age increases the propensity to pay for streaming rises and the tendency to pirate decreases. Even though consumers are price sensitive, price is not always the main decision factor. Finally, we observe that streaming did in fact help to reduce the incidence of music piracy among young music consumers. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-11-05T10:47:23Z 2018-10-23 2018 2018-10-23T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/25934 TID:201990369 |
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http://hdl.handle.net/10400.14/25934 |
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TID:201990369 |
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eng |
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eng |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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