O poder do teatro enquanto espaço de materialidade
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10362/127644 |
Resumo: | The purpose of this essay is to discuss the place of theater in a post-COVID-19 era by reinforcing the indelible link of this artistic form to the assembly of people in the same physical space. Even before the establishment of containment measures, it was possible to detect the increasing migration of human life to the de-territorialized space of the digital, in what concerns work, leisure, interpersonal communication, and even the search for a romantic/sexual partner. The necessity of limiting physical proximity to other people in order to slow viral transmission, a both relevant and useful measure, has certainly increased the above mentioned tendency. Confronted with closed working spaces, authors of the performing arts have searched for alternatives in the digital space. However, this territory has limitations that collide with central characteristics of our concept of theater. Theater can still be understood as a form of resistance against the digitalization of human life, insofar as it continues to be “the physical manifestation of something that happens in front of an audience of flesh and bone individuals” (CARNEVALI 2020), and in a concrete physical space. |
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O poder do teatro enquanto espaço de materialidadeThe power of theater as a material spacedigitalPerforming Artsaffect theoryempathyCOVID-19The purpose of this essay is to discuss the place of theater in a post-COVID-19 era by reinforcing the indelible link of this artistic form to the assembly of people in the same physical space. Even before the establishment of containment measures, it was possible to detect the increasing migration of human life to the de-territorialized space of the digital, in what concerns work, leisure, interpersonal communication, and even the search for a romantic/sexual partner. The necessity of limiting physical proximity to other people in order to slow viral transmission, a both relevant and useful measure, has certainly increased the above mentioned tendency. Confronted with closed working spaces, authors of the performing arts have searched for alternatives in the digital space. However, this territory has limitations that collide with central characteristics of our concept of theater. Theater can still be understood as a form of resistance against the digitalization of human life, insofar as it continues to be “the physical manifestation of something that happens in front of an audience of flesh and bone individuals” (CARNEVALI 2020), and in a concrete physical space.CIUHCT - Centro Interuniversitário de História das Ciências e da TecnologiaRUNGamito-Marques, Daniel2021-11-12T23:47:24Z2020-122020-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article8application/pdfhttp://hdl.handle.net/10362/127644porPURE: 33066351info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:07:34Zoai:run.unl.pt:10362/127644Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:46:11.012388Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
O poder do teatro enquanto espaço de materialidade The power of theater as a material space |
title |
O poder do teatro enquanto espaço de materialidade |
spellingShingle |
O poder do teatro enquanto espaço de materialidade Gamito-Marques, Daniel digital Performing Arts affect theory empathy COVID-19 |
title_short |
O poder do teatro enquanto espaço de materialidade |
title_full |
O poder do teatro enquanto espaço de materialidade |
title_fullStr |
O poder do teatro enquanto espaço de materialidade |
title_full_unstemmed |
O poder do teatro enquanto espaço de materialidade |
title_sort |
O poder do teatro enquanto espaço de materialidade |
author |
Gamito-Marques, Daniel |
author_facet |
Gamito-Marques, Daniel |
author_role |
author |
dc.contributor.none.fl_str_mv |
CIUHCT - Centro Interuniversitário de História das Ciências e da Tecnologia RUN |
dc.contributor.author.fl_str_mv |
Gamito-Marques, Daniel |
dc.subject.por.fl_str_mv |
digital Performing Arts affect theory empathy COVID-19 |
topic |
digital Performing Arts affect theory empathy COVID-19 |
description |
The purpose of this essay is to discuss the place of theater in a post-COVID-19 era by reinforcing the indelible link of this artistic form to the assembly of people in the same physical space. Even before the establishment of containment measures, it was possible to detect the increasing migration of human life to the de-territorialized space of the digital, in what concerns work, leisure, interpersonal communication, and even the search for a romantic/sexual partner. The necessity of limiting physical proximity to other people in order to slow viral transmission, a both relevant and useful measure, has certainly increased the above mentioned tendency. Confronted with closed working spaces, authors of the performing arts have searched for alternatives in the digital space. However, this territory has limitations that collide with central characteristics of our concept of theater. Theater can still be understood as a form of resistance against the digitalization of human life, insofar as it continues to be “the physical manifestation of something that happens in front of an audience of flesh and bone individuals” (CARNEVALI 2020), and in a concrete physical space. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12 2020-12-01T00:00:00Z 2021-11-12T23:47:24Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/127644 |
url |
http://hdl.handle.net/10362/127644 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
PURE: 33066351 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
8 application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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