Systematic music transcription through motion design

Detalhes bibliográficos
Autor(a) principal: Nemec, Helena
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.26/32024
Resumo: Our perception is shaped by interaction and interpretation of what our senses register. This leads to overlaps in components that define the stimuli for different senses. It’s especially true for audiovisual forms, where through our life experience we create intuitive connections between characteristics of sound and appearance of its source. This project aims to exploit and systemize the phenomena of synchresis, in order to allow analysis of music in a graphic geometric form, using the audio-visual language for creating emphasis where desirable, or for composing music visually. Other than having created the system, it’s applied through motion design, owing to rhythmic value of music being time-constrained. Based on a long history of exploration in the area of Visual music, physics of sound and film-making theory, it’s undeniable that the relation exists, even if not having a single right solution.
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spelling Systematic music transcription through motion designAudio-visualSynesthesiaTranscriptionMotion graphicsVisual musicGraphic languageDesignOur perception is shaped by interaction and interpretation of what our senses register. This leads to overlaps in components that define the stimuli for different senses. It’s especially true for audiovisual forms, where through our life experience we create intuitive connections between characteristics of sound and appearance of its source. This project aims to exploit and systemize the phenomena of synchresis, in order to allow analysis of music in a graphic geometric form, using the audio-visual language for creating emphasis where desirable, or for composing music visually. Other than having created the system, it’s applied through motion design, owing to rhythmic value of music being time-constrained. Based on a long history of exploration in the area of Visual music, physics of sound and film-making theory, it’s undeniable that the relation exists, even if not having a single right solution.Repositório ComumNemec, Helena2020-04-20T14:29:23Z2020-02-132020-04-202020-02-13T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.26/32024202442365enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-12-20T14:25:40Zoai:comum.rcaap.pt:10400.26/32024Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:23:05.004578Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Systematic music transcription through motion design
title Systematic music transcription through motion design
spellingShingle Systematic music transcription through motion design
Nemec, Helena
Audio-visual
Synesthesia
Transcription
Motion graphics
Visual music
Graphic language
Design
title_short Systematic music transcription through motion design
title_full Systematic music transcription through motion design
title_fullStr Systematic music transcription through motion design
title_full_unstemmed Systematic music transcription through motion design
title_sort Systematic music transcription through motion design
author Nemec, Helena
author_facet Nemec, Helena
author_role author
dc.contributor.none.fl_str_mv Repositório Comum
dc.contributor.author.fl_str_mv Nemec, Helena
dc.subject.por.fl_str_mv Audio-visual
Synesthesia
Transcription
Motion graphics
Visual music
Graphic language
Design
topic Audio-visual
Synesthesia
Transcription
Motion graphics
Visual music
Graphic language
Design
description Our perception is shaped by interaction and interpretation of what our senses register. This leads to overlaps in components that define the stimuli for different senses. It’s especially true for audiovisual forms, where through our life experience we create intuitive connections between characteristics of sound and appearance of its source. This project aims to exploit and systemize the phenomena of synchresis, in order to allow analysis of music in a graphic geometric form, using the audio-visual language for creating emphasis where desirable, or for composing music visually. Other than having created the system, it’s applied through motion design, owing to rhythmic value of music being time-constrained. Based on a long history of exploration in the area of Visual music, physics of sound and film-making theory, it’s undeniable that the relation exists, even if not having a single right solution.
publishDate 2020
dc.date.none.fl_str_mv 2020-04-20T14:29:23Z
2020-02-13
2020-04-20
2020-02-13T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.26/32024
202442365
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identifier_str_mv 202442365
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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