Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa

Detalhes bibliográficos
Autor(a) principal: Boshoff, Priscilla
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.17645/mac.v9i2.3830
Resumo: Zodwa Wabantu, a South African celebrity recently made popular by the Daily Sun, a local tabloid newspaper, is notorious as an older working-class woman who fearlessly challenges social norms of feminine respectability and beauty. Her assertion of sexual autonomy and her forays into self-surveillance and body-modification, mediated by the Daily Sun and other tabloid and social media platforms, could be read as a local iteration of a global postfeminist subjectivity. However, the widespread social opprobrium she faces must be accounted for: Using Connell’s model of the gender order together with a coloniality frame, I argue that northern critiques of postfeminism omit to consider the forms of patriarchy established by colonialism in southern locales such as South Africa. The local patriarchal gender order, made visible within the tabloid reportage, provides the context within which the meaning of Zodwa Wabanu’s contemporary postfeminist identity is constructed. I examine a range of Zodwa Wabantu’s (self)representations in Daily Sun and other digital media in the light of this context, and conclude that a close examination of the local gender order assists in understanding the limits of postfeminism’s hegemony.
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spelling Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africacoloniality; Daily Sun; gender; postfeminism; South Africa; tabloidZodwa Wabantu, a South African celebrity recently made popular by the Daily Sun, a local tabloid newspaper, is notorious as an older working-class woman who fearlessly challenges social norms of feminine respectability and beauty. Her assertion of sexual autonomy and her forays into self-surveillance and body-modification, mediated by the Daily Sun and other tabloid and social media platforms, could be read as a local iteration of a global postfeminist subjectivity. However, the widespread social opprobrium she faces must be accounted for: Using Connell’s model of the gender order together with a coloniality frame, I argue that northern critiques of postfeminism omit to consider the forms of patriarchy established by colonialism in southern locales such as South Africa. The local patriarchal gender order, made visible within the tabloid reportage, provides the context within which the meaning of Zodwa Wabanu’s contemporary postfeminist identity is constructed. I examine a range of Zodwa Wabantu’s (self)representations in Daily Sun and other digital media in the light of this context, and conclude that a close examination of the local gender order assists in understanding the limits of postfeminism’s hegemony.Cogitatio2021-03-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.17645/mac.v9i2.3830oai:ojs.cogitatiopress.com:article/3830Media and Communication; Vol 9, No 2 (2021): Gender and Media: Recent Trends in Theory, Methodology and Research Subjects; 52-302183-2439reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.cogitatiopress.com/mediaandcommunication/article/view/3830https://doi.org/10.17645/mac.v9i2.3830https://www.cogitatiopress.com/mediaandcommunication/article/view/3830/3830Copyright (c) 2021 Priscilla Boshoffhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBoshoff, Priscilla2022-12-20T10:57:57Zoai:ojs.cogitatiopress.com:article/3830Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:20:36.438632Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
title Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
spellingShingle Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
Boshoff, Priscilla
coloniality; Daily Sun; gender; postfeminism; South Africa; tabloid
title_short Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
title_full Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
title_fullStr Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
title_full_unstemmed Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
title_sort Breaking the Rules: Zodwa Wabantu and Postfeminism in South Africa
author Boshoff, Priscilla
author_facet Boshoff, Priscilla
author_role author
dc.contributor.author.fl_str_mv Boshoff, Priscilla
dc.subject.por.fl_str_mv coloniality; Daily Sun; gender; postfeminism; South Africa; tabloid
topic coloniality; Daily Sun; gender; postfeminism; South Africa; tabloid
description Zodwa Wabantu, a South African celebrity recently made popular by the Daily Sun, a local tabloid newspaper, is notorious as an older working-class woman who fearlessly challenges social norms of feminine respectability and beauty. Her assertion of sexual autonomy and her forays into self-surveillance and body-modification, mediated by the Daily Sun and other tabloid and social media platforms, could be read as a local iteration of a global postfeminist subjectivity. However, the widespread social opprobrium she faces must be accounted for: Using Connell’s model of the gender order together with a coloniality frame, I argue that northern critiques of postfeminism omit to consider the forms of patriarchy established by colonialism in southern locales such as South Africa. The local patriarchal gender order, made visible within the tabloid reportage, provides the context within which the meaning of Zodwa Wabanu’s contemporary postfeminist identity is constructed. I examine a range of Zodwa Wabantu’s (self)representations in Daily Sun and other digital media in the light of this context, and conclude that a close examination of the local gender order assists in understanding the limits of postfeminism’s hegemony.
publishDate 2021
dc.date.none.fl_str_mv 2021-03-23
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dc.identifier.uri.fl_str_mv https://doi.org/10.17645/mac.v9i2.3830
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url https://doi.org/10.17645/mac.v9i2.3830
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dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv https://www.cogitatiopress.com/mediaandcommunication/article/view/3830
https://doi.org/10.17645/mac.v9i2.3830
https://www.cogitatiopress.com/mediaandcommunication/article/view/3830/3830
dc.rights.driver.fl_str_mv Copyright (c) 2021 Priscilla Boshoff
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Priscilla Boshoff
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Cogitatio
publisher.none.fl_str_mv Cogitatio
dc.source.none.fl_str_mv Media and Communication; Vol 9, No 2 (2021): Gender and Media: Recent Trends in Theory, Methodology and Research Subjects; 52-30
2183-2439
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