Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions

Detalhes bibliográficos
Autor(a) principal: Parcollet, Rémi
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/116430
Resumo: Most museums produce, over time, a photographic archive. These visual archives tend to dominate the various documents used to reconstruct past exhibitions, and increasingly supply more and more publications, especially publications on the history of the institution. But, even more than this, they play a central role as essential sources for the history of exhibitions. By putting works in perspective with each other and the venue, and by showing the specific nature of a particular display, an exhibition view photograph is the outcome of a viewpoint (the eye of the photographer) and goes well beyond any form of reproduction. Questioning it as such opens up a particularly fruitful avenue of research, restores to the photographers their fundamental contribution to the history of art, and better reveals a creeping effect involving works being rendered heritage by exhibitions, an effect accentuated by photography and its digitization.
id RCAP_964942d2ea267dc3af5f73a75749b11e
oai_identifier_str oai:run.unl.pt:10362/116430
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s ExhibitionsExhibitions historyExhibition view photographyDisplay studiesHeritageDigitization of archivesHistória das exposiçõesFotografia de exposiçãoMontagemPatrimónioDigitalização de arquivosMost museums produce, over time, a photographic archive. These visual archives tend to dominate the various documents used to reconstruct past exhibitions, and increasingly supply more and more publications, especially publications on the history of the institution. But, even more than this, they play a central role as essential sources for the history of exhibitions. By putting works in perspective with each other and the venue, and by showing the specific nature of a particular display, an exhibition view photograph is the outcome of a viewpoint (the eye of the photographer) and goes well beyond any form of reproduction. Questioning it as such opens up a particularly fruitful avenue of research, restores to the photographers their fundamental contribution to the history of art, and better reveals a creeping effect involving works being rendered heritage by exhibitions, an effect accentuated by photography and its digitization.A maioria dos museus produz, ao longo do tempo, um arquivo fotográfico. Esses arquivos visuais tendem a ser elementos cada vez mais preponderantes para a reconstituição de exposições, e estão cada vez mais presentes em publicações, especialmente publicações sobre a história das instituições. Mas, mais do que isso, eles desempenham um papel central como fontes essenciais para a história das exposições. Colocando em evidência a relação das obras entre si e com o local de exposição, e mostrando a natureza específica de uma montagem particular, uma fotografia de exposição é o resultado de um ponto de vista (o olhar do fotógrafo) e está longe de ser apenas uma forma de reprodução. Questioná-la enquanto tal abre uma via de investigação particularmente produtiva, que reconhece aos fotógrafos o seu contributo fundamental para a produção da história da arte e revela o progressivo efeito de patrimonialização das obras de arte através das exposições, efeito esse acentuado pela fotografia e pela sua digitalização.Instituto de História da ArteRUNParcollet, Rémi2021-04-30T11:23:30Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10362/116430eng1646-1762info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:58:56Zoai:run.unl.pt:10362/116430Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:43:04.105486Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
title Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
spellingShingle Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
Parcollet, Rémi
Exhibitions history
Exhibition view photography
Display studies
Heritage
Digitization of archives
História das exposições
Fotografia de exposição
Montagem
Património
Digitalização de arquivos
title_short Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
title_full Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
title_fullStr Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
title_full_unstemmed Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
title_sort Exhibition view. The primary sources of exhibition history: the example of the Catalogue Raisonné of the Centre Pompidou’s Exhibitions
author Parcollet, Rémi
author_facet Parcollet, Rémi
author_role author
dc.contributor.none.fl_str_mv RUN
dc.contributor.author.fl_str_mv Parcollet, Rémi
dc.subject.por.fl_str_mv Exhibitions history
Exhibition view photography
Display studies
Heritage
Digitization of archives
História das exposições
Fotografia de exposição
Montagem
Património
Digitalização de arquivos
topic Exhibitions history
Exhibition view photography
Display studies
Heritage
Digitization of archives
História das exposições
Fotografia de exposição
Montagem
Património
Digitalização de arquivos
description Most museums produce, over time, a photographic archive. These visual archives tend to dominate the various documents used to reconstruct past exhibitions, and increasingly supply more and more publications, especially publications on the history of the institution. But, even more than this, they play a central role as essential sources for the history of exhibitions. By putting works in perspective with each other and the venue, and by showing the specific nature of a particular display, an exhibition view photograph is the outcome of a viewpoint (the eye of the photographer) and goes well beyond any form of reproduction. Questioning it as such opens up a particularly fruitful avenue of research, restores to the photographers their fundamental contribution to the history of art, and better reveals a creeping effect involving works being rendered heritage by exhibitions, an effect accentuated by photography and its digitization.
publishDate 2019
dc.date.none.fl_str_mv 2019
2019-01-01T00:00:00Z
2021-04-30T11:23:30Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/116430
url http://hdl.handle.net/10362/116430
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 1646-1762
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Instituto de História da Arte
publisher.none.fl_str_mv Instituto de História da Arte
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799138041234718720