Musical politics: Protest and dissent in Aotearoa New Zealand

Detalhes bibliográficos
Autor(a) principal: Stevens Booth, Alison
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10071/23440
Resumo: Popular songs play an important role in mobilising political campaigns by creating platforms for voices of protest and dissent in the discussion of significant issues that questions those in power. This research considers the role songs of protest and political dissent have played over the past 60 years of Aotearoa New Zealand’s postcolonial history. Political messages have been embedded in musical texts reflecting the region’s unique historical and cultural development, especially the positioning of its Pacific peoples (indigenous Māori and immigrants from other Pacific Islands) in issues and processes of political protest. In the 1960s and 1970s, when global human rights movements were gaining traction, in Aotearoa intense feelings over inequities and injustices manifested themselves in song. Māori land rights, sporting relations with the apartheid regime in South Africa and the programme of nuclear testing pursued by the French in the Pacific were all issues of major concern, provoking marches, occupations and boycotts. The social reforms and domestic processes experienced in the separation from Britain (1947) included a ‘coming out’ of difference and dissent and a ‘coming in’ of new cultural influences into the music industry by new waves of migration and the birth of the local recording industry (1960–1986). This case study features 17 representative recordings that cover a range of themes (racism, land rights, nuclear tests, climate change and political discontent) that attracted media attention and public debate. The results presented show how protest songs in Aotearoa continue to play an important role in mobilising political campaigns in the Pacific.
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spelling Musical politics: Protest and dissent in Aotearoa New ZealandProtest songsAotearoa New ZealandVoices of dissentMāori sovereigntyAnti-nuclear PacificPopular songs play an important role in mobilising political campaigns by creating platforms for voices of protest and dissent in the discussion of significant issues that questions those in power. This research considers the role songs of protest and political dissent have played over the past 60 years of Aotearoa New Zealand’s postcolonial history. Political messages have been embedded in musical texts reflecting the region’s unique historical and cultural development, especially the positioning of its Pacific peoples (indigenous Māori and immigrants from other Pacific Islands) in issues and processes of political protest. In the 1960s and 1970s, when global human rights movements were gaining traction, in Aotearoa intense feelings over inequities and injustices manifested themselves in song. Māori land rights, sporting relations with the apartheid regime in South Africa and the programme of nuclear testing pursued by the French in the Pacific were all issues of major concern, provoking marches, occupations and boycotts. The social reforms and domestic processes experienced in the separation from Britain (1947) included a ‘coming out’ of difference and dissent and a ‘coming in’ of new cultural influences into the music industry by new waves of migration and the birth of the local recording industry (1960–1986). This case study features 17 representative recordings that cover a range of themes (racism, land rights, nuclear tests, climate change and political discontent) that attracted media attention and public debate. The results presented show how protest songs in Aotearoa continue to play an important role in mobilising political campaigns in the Pacific.DINÂMIA'CET-Iscte2021-11-02T11:37:51Z2021-10-20T00:00:00Z2021-10-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10071/23440eng2182-303010.15847/cct.21963Stevens Booth, Alisoninfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-09T17:59:55Zoai:repositorio.iscte-iul.pt:10071/23440Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:31:36.585105Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Musical politics: Protest and dissent in Aotearoa New Zealand
title Musical politics: Protest and dissent in Aotearoa New Zealand
spellingShingle Musical politics: Protest and dissent in Aotearoa New Zealand
Stevens Booth, Alison
Protest songs
Aotearoa New Zealand
Voices of dissent
Māori sovereignty
Anti-nuclear Pacific
title_short Musical politics: Protest and dissent in Aotearoa New Zealand
title_full Musical politics: Protest and dissent in Aotearoa New Zealand
title_fullStr Musical politics: Protest and dissent in Aotearoa New Zealand
title_full_unstemmed Musical politics: Protest and dissent in Aotearoa New Zealand
title_sort Musical politics: Protest and dissent in Aotearoa New Zealand
author Stevens Booth, Alison
author_facet Stevens Booth, Alison
author_role author
dc.contributor.author.fl_str_mv Stevens Booth, Alison
dc.subject.por.fl_str_mv Protest songs
Aotearoa New Zealand
Voices of dissent
Māori sovereignty
Anti-nuclear Pacific
topic Protest songs
Aotearoa New Zealand
Voices of dissent
Māori sovereignty
Anti-nuclear Pacific
description Popular songs play an important role in mobilising political campaigns by creating platforms for voices of protest and dissent in the discussion of significant issues that questions those in power. This research considers the role songs of protest and political dissent have played over the past 60 years of Aotearoa New Zealand’s postcolonial history. Political messages have been embedded in musical texts reflecting the region’s unique historical and cultural development, especially the positioning of its Pacific peoples (indigenous Māori and immigrants from other Pacific Islands) in issues and processes of political protest. In the 1960s and 1970s, when global human rights movements were gaining traction, in Aotearoa intense feelings over inequities and injustices manifested themselves in song. Māori land rights, sporting relations with the apartheid regime in South Africa and the programme of nuclear testing pursued by the French in the Pacific were all issues of major concern, provoking marches, occupations and boycotts. The social reforms and domestic processes experienced in the separation from Britain (1947) included a ‘coming out’ of difference and dissent and a ‘coming in’ of new cultural influences into the music industry by new waves of migration and the birth of the local recording industry (1960–1986). This case study features 17 representative recordings that cover a range of themes (racism, land rights, nuclear tests, climate change and political discontent) that attracted media attention and public debate. The results presented show how protest songs in Aotearoa continue to play an important role in mobilising political campaigns in the Pacific.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-02T11:37:51Z
2021-10-20T00:00:00Z
2021-10-20
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10.15847/cct.21963
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