Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/87363 |
Resumo: | This is the story of an architect. The story of my grandfather Rui Goes Ferreira whose buildings and work are of utmost importance in the characterization of Madeira Island's architecture between the sixties and seventies. Today almost forgotten. This essay aims to uncover and dissect his practice, hoping to learn, think and spread his legacy. Amongst the various programs, building sites and circumstances, as well as activities and interests, the fields of Architecture, Urbanism, Art and Society can be identified. Graduated in the School of Oporto, Goes Ferreira moved to Madeira soon after his graduation and with him his reflexion on the social role of the architect. A work executed by a human to a human, Goes Ferreira looks at the landscape and the place as cultural data that needs to be integrated in the final structure. He brings human scale to architecture. It is humanized architecture. Learning about his work meant, at first, to be able to recognise the constructed reality, the memories and the documents that then lead to a deeper reflection. The reflection process was conducted by a "wordplay" (the words of Rui Goes Ferreira) that can only be found in his memoranda. The aim was to build a narrative about the work of this architect through the remaining memories and traces. The narrative comes in two separate moments exploring two different yet complementary ways of telling his story. A visual narrative accompanies a written narrative, admitting that the opposite is also valid. |
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Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978ArtesArtsThis is the story of an architect. The story of my grandfather Rui Goes Ferreira whose buildings and work are of utmost importance in the characterization of Madeira Island's architecture between the sixties and seventies. Today almost forgotten. This essay aims to uncover and dissect his practice, hoping to learn, think and spread his legacy. Amongst the various programs, building sites and circumstances, as well as activities and interests, the fields of Architecture, Urbanism, Art and Society can be identified. Graduated in the School of Oporto, Goes Ferreira moved to Madeira soon after his graduation and with him his reflexion on the social role of the architect. A work executed by a human to a human, Goes Ferreira looks at the landscape and the place as cultural data that needs to be integrated in the final structure. He brings human scale to architecture. It is humanized architecture. Learning about his work meant, at first, to be able to recognise the constructed reality, the memories and the documents that then lead to a deeper reflection. The reflection process was conducted by a "wordplay" (the words of Rui Goes Ferreira) that can only be found in his memoranda. The aim was to build a narrative about the work of this architect through the remaining memories and traces. The narrative comes in two separate moments exploring two different yet complementary ways of telling his story. A visual narrative accompanies a written narrative, admitting that the opposite is also valid.2016-11-032016-11-03T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/87363TID:201545276porMadalena Goes Ferreira de Vidigal Vieirainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:38:46Zoai:repositorio-aberto.up.pt:10216/87363Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:05:53.076594Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
title |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
spellingShingle |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 Madalena Goes Ferreira de Vidigal Vieira Artes Arts |
title_short |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
title_full |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
title_fullStr |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
title_full_unstemmed |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
title_sort |
Rui Goes Ferreira. Ensaios sobre uma obra interrompida. Madeira 1956-1978 |
author |
Madalena Goes Ferreira de Vidigal Vieira |
author_facet |
Madalena Goes Ferreira de Vidigal Vieira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Madalena Goes Ferreira de Vidigal Vieira |
dc.subject.por.fl_str_mv |
Artes Arts |
topic |
Artes Arts |
description |
This is the story of an architect. The story of my grandfather Rui Goes Ferreira whose buildings and work are of utmost importance in the characterization of Madeira Island's architecture between the sixties and seventies. Today almost forgotten. This essay aims to uncover and dissect his practice, hoping to learn, think and spread his legacy. Amongst the various programs, building sites and circumstances, as well as activities and interests, the fields of Architecture, Urbanism, Art and Society can be identified. Graduated in the School of Oporto, Goes Ferreira moved to Madeira soon after his graduation and with him his reflexion on the social role of the architect. A work executed by a human to a human, Goes Ferreira looks at the landscape and the place as cultural data that needs to be integrated in the final structure. He brings human scale to architecture. It is humanized architecture. Learning about his work meant, at first, to be able to recognise the constructed reality, the memories and the documents that then lead to a deeper reflection. The reflection process was conducted by a "wordplay" (the words of Rui Goes Ferreira) that can only be found in his memoranda. The aim was to build a narrative about the work of this architect through the remaining memories and traces. The narrative comes in two separate moments exploring two different yet complementary ways of telling his story. A visual narrative accompanies a written narrative, admitting that the opposite is also valid. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-11-03 2016-11-03T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/87363 TID:201545276 |
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https://hdl.handle.net/10216/87363 |
identifier_str_mv |
TID:201545276 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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