Perspectives on the Future for Sonic Writers

Detalhes bibliográficos
Autor(a) principal: Sarmento, Pedro
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9789
Resumo: This article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the authors’ historically-informed views about sound and music technologies. It starts by addressing the distinctions between the three categories of music-related inscriptions, in material, symbolic and signal form. It then reflects upon the parallelism this categorization has with the scope and topics within different conferences from the field of sound and music technology. Furthermore, it recounts the contributions of recent deep learning approaches in musical development, expanding on the books’ notions and offering an updated view concerning the specific purpose of automated music generation. Moreover, a contrast between the recent wave of AI-related technological developments and older scientific advances is discussed. Finally, driven by considerations about computational creativity in the field of music stated on Sonic Writing, this review propels a reflection regarding the role of machines in artistic creation.
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spelling Perspectives on the Future for Sonic WritersThis article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the authors’ historically-informed views about sound and music technologies. It starts by addressing the distinctions between the three categories of music-related inscriptions, in material, symbolic and signal form. It then reflects upon the parallelism this categorization has with the scope and topics within different conferences from the field of sound and music technology. Furthermore, it recounts the contributions of recent deep learning approaches in musical development, expanding on the books’ notions and offering an updated view concerning the specific purpose of automated music generation. Moreover, a contrast between the recent wave of AI-related technological developments and older scientific advances is discussed. Finally, driven by considerations about computational creativity in the field of music stated on Sonic Writing, this review propels a reflection regarding the role of machines in artistic creation.Universidade Católica Portuguesa2021-04-01T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/jsta.2021.9789oai:ojs.revistas.ucp.pt:article/9789Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-114Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-1142183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9789https://doi.org/10.34632/jsta.2021.9789https://revistas.ucp.pt/index.php/jsta/article/view/9789/9725Copyright (c) 2021 Pedro Pereira Sarmentohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSarmento, Pedro2022-09-22T16:19:28Zoai:ojs.revistas.ucp.pt:article/9789Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.007325Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Perspectives on the Future for Sonic Writers
title Perspectives on the Future for Sonic Writers
spellingShingle Perspectives on the Future for Sonic Writers
Sarmento, Pedro
title_short Perspectives on the Future for Sonic Writers
title_full Perspectives on the Future for Sonic Writers
title_fullStr Perspectives on the Future for Sonic Writers
title_full_unstemmed Perspectives on the Future for Sonic Writers
title_sort Perspectives on the Future for Sonic Writers
author Sarmento, Pedro
author_facet Sarmento, Pedro
author_role author
dc.contributor.author.fl_str_mv Sarmento, Pedro
description This article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the authors’ historically-informed views about sound and music technologies. It starts by addressing the distinctions between the three categories of music-related inscriptions, in material, symbolic and signal form. It then reflects upon the parallelism this categorization has with the scope and topics within different conferences from the field of sound and music technology. Furthermore, it recounts the contributions of recent deep learning approaches in musical development, expanding on the books’ notions and offering an updated view concerning the specific purpose of automated music generation. Moreover, a contrast between the recent wave of AI-related technological developments and older scientific advances is discussed. Finally, driven by considerations about computational creativity in the field of music stated on Sonic Writing, this review propels a reflection regarding the role of machines in artistic creation.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-01T00:00:00Z
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dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9789
oai:ojs.revistas.ucp.pt:article/9789
url https://doi.org/10.34632/jsta.2021.9789
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9789
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9789
https://doi.org/10.34632/jsta.2021.9789
https://revistas.ucp.pt/index.php/jsta/article/view/9789/9725
dc.rights.driver.fl_str_mv Copyright (c) 2021 Pedro Pereira Sarmento
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Pedro Pereira Sarmento
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-114
Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 110-114
2183-0088
1646-9798
10.34632/jsta.2021.13.1
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