Producing the Bestiary: From Text to Image

Detalhes bibliográficos
Autor(a) principal: Dines,Ilya
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-740X2021000100005
Resumo: In this paper, I investigate the relationship between the text and the images in medieval Latin bestiary manuscripts. Medieval bestiaries, which are derived from the ancient Physiologus, comprise a nearly 1800-year-old tradition and have spawned several hundreds of copies throughout Europe, including a smaller subset of Latin bestiaries. Summarizing the first ever comprehensive analysis of the entire corpus of Latin bestiaries, this paper examines the patterns of deviations, or exceptions from the rigorous canon governing bestiary illustrations. I use the deviations to investigate the relationship between the work of the scribe and that of the artist in the production of bestiary manuscripts in order to determine to what extent medieval artists used already existing illustrations, and, conversely, when and to what extent they were willing or able to deviate from the canon. In the latter case, I try to explore the artist’s possible motivations, as well as the reasons for choosing specific motifs.
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spelling Producing the Bestiary: From Text to ImagePhysiologusBestiariesDeviationsManuscriptsImagesIn this paper, I investigate the relationship between the text and the images in medieval Latin bestiary manuscripts. Medieval bestiaries, which are derived from the ancient Physiologus, comprise a nearly 1800-year-old tradition and have spawned several hundreds of copies throughout Europe, including a smaller subset of Latin bestiaries. Summarizing the first ever comprehensive analysis of the entire corpus of Latin bestiaries, this paper examines the patterns of deviations, or exceptions from the rigorous canon governing bestiary illustrations. I use the deviations to investigate the relationship between the work of the scribe and that of the artist in the production of bestiary manuscripts in order to determine to what extent medieval artists used already existing illustrations, and, conversely, when and to what extent they were willing or able to deviate from the canon. In the latter case, I try to explore the artist’s possible motivations, as well as the reasons for choosing specific motifs.Instituto de Estudos Medievais, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa2021-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-740X2021000100005Medievalista n.29 2021reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-740X2021000100005Dines,Ilyainfo:eu-repo/semantics/openAccess2024-02-06T17:23:31Zoai:scielo:S1646-740X2021000100005Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:29:42.866261Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Producing the Bestiary: From Text to Image
title Producing the Bestiary: From Text to Image
spellingShingle Producing the Bestiary: From Text to Image
Dines,Ilya
Physiologus
Bestiaries
Deviations
Manuscripts
Images
title_short Producing the Bestiary: From Text to Image
title_full Producing the Bestiary: From Text to Image
title_fullStr Producing the Bestiary: From Text to Image
title_full_unstemmed Producing the Bestiary: From Text to Image
title_sort Producing the Bestiary: From Text to Image
author Dines,Ilya
author_facet Dines,Ilya
author_role author
dc.contributor.author.fl_str_mv Dines,Ilya
dc.subject.por.fl_str_mv Physiologus
Bestiaries
Deviations
Manuscripts
Images
topic Physiologus
Bestiaries
Deviations
Manuscripts
Images
description In this paper, I investigate the relationship between the text and the images in medieval Latin bestiary manuscripts. Medieval bestiaries, which are derived from the ancient Physiologus, comprise a nearly 1800-year-old tradition and have spawned several hundreds of copies throughout Europe, including a smaller subset of Latin bestiaries. Summarizing the first ever comprehensive analysis of the entire corpus of Latin bestiaries, this paper examines the patterns of deviations, or exceptions from the rigorous canon governing bestiary illustrations. I use the deviations to investigate the relationship between the work of the scribe and that of the artist in the production of bestiary manuscripts in order to determine to what extent medieval artists used already existing illustrations, and, conversely, when and to what extent they were willing or able to deviate from the canon. In the latter case, I try to explore the artist’s possible motivations, as well as the reasons for choosing specific motifs.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-740X2021000100005
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dc.language.iso.fl_str_mv eng
language eng
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dc.format.none.fl_str_mv text/html
dc.publisher.none.fl_str_mv Instituto de Estudos Medievais, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa
publisher.none.fl_str_mv Instituto de Estudos Medievais, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa
dc.source.none.fl_str_mv Medievalista n.29 2021
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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