Em bruto : um silêncio a duas vozes
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/50694 |
Resumo: | Through the drawing tool, Cristiana Silva elaborates a set of registers where shelooks for and explores issues of identity as well as inherent moments, these being fragmented to a unique identity that in turn is dispersed from the initial image captured. By recording several moments of his daily and intimate life, as in an archival manner as well as safeguarding something that is in itself immaterial to safeguard, she revives it again and reinterprets it through constructive processes of drawing, transferring it, that abstratic and incapable of replacing to an a Another platform, another support, another purpose. Through Drawing, as well as her skills and characteristics acquired to date, Cristiana, simultaneously explores not only the divergences of innumerable errors that occur in the moment, and therefore, develop through it different means of dialogue, plastic exploration, communication process and continuation among themselves, among others, as well as self-recognition of inherent successive moments, frozen in an memory attachment. Drawing is not only a means of communication but also a source of self-discovery, as a unit, as a tool for communication and thinking. Thus, in this way, the Project started in 2015, during the course of the BA, at the Faculty of Licenciatura de Belas Artes, where it has been extended to date. It is a project that continues in continuity with its identity, which in turn was still very new at the time, where it is possible to see a growth, not only in its practical exploration but also as being, character, person. |
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Em bruto : um silêncio a duas vozesSilva, Cristiana, 1992-DesenhoRetratoMemóriaIdentidadeVestígios (Desenho)Percepção visualPsicologia das coresDomínio/Área Científica::Humanidades::ArtesThrough the drawing tool, Cristiana Silva elaborates a set of registers where shelooks for and explores issues of identity as well as inherent moments, these being fragmented to a unique identity that in turn is dispersed from the initial image captured. By recording several moments of his daily and intimate life, as in an archival manner as well as safeguarding something that is in itself immaterial to safeguard, she revives it again and reinterprets it through constructive processes of drawing, transferring it, that abstratic and incapable of replacing to an a Another platform, another support, another purpose. Through Drawing, as well as her skills and characteristics acquired to date, Cristiana, simultaneously explores not only the divergences of innumerable errors that occur in the moment, and therefore, develop through it different means of dialogue, plastic exploration, communication process and continuation among themselves, among others, as well as self-recognition of inherent successive moments, frozen in an memory attachment. Drawing is not only a means of communication but also a source of self-discovery, as a unit, as a tool for communication and thinking. Thus, in this way, the Project started in 2015, during the course of the BA, at the Faculty of Licenciatura de Belas Artes, where it has been extended to date. It is a project that continues in continuity with its identity, which in turn was still very new at the time, where it is possible to see a growth, not only in its practical exploration but also as being, character, person.Sousa, Ana Isabel Tudela Lima Gonçalves deRepositório da Universidade de LisboaSilva, Cristiana Amorim Ribeiro da2022-01-04T15:31:32Z2021-12-152021-12-15T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfapplication/pdfhttp://hdl.handle.net/10451/50694TID:202830586porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:55:00Zoai:repositorio.ul.pt:10451/50694Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:02:05.816452Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Em bruto : um silêncio a duas vozes |
title |
Em bruto : um silêncio a duas vozes |
spellingShingle |
Em bruto : um silêncio a duas vozes Silva, Cristiana Amorim Ribeiro da Silva, Cristiana, 1992- Desenho Retrato Memória Identidade Vestígios (Desenho) Percepção visual Psicologia das cores Domínio/Área Científica::Humanidades::Artes |
title_short |
Em bruto : um silêncio a duas vozes |
title_full |
Em bruto : um silêncio a duas vozes |
title_fullStr |
Em bruto : um silêncio a duas vozes |
title_full_unstemmed |
Em bruto : um silêncio a duas vozes |
title_sort |
Em bruto : um silêncio a duas vozes |
author |
Silva, Cristiana Amorim Ribeiro da |
author_facet |
Silva, Cristiana Amorim Ribeiro da |
author_role |
author |
dc.contributor.none.fl_str_mv |
Sousa, Ana Isabel Tudela Lima Gonçalves de Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Silva, Cristiana Amorim Ribeiro da |
dc.subject.por.fl_str_mv |
Silva, Cristiana, 1992- Desenho Retrato Memória Identidade Vestígios (Desenho) Percepção visual Psicologia das cores Domínio/Área Científica::Humanidades::Artes |
topic |
Silva, Cristiana, 1992- Desenho Retrato Memória Identidade Vestígios (Desenho) Percepção visual Psicologia das cores Domínio/Área Científica::Humanidades::Artes |
description |
Through the drawing tool, Cristiana Silva elaborates a set of registers where shelooks for and explores issues of identity as well as inherent moments, these being fragmented to a unique identity that in turn is dispersed from the initial image captured. By recording several moments of his daily and intimate life, as in an archival manner as well as safeguarding something that is in itself immaterial to safeguard, she revives it again and reinterprets it through constructive processes of drawing, transferring it, that abstratic and incapable of replacing to an a Another platform, another support, another purpose. Through Drawing, as well as her skills and characteristics acquired to date, Cristiana, simultaneously explores not only the divergences of innumerable errors that occur in the moment, and therefore, develop through it different means of dialogue, plastic exploration, communication process and continuation among themselves, among others, as well as self-recognition of inherent successive moments, frozen in an memory attachment. Drawing is not only a means of communication but also a source of self-discovery, as a unit, as a tool for communication and thinking. Thus, in this way, the Project started in 2015, during the course of the BA, at the Faculty of Licenciatura de Belas Artes, where it has been extended to date. It is a project that continues in continuity with its identity, which in turn was still very new at the time, where it is possible to see a growth, not only in its practical exploration but also as being, character, person. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-15 2021-12-15T00:00:00Z 2022-01-04T15:31:32Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/50694 TID:202830586 |
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por |
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openAccess |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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