Jam sessions in Manhattan: scene, ritual and race

Detalhes bibliográficos
Autor(a) principal: Pinheiro, Ricardo
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.21/11239
Resumo: This paper addresses the relations between jazz jam sessions in Manhattan and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for learning the performative styles of jazz, the development of the creative process, the construction of professional networks and the establishment of the status of musicians. Starting from the analysis of five venues of jazz performance in Manhattan, New York, I demonstrate the importance of participating in jam sessions in the professional careers of jazz musicians by examining their relationship with this performative occasion.
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spelling Jam sessions in Manhattan: scene, ritual and raceJazzJam sessionRitualRacePerformanceThis paper addresses the relations between jazz jam sessions in Manhattan and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for learning the performative styles of jazz, the development of the creative process, the construction of professional networks and the establishment of the status of musicians. Starting from the analysis of five venues of jazz performance in Manhattan, New York, I demonstrate the importance of participating in jam sessions in the professional careers of jazz musicians by examining their relationship with this performative occasion.Edições Ex-Libris (chancela Sítio do Livro)RCIPLPinheiro, Ricardo2020-03-12T11:53:54Z20142014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/11239engPinheiro, Ricardo. 2014. “Jam Sessions in Manhattan: Scene, Ritual and Race”. In Music and shared imaginaries: nationalisms, communities, and choral singing – Proceedings, Eds. Maria do Rosário Pestana e Helena Marinho: 365-374. Edições Ex-Libris (chancela Sítio do Livro) (ISBN: 978-989-8714-41-1).978-989-8714-41-1info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T10:02:16Zoai:repositorio.ipl.pt:10400.21/11239Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:19:31.758470Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Jam sessions in Manhattan: scene, ritual and race
title Jam sessions in Manhattan: scene, ritual and race
spellingShingle Jam sessions in Manhattan: scene, ritual and race
Pinheiro, Ricardo
Jazz
Jam session
Ritual
Race
Performance
title_short Jam sessions in Manhattan: scene, ritual and race
title_full Jam sessions in Manhattan: scene, ritual and race
title_fullStr Jam sessions in Manhattan: scene, ritual and race
title_full_unstemmed Jam sessions in Manhattan: scene, ritual and race
title_sort Jam sessions in Manhattan: scene, ritual and race
author Pinheiro, Ricardo
author_facet Pinheiro, Ricardo
author_role author
dc.contributor.none.fl_str_mv RCIPL
dc.contributor.author.fl_str_mv Pinheiro, Ricardo
dc.subject.por.fl_str_mv Jazz
Jam session
Ritual
Race
Performance
topic Jazz
Jam session
Ritual
Race
Performance
description This paper addresses the relations between jazz jam sessions in Manhattan and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for learning the performative styles of jazz, the development of the creative process, the construction of professional networks and the establishment of the status of musicians. Starting from the analysis of five venues of jazz performance in Manhattan, New York, I demonstrate the importance of participating in jam sessions in the professional careers of jazz musicians by examining their relationship with this performative occasion.
publishDate 2014
dc.date.none.fl_str_mv 2014
2014-01-01T00:00:00Z
2020-03-12T11:53:54Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.21/11239
url http://hdl.handle.net/10400.21/11239
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Pinheiro, Ricardo. 2014. “Jam Sessions in Manhattan: Scene, Ritual and Race”. In Music and shared imaginaries: nationalisms, communities, and choral singing – Proceedings, Eds. Maria do Rosário Pestana e Helena Marinho: 365-374. Edições Ex-Libris (chancela Sítio do Livro) (ISBN: 978-989-8714-41-1).
978-989-8714-41-1
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