Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/24740 |
Resumo: | The concept of imitation, as a creative process, allows for different ways of referring to a model text, as the author may prefer the resemblance to be more or less apparent. While it might be expected that Diogo Bernardes would follow his "mestre" António Ferreira, and stick very closely to the imitated text, in fact, like Luís de Camões, he favours imitation as Petrarch defined it, relying on similitudo. Both Bernardes and Camões aim clearly at emulation and producing an original poem, one that resembles Virgil and Sannazaro, and at the same time is entirely new. |
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Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António FerreiraImitação na écloga portuguesa quinhentista: Diogo Bernardes, Camões, António FerreiraEclogueImitatioThe concept of imitation, as a creative process, allows for different ways of referring to a model text, as the author may prefer the resemblance to be more or less apparent. While it might be expected that Diogo Bernardes would follow his "mestre" António Ferreira, and stick very closely to the imitated text, in fact, like Luís de Camões, he favours imitation as Petrarch defined it, relying on similitudo. Both Bernardes and Camões aim clearly at emulation and producing an original poem, one that resembles Virgil and Sannazaro, and at the same time is entirely new.Centro de Estudos ClássicosRepositório da Universidade de LisboaFerreira, Ana2016-09-26T11:43:11Z20132013-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/24740enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-12T01:17:49Zoai:repositorio.ul.pt:10451/24740Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:41:48.140241Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira Imitação na écloga portuguesa quinhentista: Diogo Bernardes, Camões, António Ferreira |
title |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira |
spellingShingle |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira Ferreira, Ana Eclogue Imitatio |
title_short |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira |
title_full |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira |
title_fullStr |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira |
title_full_unstemmed |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira |
title_sort |
Imitation in Sixteenth-century Portuguese Eclogues: Diogo Bernardes, Camões, António Ferreira |
author |
Ferreira, Ana |
author_facet |
Ferreira, Ana |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Ferreira, Ana |
dc.subject.por.fl_str_mv |
Eclogue Imitatio |
topic |
Eclogue Imitatio |
description |
The concept of imitation, as a creative process, allows for different ways of referring to a model text, as the author may prefer the resemblance to be more or less apparent. While it might be expected that Diogo Bernardes would follow his "mestre" António Ferreira, and stick very closely to the imitated text, in fact, like Luís de Camões, he favours imitation as Petrarch defined it, relying on similitudo. Both Bernardes and Camões aim clearly at emulation and producing an original poem, one that resembles Virgil and Sannazaro, and at the same time is entirely new. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013 2013-01-01T00:00:00Z 2016-09-26T11:43:11Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/24740 |
url |
http://hdl.handle.net/10451/24740 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Centro de Estudos Clássicos |
publisher.none.fl_str_mv |
Centro de Estudos Clássicos |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799134330052673536 |