Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/4720 |
Resumo: | In 1990, Hilda Hilst announces she would be leaving serious literature and would write pornografphy to earn money and readers. However, since the 1970s, there is in her speech a declared tension between what she writes and what editors and readers would like her to write. From the viewpoint of lacanian psychoanalysis, it can be said that in this speech is in question the attempt always impossible of satisfying the demand of the Other. Such discourse permeates the work of Hilda Hilst, so much so that her first prose tale, "Fluxo", has writing as a theme and as in line with his speech, the character Ruiska, writer, is also trying to satisfy the demand of the Other. Faced with this impasse between what he would like to write and what the editor required, Ruiska succumbs and goes mad. When Hilda Hilst announces she would write porn, she seems to have yielded to the pleas of publishers and would offer the target-object, object demanded. Various aspects of pornography make it operate via the sense, leading to an enjoyment of sense and thus getting the level of demand. However, Hilda Hilst, in the book O caderno rosa de Lori Lamby , subverts the usual procedures of pornography that would take this to operate via the sense, making her pornographic writing operate by way of the enjoyment out-of-sense, making an edge to the actual passing of impotence and inability for allowing something that meshes of desire. Thus, Hilda Hilst´s pornography now functions as an anal object a, double-face, which seems to have the brightness agalma, but which is actually garbage. |
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Morel, Kátila Kristhina KormannAlves-Bezerra, Wilsonhttp://lattes.cnpq.br/1602719736498812http://lattes.cnpq.br/5122520095282946ada305d8-8a9b-44f3-89a8-8067985d80982016-06-02T20:11:02Z2013-11-192016-06-02T20:11:02Z2013-10-02MOREL, Kátila Kristhina Kormann. Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst. 2013. 82 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2013.https://repositorio.ufscar.br/handle/ufscar/4720In 1990, Hilda Hilst announces she would be leaving serious literature and would write pornografphy to earn money and readers. However, since the 1970s, there is in her speech a declared tension between what she writes and what editors and readers would like her to write. From the viewpoint of lacanian psychoanalysis, it can be said that in this speech is in question the attempt always impossible of satisfying the demand of the Other. Such discourse permeates the work of Hilda Hilst, so much so that her first prose tale, "Fluxo", has writing as a theme and as in line with his speech, the character Ruiska, writer, is also trying to satisfy the demand of the Other. Faced with this impasse between what he would like to write and what the editor required, Ruiska succumbs and goes mad. When Hilda Hilst announces she would write porn, she seems to have yielded to the pleas of publishers and would offer the target-object, object demanded. Various aspects of pornography make it operate via the sense, leading to an enjoyment of sense and thus getting the level of demand. However, Hilda Hilst, in the book O caderno rosa de Lori Lamby , subverts the usual procedures of pornography that would take this to operate via the sense, making her pornographic writing operate by way of the enjoyment out-of-sense, making an edge to the actual passing of impotence and inability for allowing something that meshes of desire. Thus, Hilda Hilst´s pornography now functions as an anal object a, double-face, which seems to have the brightness agalma, but which is actually garbage.Na década de 1990, Hilda Hilst anuncia que abandonaria a literatura séria e passaria a escrever pornografia para ganhar dinheiro e leitores. Porém, desde a década de 1970, há em seu discurso, uma tensão declarada entre o que ela escreve e o que ela diz editores e leitores gostariam que ela escrevesse. A hipótese deste trabalho a partir da perspectiva da psicanálise lacaniana é que nesse discurso está em questão a tentativa sempre impossível de satisfazer a demanda do Outro, pois se fica na impotência diante dessa demanda. Tal discurso permeia a obra de Hilda Hilst, tanto que seu primeiro conto em prosa, Fluxo , tem a escrita como tema e, como que em consonância com seu discurso, o personagem Ruiska, escritor, também fica na impotência diante da demanda do Outro. Diante do impasse entre escrever o que gostaria e o que o editor exige, Ruiska sucumbe e enlouquece. Quando anuncia que passaria a escrever pornografia, Hilda Hilst parece ter cedido aos apelos dos editores e iria oferecer o objeto-visado, objeto de demanda. Diversos aspectos da pornografia fazem com que ela opere pela via do sentido, levando a um gozo do sentido e, portanto, ficando no nível da demanda. Contudo, Hilda Hilst, em O caderno rosa de Lori Lamby, subverte os procedimentos usuais da pornografia que a levariam a operar pela via do sentido, fazendo com que sua escrita pornográfica opere pela via do gozo fora-do-sentido, efetuando uma borda para o real, passando da impotência para a impossibilidade e possibilitando que se articule algo do desejo. Assim, discute-se neste trabalho o modo como a pornografia de Hilda Hilst passa a funcionar como um objeto a anal, dupla-face, que parece ter o brilho do agalma, mas que na verdade é o lixo.Financiadora de Estudos e Projetosapplication/pdfporUniversidade Federal de São CarlosPrograma de Pós-Graduação em Estudos de Literatura - PPGLitUFSCarBRLiteratura - psicologiaPsicanáliseHilst, Hilda, 1930-2004EscritaPornografiaWrintingPornographyPsychoanalysisLINGUISTICA, LETRAS E ARTES::LETRASDa impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilstinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1-1cb72efad-17a7-46f7-a578-134e55a768fdinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINAL5558.pdfapplication/pdf995164https://repositorio.ufscar.br/bitstream/ufscar/4720/1/5558.pdfe8e2e219a5669fc0877d5fcd541e462fMD51TEXT5558.pdf.txt5558.pdf.txtExtracted texttext/plain0https://repositorio.ufscar.br/bitstream/ufscar/4720/2/5558.pdf.txtd41d8cd98f00b204e9800998ecf8427eMD52THUMBNAIL5558.pdf.jpg5558.pdf.jpgIM Thumbnailimage/jpeg7223https://repositorio.ufscar.br/bitstream/ufscar/4720/3/5558.pdf.jpg183c4e66d06358bab17ea8d6abfec77dMD53ufscar/47202023-09-18 18:31:35.058oai:repositorio.ufscar.br:ufscar/4720Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:35Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
title |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
spellingShingle |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst Morel, Kátila Kristhina Kormann Literatura - psicologia Psicanálise Hilst, Hilda, 1930-2004 Escrita Pornografia Wrinting Pornography Psychoanalysis LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
title_full |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
title_fullStr |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
title_full_unstemmed |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
title_sort |
Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst |
author |
Morel, Kátila Kristhina Kormann |
author_facet |
Morel, Kátila Kristhina Kormann |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/5122520095282946 |
dc.contributor.author.fl_str_mv |
Morel, Kátila Kristhina Kormann |
dc.contributor.advisor1.fl_str_mv |
Alves-Bezerra, Wilson |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1602719736498812 |
dc.contributor.authorID.fl_str_mv |
ada305d8-8a9b-44f3-89a8-8067985d8098 |
contributor_str_mv |
Alves-Bezerra, Wilson |
dc.subject.por.fl_str_mv |
Literatura - psicologia Psicanálise Hilst, Hilda, 1930-2004 Escrita Pornografia |
topic |
Literatura - psicologia Psicanálise Hilst, Hilda, 1930-2004 Escrita Pornografia Wrinting Pornography Psychoanalysis LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Wrinting Pornography Psychoanalysis |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
In 1990, Hilda Hilst announces she would be leaving serious literature and would write pornografphy to earn money and readers. However, since the 1970s, there is in her speech a declared tension between what she writes and what editors and readers would like her to write. From the viewpoint of lacanian psychoanalysis, it can be said that in this speech is in question the attempt always impossible of satisfying the demand of the Other. Such discourse permeates the work of Hilda Hilst, so much so that her first prose tale, "Fluxo", has writing as a theme and as in line with his speech, the character Ruiska, writer, is also trying to satisfy the demand of the Other. Faced with this impasse between what he would like to write and what the editor required, Ruiska succumbs and goes mad. When Hilda Hilst announces she would write porn, she seems to have yielded to the pleas of publishers and would offer the target-object, object demanded. Various aspects of pornography make it operate via the sense, leading to an enjoyment of sense and thus getting the level of demand. However, Hilda Hilst, in the book O caderno rosa de Lori Lamby , subverts the usual procedures of pornography that would take this to operate via the sense, making her pornographic writing operate by way of the enjoyment out-of-sense, making an edge to the actual passing of impotence and inability for allowing something that meshes of desire. Thus, Hilda Hilst´s pornography now functions as an anal object a, double-face, which seems to have the brightness agalma, but which is actually garbage. |
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2013 |
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2013-11-19 2016-06-02T20:11:02Z |
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2013-10-02 |
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2016-06-02T20:11:02Z |
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MOREL, Kátila Kristhina Kormann. Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst. 2013. 82 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2013. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/4720 |
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MOREL, Kátila Kristhina Kormann. Da impotência à impossibilidade: a escrita do objeto a na pornografia de Hilda Hilst. 2013. 82 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2013. |
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