A arte-spray de Banksy : grafite e videografia
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/7972 |
Resumo: | This research aims to investigate the mechanisms of creation and production by the British artist Banksy, the leading exponent of what became known as Street Art in the early 2000. It starts with his incursion as an audiovisual director of the work launched in 2010 Exit Through the Gift Shop to discuss the relations between the street artist and the documentary filmmaker. From the constitutive elements of the filmic text it is noticed various mirroring of the processes initiated by the artist: appropriation and subversion of cultural texts, parodying and social criticism. Initially it discusses the film from the perspective of some film theories (markedly the documentary film) and other film genres. Following it draws up an overview of the genesis of Street Art and its reception and finally it shows the intersection and dialogue between the street artist and the documentary filmmaker based on the proposals of Julio Plaza and the Intersemiotic Translation. |
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Estevão, Gustavo RussoMonzani, Josette Maria Alves de Souzahttp://lattes.cnpq.br/0505156751073470http://lattes.cnpq.br/8260704953444206f06bf357-aaca-44cd-ac1d-bfe946345d2a2016-10-20T16:18:03Z2016-10-20T16:18:03Z2016-03-24ESTEVÃO, Gustavo Russo. A arte-spray de Banksy : grafite e videografia. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/7972.https://repositorio.ufscar.br/handle/ufscar/7972This research aims to investigate the mechanisms of creation and production by the British artist Banksy, the leading exponent of what became known as Street Art in the early 2000. It starts with his incursion as an audiovisual director of the work launched in 2010 Exit Through the Gift Shop to discuss the relations between the street artist and the documentary filmmaker. From the constitutive elements of the filmic text it is noticed various mirroring of the processes initiated by the artist: appropriation and subversion of cultural texts, parodying and social criticism. Initially it discusses the film from the perspective of some film theories (markedly the documentary film) and other film genres. Following it draws up an overview of the genesis of Street Art and its reception and finally it shows the intersection and dialogue between the street artist and the documentary filmmaker based on the proposals of Julio Plaza and the Intersemiotic Translation.A pesquisa propõe a investigação dos mecanismos de criação e produção do artista britânico Banksy, principal expoente do movimento que ficou conhecido como arte de rua no início dos anos 2000. Parte-se de sua incursão como diretor audiovisual da obra Exit Through the Gift Shop, lançada em 2010, para discutir as relações entre o artista de rua e o documentarista Banksy. A partir dos elementos constitutivos do texto fílmico, notam-se espelhamentos com os processos encetados pelo artista: apropriação e subversão de textos culturais, parodização, crítica social. Inicialmente, discute-se o filme pela perspectiva das teorias do cinema (marcadamente de filmes documentários) e dos gêneros cinematográficos. Em seguida, traça- se um panorama sobre a gênese da arte de rua e sua recepção; e, finalmente, os processos de intersecção e diálogo entre o artista de rua e o documentarista, embasados principalmente nas propostas de Julio Plaza e da Tradução Intersemiótica.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)porUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Imagem e Som - PPGISUFSCarTeorias do documentárioArte de ruaBanksyArte-sprayDocumentary TheoryStreet ArtBanksySpray ArtLINGUISTICA, LETRAS E ARTES::ARTESA arte-spray de Banksy : grafite e videografiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline600600783fbbc1-af12-4b4e-9699-e69e7658e5feinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDissGRE.pdfDissGRE.pdfapplication/pdf20596395https://repositorio.ufscar.br/bitstream/ufscar/7972/1/DissGRE.pdf662d48320b8a4f1d65cde94f98b0731eMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/7972/2/license.txtae0398b6f8b235e40ad82cba6c50031dMD52TEXTDissGRE.pdf.txtDissGRE.pdf.txtExtracted texttext/plain316761https://repositorio.ufscar.br/bitstream/ufscar/7972/3/DissGRE.pdf.txt068e38a193561799496861f571d7c1c9MD53THUMBNAILDissGRE.pdf.jpgDissGRE.pdf.jpgIM Thumbnailimage/jpeg5099https://repositorio.ufscar.br/bitstream/ufscar/7972/4/DissGRE.pdf.jpgee3d1c63e33ca661b729775bc8a493d1MD54ufscar/79722023-09-18 18:31:06.459oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:06Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
A arte-spray de Banksy : grafite e videografia |
title |
A arte-spray de Banksy : grafite e videografia |
spellingShingle |
A arte-spray de Banksy : grafite e videografia Estevão, Gustavo Russo Teorias do documentário Arte de rua Banksy Arte-spray Documentary Theory Street Art Banksy Spray Art LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
A arte-spray de Banksy : grafite e videografia |
title_full |
A arte-spray de Banksy : grafite e videografia |
title_fullStr |
A arte-spray de Banksy : grafite e videografia |
title_full_unstemmed |
A arte-spray de Banksy : grafite e videografia |
title_sort |
A arte-spray de Banksy : grafite e videografia |
author |
Estevão, Gustavo Russo |
author_facet |
Estevão, Gustavo Russo |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://lattes.cnpq.br/8260704953444206 |
dc.contributor.author.fl_str_mv |
Estevão, Gustavo Russo |
dc.contributor.advisor1.fl_str_mv |
Monzani, Josette Maria Alves de Souza |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0505156751073470 |
dc.contributor.authorID.fl_str_mv |
f06bf357-aaca-44cd-ac1d-bfe946345d2a |
contributor_str_mv |
Monzani, Josette Maria Alves de Souza |
dc.subject.por.fl_str_mv |
Teorias do documentário Arte de rua Banksy Arte-spray |
topic |
Teorias do documentário Arte de rua Banksy Arte-spray Documentary Theory Street Art Banksy Spray Art LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Documentary Theory Street Art Banksy Spray Art |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES |
description |
This research aims to investigate the mechanisms of creation and production by the British artist Banksy, the leading exponent of what became known as Street Art in the early 2000. It starts with his incursion as an audiovisual director of the work launched in 2010 Exit Through the Gift Shop to discuss the relations between the street artist and the documentary filmmaker. From the constitutive elements of the filmic text it is noticed various mirroring of the processes initiated by the artist: appropriation and subversion of cultural texts, parodying and social criticism. Initially it discusses the film from the perspective of some film theories (markedly the documentary film) and other film genres. Following it draws up an overview of the genesis of Street Art and its reception and finally it shows the intersection and dialogue between the street artist and the documentary filmmaker based on the proposals of Julio Plaza and the Intersemiotic Translation. |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-10-20T16:18:03Z |
dc.date.available.fl_str_mv |
2016-10-20T16:18:03Z |
dc.date.issued.fl_str_mv |
2016-03-24 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
ESTEVÃO, Gustavo Russo. A arte-spray de Banksy : grafite e videografia. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/7972. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/7972 |
identifier_str_mv |
ESTEVÃO, Gustavo Russo. A arte-spray de Banksy : grafite e videografia. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/7972. |
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https://repositorio.ufscar.br/handle/ufscar/7972 |
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por |
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600 600 |
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openAccess |
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Universidade Federal de São Carlos Câmpus São Carlos |
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Programa de Pós-Graduação em Imagem e Som - PPGIS |
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UFSCar |
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Universidade Federal de São Carlos Câmpus São Carlos |
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