Jane Eyre: do romance (1847) ao filme (2011)

Detalhes bibliográficos
Autor(a) principal: Nascimento, Sandra Mônica do
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFSCAR
Texto Completo: https://repositorio.ufscar.br/handle/ufscar/4726
Resumo: This dissertation aims to investigate how the Charlotte Brontë s literary project presents in the novel, Jane Eyre (1847), through female authorship, and, as its transposition into Cinema, the movie version by Cary Joji Fukunaga´s Jane Eyre (2011) occurs. The literary project of the author focuses on the issue of gender and its concern was to give voice to the women of her time. The director´s project for this movie comes from melodrama to the triumph of love search. The purpose of analysis is to understand how the interpretation of this source-novel occurs in the 21st century, with the aim of examining how this story is reread, seeking current interpretive understanding of the novel through the film. Thus, this study will demonstrate the importance of the periodization as proposed by Jameson (1992) for the reading of the novel and its transcreation, according to Campos (2004), considering the relationship between economic s, political, social and aesthetic characteristics of each period, as also teaches Candido (1967). The research was developed through the reading the novel, of the theoretical works about the author as well as the director and analysis of filmic narrative.
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spelling Nascimento, Sandra Mônica doFerreira, Carla Alexandrahttp://lattes.cnpq.br/5522506928191940http://lattes.cnpq.br/7591865370805800540625de-5456-417b-968e-4b01a42454632016-06-02T20:11:03Z2014-09-172016-06-02T20:11:03Z2014-02-28NASCIMENTO, Sandra Mônica do. Jane Eyre: do romance (1847) ao filme (2011). 2014. 123 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2014.https://repositorio.ufscar.br/handle/ufscar/4726This dissertation aims to investigate how the Charlotte Brontë s literary project presents in the novel, Jane Eyre (1847), through female authorship, and, as its transposition into Cinema, the movie version by Cary Joji Fukunaga´s Jane Eyre (2011) occurs. The literary project of the author focuses on the issue of gender and its concern was to give voice to the women of her time. The director´s project for this movie comes from melodrama to the triumph of love search. The purpose of analysis is to understand how the interpretation of this source-novel occurs in the 21st century, with the aim of examining how this story is reread, seeking current interpretive understanding of the novel through the film. Thus, this study will demonstrate the importance of the periodization as proposed by Jameson (1992) for the reading of the novel and its transcreation, according to Campos (2004), considering the relationship between economic s, political, social and aesthetic characteristics of each period, as also teaches Candido (1967). The research was developed through the reading the novel, of the theoretical works about the author as well as the director and analysis of filmic narrative.Esta dissertação tem por objetivo demonstrar como o projeto literário de Charlotte Brontë se apresenta no romance Jane Eyre (1847), por meio da autoria feminina, como ocorre sua transposição para o Cinema, na versão fílmica, de Cary Joji Fukunaga, Jane Eyre (2011). O projeto literário da autora concentra-se na questão de gênero e sua preocupação foi a de dar voz à mulher de seu tempo. O projeto do diretor para esse filme parte do melodrama para o triunfo da busca pelo amor. O intuito de análise é perceber como ocorre a interpretação desse romance-fonte no século XXI, com o objetivo de analisar como essa história é relida, buscando a compreensão interpretativa desse romance-fonte na atualidade pelo olhar fílmico. Neste âmbito, este estudo demonstrará a importância da periodização conforme proposto por Jameson (1992) para a leitura do romance e de sua transcriação, de acordo com Campos (2004), considerando as relações entre as características econômicas, políticas, sociais e estéticas de cada período, conforme também nos ensina Candido (1967). A pesquisa foi desenvolvida por meio da leitura do romance, de obras teóricas sobre a autora e o diretor e análise da narrativa cinematográfica.Financiadora de Estudos e Projetosapplication/pdfporUniversidade Federal de São CarlosPrograma de Pós-Graduação em Estudos de Literatura - PPGLitUFSCarBRLiteratura inglesaCinemaAutoria femininaTranscriaçãoBrontë, Charlotte, 1816-1855Fukunaga, Cary Joji, 1977-Literatura oitocentistaNineteenth century literatureFemale authorshipTranscreationCinemaLINGUISTICA, LETRAS E ARTES::LETRASJane Eyre: do romance (1847) ao filme (2011)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1-1f7cc76a6-d359-4a4c-a2fe-5501ada03f9finfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINAL6144.pdfapplication/pdf32503381https://repositorio.ufscar.br/bitstream/ufscar/4726/1/6144.pdfd3df6020c184821212fe5bd618dc0890MD51TEXT6144.pdf.txt6144.pdf.txtExtracted texttext/plain0https://repositorio.ufscar.br/bitstream/ufscar/4726/2/6144.pdf.txtd41d8cd98f00b204e9800998ecf8427eMD52THUMBNAIL6144.pdf.jpg6144.pdf.jpgIM Thumbnailimage/jpeg6654https://repositorio.ufscar.br/bitstream/ufscar/4726/3/6144.pdf.jpg88e3eb4d92bb5c26430f97202a97331cMD53ufscar/47262023-09-18 18:31:34.988oai:repositorio.ufscar.br:ufscar/4726Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:34Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false
dc.title.por.fl_str_mv Jane Eyre: do romance (1847) ao filme (2011)
title Jane Eyre: do romance (1847) ao filme (2011)
spellingShingle Jane Eyre: do romance (1847) ao filme (2011)
Nascimento, Sandra Mônica do
Literatura inglesa
Cinema
Autoria feminina
Transcriação
Brontë, Charlotte, 1816-1855
Fukunaga, Cary Joji, 1977-
Literatura oitocentista
Nineteenth century literature
Female authorship
Transcreation
Cinema
LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Jane Eyre: do romance (1847) ao filme (2011)
title_full Jane Eyre: do romance (1847) ao filme (2011)
title_fullStr Jane Eyre: do romance (1847) ao filme (2011)
title_full_unstemmed Jane Eyre: do romance (1847) ao filme (2011)
title_sort Jane Eyre: do romance (1847) ao filme (2011)
author Nascimento, Sandra Mônica do
author_facet Nascimento, Sandra Mônica do
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/7591865370805800
dc.contributor.author.fl_str_mv Nascimento, Sandra Mônica do
dc.contributor.advisor1.fl_str_mv Ferreira, Carla Alexandra
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5522506928191940
dc.contributor.authorID.fl_str_mv 540625de-5456-417b-968e-4b01a4245463
contributor_str_mv Ferreira, Carla Alexandra
dc.subject.por.fl_str_mv Literatura inglesa
Cinema
Autoria feminina
Transcriação
Brontë, Charlotte, 1816-1855
Fukunaga, Cary Joji, 1977-
Literatura oitocentista
topic Literatura inglesa
Cinema
Autoria feminina
Transcriação
Brontë, Charlotte, 1816-1855
Fukunaga, Cary Joji, 1977-
Literatura oitocentista
Nineteenth century literature
Female authorship
Transcreation
Cinema
LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Nineteenth century literature
Female authorship
Transcreation
Cinema
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS
description This dissertation aims to investigate how the Charlotte Brontë s literary project presents in the novel, Jane Eyre (1847), through female authorship, and, as its transposition into Cinema, the movie version by Cary Joji Fukunaga´s Jane Eyre (2011) occurs. The literary project of the author focuses on the issue of gender and its concern was to give voice to the women of her time. The director´s project for this movie comes from melodrama to the triumph of love search. The purpose of analysis is to understand how the interpretation of this source-novel occurs in the 21st century, with the aim of examining how this story is reread, seeking current interpretive understanding of the novel through the film. Thus, this study will demonstrate the importance of the periodization as proposed by Jameson (1992) for the reading of the novel and its transcreation, according to Campos (2004), considering the relationship between economic s, political, social and aesthetic characteristics of each period, as also teaches Candido (1967). The research was developed through the reading the novel, of the theoretical works about the author as well as the director and analysis of filmic narrative.
publishDate 2014
dc.date.available.fl_str_mv 2014-09-17
2016-06-02T20:11:03Z
dc.date.issued.fl_str_mv 2014-02-28
dc.date.accessioned.fl_str_mv 2016-06-02T20:11:03Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv NASCIMENTO, Sandra Mônica do. Jane Eyre: do romance (1847) ao filme (2011). 2014. 123 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2014.
dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/ufscar/4726
identifier_str_mv NASCIMENTO, Sandra Mônica do. Jane Eyre: do romance (1847) ao filme (2011). 2014. 123 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2014.
url https://repositorio.ufscar.br/handle/ufscar/4726
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