Em busca das origens de um cinema queer no Brasil

Detalhes bibliográficos
Autor(a) principal: Silva, Mateus Nagime Barros da
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFSCAR
Texto Completo: https://repositorio.ufscar.br/handle/ufscar/9909
Resumo: The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter focuses on Queer Cinema (as in what is Queer Cinema and how a film can be queer), its key moments and how the historiography was created. The third chapter the focus is on the homoeroticism found in Brazilian society and literature during the first half of the 20th century. We also discuss the current state of affairs regarding Brazilian cinema studies and the lack of essays considering the role of (homo)sexuality in the pictures. The few cases of homosexuality in Brazilian film studies are brought up and we also present some cases of deviant sexuality on Brazilian screens up to 1950. After this, the fourth chapter analyses Poeira de estrelas (1948, Moacyr Fenelon), in which a duo of female singers split after one of them abandons the theater to marry a man. Brasa Dormida (1929, Humberto Mauro) is the main film described in the fifth chapter, as it presents an all-male love triangle. The sixth and last chapter is dedicated to an analysis of Limite (1931, Mário Peixoto), an experimental film with minimal plot, using the concepts of queer authorship.
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spelling Silva, Mateus Nagime Barros daSouza, Carlos Roberto Rodrigues dehttp://lattes.cnpq.br/0875456244182952http://lattes.cnpq.br/926144470652626693483482-9197-4666-aead-d1b2491057a82018-05-08T19:45:17Z2018-05-08T19:45:17Z2016-04-26SILVA, Mateus Nagime Barros da. Em busca das origens de um cinema queer no Brasil. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9909.https://repositorio.ufscar.br/handle/ufscar/9909The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter focuses on Queer Cinema (as in what is Queer Cinema and how a film can be queer), its key moments and how the historiography was created. The third chapter the focus is on the homoeroticism found in Brazilian society and literature during the first half of the 20th century. We also discuss the current state of affairs regarding Brazilian cinema studies and the lack of essays considering the role of (homo)sexuality in the pictures. The few cases of homosexuality in Brazilian film studies are brought up and we also present some cases of deviant sexuality on Brazilian screens up to 1950. After this, the fourth chapter analyses Poeira de estrelas (1948, Moacyr Fenelon), in which a duo of female singers split after one of them abandons the theater to marry a man. Brasa Dormida (1929, Humberto Mauro) is the main film described in the fifth chapter, as it presents an all-male love triangle. The sixth and last chapter is dedicated to an analysis of Limite (1931, Mário Peixoto), an experimental film with minimal plot, using the concepts of queer authorship.Esta pesquisa tem como objetivo a busca por filmes realizados no Brasil até 1950 que possam ser considerados queers. O primeiro capítulo explica o significado de queer e o surgimento da teoria queer, O segundo capítulo se concentra no cinema queer (o que é o cinema queer, como um filme pode ser queer), na construção de uma historiografia e em momentos-chave de produção, como o New Queer Cinema. No terceiro capítulo a atenção é voltada ao homoerotismo na sociedade e na literatura brasileira na primeira metade do século XX. Discutimos também o estado atual dos estudos de cinema brasileiro e salientamos os poucos casos em que a homossexualidade (ou mesmo sexualidade em geral) foi levada em consideração. A partir de um panorama de filmes que possuem personagens homossexuais e/ou podem ser considerados queers, partimos para as análises específicas dos filmes considerados mais representativos do queer no cinema brasileiro até 1950. O capítulo 4 analisa Poeira de estrelas (1948, Moacyr Fenelon) que trata de uma dupla de cantoras que se separa quando uma abandona o teatro para se casar com um homem. Brasa dormida (1929, Humberto Mauro), tópico do capítulo 5, possui um triângulo amoroso formado por personagens masculinas. Já no capítulo 6, Limite (1931, Mário Peixoto) é analisado a partir do conceito de autoria queer, sendo salientado seu caráter de filme experimental.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)porUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Imagem e Som - PPGISUFSCarCinema brasileiroCinema queerAutoria cinematográficaHomossexualidade no Brasil.HomossexualidadeBrazilian cinemaQueer cinemaFilm authorshipHomosexuality in BrazilHomosexualityCIENCIAS SOCIAIS APLICADASEm busca das origens de um cinema queer no BrasilIn search of an Early Queer Cinema in BrazilÀ la recherche des origines du Cinèma Queer Brésilieninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnlinead5a34e2-7eac-4fcf-8eb2-ba02c8d1114ainfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALNagime, Mateus. 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dc.title.por.fl_str_mv Em busca das origens de um cinema queer no Brasil
dc.title.alternative.eng.fl_str_mv In search of an Early Queer Cinema in Brazil
dc.title.alternative.fre.fl_str_mv À la recherche des origines du Cinèma Queer Brésilien
title Em busca das origens de um cinema queer no Brasil
spellingShingle Em busca das origens de um cinema queer no Brasil
Silva, Mateus Nagime Barros da
Cinema brasileiro
Cinema queer
Autoria cinematográfica
Homossexualidade no Brasil.
Homossexualidade
Brazilian cinema
Queer cinema
Film authorship
Homosexuality in Brazil
Homosexuality
CIENCIAS SOCIAIS APLICADAS
title_short Em busca das origens de um cinema queer no Brasil
title_full Em busca das origens de um cinema queer no Brasil
title_fullStr Em busca das origens de um cinema queer no Brasil
title_full_unstemmed Em busca das origens de um cinema queer no Brasil
title_sort Em busca das origens de um cinema queer no Brasil
author Silva, Mateus Nagime Barros da
author_facet Silva, Mateus Nagime Barros da
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/9261444706526266
dc.contributor.author.fl_str_mv Silva, Mateus Nagime Barros da
dc.contributor.advisor1.fl_str_mv Souza, Carlos Roberto Rodrigues de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0875456244182952
dc.contributor.authorID.fl_str_mv 93483482-9197-4666-aead-d1b2491057a8
contributor_str_mv Souza, Carlos Roberto Rodrigues de
dc.subject.por.fl_str_mv Cinema brasileiro
Cinema queer
Autoria cinematográfica
Homossexualidade no Brasil.
Homossexualidade
topic Cinema brasileiro
Cinema queer
Autoria cinematográfica
Homossexualidade no Brasil.
Homossexualidade
Brazilian cinema
Queer cinema
Film authorship
Homosexuality in Brazil
Homosexuality
CIENCIAS SOCIAIS APLICADAS
dc.subject.eng.fl_str_mv Brazilian cinema
Queer cinema
Film authorship
Homosexuality in Brazil
Homosexuality
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS
description The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter focuses on Queer Cinema (as in what is Queer Cinema and how a film can be queer), its key moments and how the historiography was created. The third chapter the focus is on the homoeroticism found in Brazilian society and literature during the first half of the 20th century. We also discuss the current state of affairs regarding Brazilian cinema studies and the lack of essays considering the role of (homo)sexuality in the pictures. The few cases of homosexuality in Brazilian film studies are brought up and we also present some cases of deviant sexuality on Brazilian screens up to 1950. After this, the fourth chapter analyses Poeira de estrelas (1948, Moacyr Fenelon), in which a duo of female singers split after one of them abandons the theater to marry a man. Brasa Dormida (1929, Humberto Mauro) is the main film described in the fifth chapter, as it presents an all-male love triangle. The sixth and last chapter is dedicated to an analysis of Limite (1931, Mário Peixoto), an experimental film with minimal plot, using the concepts of queer authorship.
publishDate 2016
dc.date.issued.fl_str_mv 2016-04-26
dc.date.accessioned.fl_str_mv 2018-05-08T19:45:17Z
dc.date.available.fl_str_mv 2018-05-08T19:45:17Z
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dc.identifier.citation.fl_str_mv SILVA, Mateus Nagime Barros da. Em busca das origens de um cinema queer no Brasil. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9909.
dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/ufscar/9909
identifier_str_mv SILVA, Mateus Nagime Barros da. Em busca das origens de um cinema queer no Brasil. 2016. Dissertação (Mestrado em Imagem e Som) – Universidade Federal de São Carlos, São Carlos, 2016. Disponível em: https://repositorio.ufscar.br/handle/ufscar/9909.
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Câmpus São Carlos
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publisher.none.fl_str_mv Universidade Federal de São Carlos
Câmpus São Carlos
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