Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako

Detalhes bibliográficos
Autor(a) principal: Veiga, Roberta Oliveira
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/394
Resumo: The film Bamako (2006), by the Mauritanian director Abderrahmane Sissako, places the African people, dispossessed of their ways of life, and the world's major financial corporations, side by side in an imaginary court that enables the film to rewrite history against the grain. In a cinematographic fiction that is crossed by the real and impregnated by dust from the ground and the black people who lives in a divided and unjust world, where only the capital owners have a voice, rewriting history is to give to the other the time of image and of the word. This, thus, amounts to reinventing politics altogether.
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spelling Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane SissakoCindir a cena, partilhar o cinema: sobre Bamako, de Abderrahmane SissakoAfrican cinemaDeviceDissensusDistribution of the sensibleCinema africanoDispositivoDissensoPartilha do sensívelThe film Bamako (2006), by the Mauritanian director Abderrahmane Sissako, places the African people, dispossessed of their ways of life, and the world's major financial corporations, side by side in an imaginary court that enables the film to rewrite history against the grain. In a cinematographic fiction that is crossed by the real and impregnated by dust from the ground and the black people who lives in a divided and unjust world, where only the capital owners have a voice, rewriting history is to give to the other the time of image and of the word. This, thus, amounts to reinventing politics altogether.No filme Bamako (2006), o diretor mauritano Abderrahmane Sissako coloca lado a lado, num tribunal imaginário, o povo africano (expropriado de suas formas de vida) e as grandes corporações financeiras mundiais. Assim, permite ao cinema escrever a história a contrapelo. No terreno das ficções cinematográficas, atravessada pelo real, impregnada pelo pó da terra e por rostos negros, num mundo dividido e injusto, onde só os donos do capital têm voz, reescrever a história é conceder ao outro o tempo da imagem e do verbo. É, portanto, reinventar a política.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2017-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/39410.22475/rebeca.v5n2.394REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 5 No. 2 (2016): REBECA 10REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 5 Núm. 2 (2016): REBECA 10Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 5 n. 2 (2016): REBECA 102316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/394/230Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessVeiga, Roberta Oliveira2017-03-31T19:03:56Zoai:ojs.emnuvens.com.br:article/394Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2017-03-31T19:03:56Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
Cindir a cena, partilhar o cinema: sobre Bamako, de Abderrahmane Sissako
title Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
spellingShingle Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
Veiga, Roberta Oliveira
African cinema
Device
Dissensus
Distribution of the sensible
Cinema africano
Dispositivo
Dissenso
Partilha do sensível
title_short Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
title_full Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
title_fullStr Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
title_full_unstemmed Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
title_sort Splitting the scene, distributing the cinema: about Bamako, by Abderrahmane Sissako
author Veiga, Roberta Oliveira
author_facet Veiga, Roberta Oliveira
author_role author
dc.contributor.author.fl_str_mv Veiga, Roberta Oliveira
dc.subject.por.fl_str_mv African cinema
Device
Dissensus
Distribution of the sensible
Cinema africano
Dispositivo
Dissenso
Partilha do sensível
topic African cinema
Device
Dissensus
Distribution of the sensible
Cinema africano
Dispositivo
Dissenso
Partilha do sensível
description The film Bamako (2006), by the Mauritanian director Abderrahmane Sissako, places the African people, dispossessed of their ways of life, and the world's major financial corporations, side by side in an imaginary court that enables the film to rewrite history against the grain. In a cinematographic fiction that is crossed by the real and impregnated by dust from the ground and the black people who lives in a divided and unjust world, where only the capital owners have a voice, rewriting history is to give to the other the time of image and of the word. This, thus, amounts to reinventing politics altogether.
publishDate 2017
dc.date.none.fl_str_mv 2017-03-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/394
10.22475/rebeca.v5n2.394
url https://rebeca.socine.org.br/1/article/view/394
identifier_str_mv 10.22475/rebeca.v5n2.394
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/394/230
dc.rights.driver.fl_str_mv Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 5 No. 2 (2016): REBECA 10
REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 5 Núm. 2 (2016): REBECA 10
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 5 n. 2 (2016): REBECA 10
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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