From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho

Detalhes bibliográficos
Autor(a) principal: Tanus Cesário de Souza, Gustavo
Data de Publicação: 2024
Outros Autores: Schettini, Filipe, de Alencar Pires, Antonia Cristina, Forcatho, Flávia
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/894
Resumo: In light of Irina Rajewsky’s intermedia concepts of transposition (adaptation of literary text or word art to audiovisual text or visual art) and reference (a work whose reference to another work is reflected in its structure) (2012), our purpose is to present some aspects of literary, filmic and television narratives, from Robert Bloch’s novel Psycho, originally published in 1959 (1961), to Hitchcock’s film adaptation (1960), to Bates Motel (2013-2017) TV show, produced by A&E. Our remarks show how the intermedia/intersemiotic transit was built, its interference with some narrative elements, and its contribution to the story. We adopted a psychoanalytic interpretation based on Lacan, which allows us to discuss some elements of the three pieces. We also examine some aspects related to psychoanalysis that can be productive for new readings.
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spelling From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s PsychoDe la literatura a la película, de la película a la serie: citas sobre el tránsito intermedia/intersemiótico en torno a PsicosisDa literatura ao filme, do filme à série: apontamentos sobre o trânsito intermídia/intersemiótico em torno de PsicosePsychoBates MotelPsychoanalysisIntermediaComparative studies.Film.Book.TV series.Bates MotelPsicoanálisisIntersemióticaIntermedialidadEstudios comparativos.Pelicula.LibroSeries de Televisión.PsicoseBates MotelPsicanáliseIntermidialidadePsicoseBates MotelPsicanáliseIntermidialidadeIn light of Irina Rajewsky’s intermedia concepts of transposition (adaptation of literary text or word art to audiovisual text or visual art) and reference (a work whose reference to another work is reflected in its structure) (2012), our purpose is to present some aspects of literary, filmic and television narratives, from Robert Bloch’s novel Psycho, originally published in 1959 (1961), to Hitchcock’s film adaptation (1960), to Bates Motel (2013-2017) TV show, produced by A&E. Our remarks show how the intermedia/intersemiotic transit was built, its interference with some narrative elements, and its contribution to the story. We adopted a psychoanalytic interpretation based on Lacan, which allows us to discuss some elements of the three pieces. We also examine some aspects related to psychoanalysis that can be productive for new readings.A la luz de los conceptos de “transposición” intermedia (adaptación del texto literario/arte de la palabra al texto audiovisual/imagen del arte) y  “referencia” intermedia (obra que toma a otra como referencia, y ésta se refleja en su propia estructura), ambos de Irina Rajewsky (2012), nos proponemos presentar aspectos de las narrativas literaria, fílmica y televisiva de Psicosis, desde la novela de Robert Bloch (1959), hasta la adaptación cinematográfica de Hitchcock (1960), pasando a la serie de televisión Bates motel (2013-2017), producida por A&E. En estas notas, demostraremos cómo se construyó el tránsito intermedia/intersemiótico, cómo eso interfiere con los elementos de las narrativas y cómo contribuye con la trama; además de hacer un camino para evidenciar algunos aspectos relacionados con el psicoanálisis, que pueden ser productivos para análisis posteriores.À luz dos conceitos de “transposição” intermídias (adaptação do texto literário/arte da palavra para o texto áudio visual/arte da imagem) e “referência” intermídias (obra que toma como referência outra, e isto se reflete em sua própria estrutura), ambos de Irina Rajewsky (2012), propomo-nos a apresentar aspectos das narrativas literária, fílmica e televisiva de Psicose, desde o romance de Robert Bloch, originalmente publicado em 1959 (1961), à adaptação cinematográfica realizada por Hitchcock (1960), até à série televisiva Bates Motel (2013-2017), produzida pela A&E. Nesses apontamentos, demonstraremos como foi construído o trânsito intermídias/intersemiótico, como isso interfere nos elementos das narrativas, e como contribui para a história. Adotamos uma interpretação psicanalítica baseada em Lacan, o que nos permite discutir alguns elementos das três obras, que podem ser produtivos para novas leituras.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-01-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoArtigo avaliado pelos paresTextoinfo:eu-repo/semantics/otherapplication/pdfapplication/pdfhttps://rebeca.socine.org.br/1/article/view/89410.22475/rebeca.v12n2.894Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 2 (2023): Rebeca 242316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporenghttps://rebeca.socine.org.br/1/article/view/894/583https://rebeca.socine.org.br/1/article/view/894/584Copyright (c) 2023 Gustavo Tanus Cesário de Souza, Filipe Schettini, Antonia Cristina de Alencar Pires; Flávia Forcathohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTanus Cesário de Souza, GustavoSchettini, Filipede Alencar Pires, Antonia CristinaForcatho, Flávia2024-01-13T13:45:46Zoai:ojs.emnuvens.com.br:article/894Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-01-13T13:45:46Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
De la literatura a la película, de la película a la serie: citas sobre el tránsito intermedia/intersemiótico en torno a Psicosis
Da literatura ao filme, do filme à série: apontamentos sobre o trânsito intermídia/intersemiótico em torno de Psicose
title From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
spellingShingle From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
Tanus Cesário de Souza, Gustavo
Psycho
Bates Motel
Psychoanalysis
Intermedia
Comparative studies.
Film.
Book.
TV series.
Bates Motel
Psicoanálisis
Intersemiótica
Intermedialidad
Estudios comparativos.
Pelicula.
Libro
Series de Televisión.
Psicose
Bates Motel
Psicanálise
Intermidialidade
Psicose
Bates Motel
Psicanálise
Intermidialidade
title_short From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
title_full From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
title_fullStr From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
title_full_unstemmed From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
title_sort From literature to film, from film to series: some remarks on the intermedia/intersemiotic transit around Hitchcock’s Psycho
author Tanus Cesário de Souza, Gustavo
author_facet Tanus Cesário de Souza, Gustavo
Schettini, Filipe
de Alencar Pires, Antonia Cristina
Forcatho, Flávia
author_role author
author2 Schettini, Filipe
de Alencar Pires, Antonia Cristina
Forcatho, Flávia
author2_role author
author
author
dc.contributor.author.fl_str_mv Tanus Cesário de Souza, Gustavo
Schettini, Filipe
de Alencar Pires, Antonia Cristina
Forcatho, Flávia
dc.subject.por.fl_str_mv Psycho
Bates Motel
Psychoanalysis
Intermedia
Comparative studies.
Film.
Book.
TV series.
Bates Motel
Psicoanálisis
Intersemiótica
Intermedialidad
Estudios comparativos.
Pelicula.
Libro
Series de Televisión.
Psicose
Bates Motel
Psicanálise
Intermidialidade
Psicose
Bates Motel
Psicanálise
Intermidialidade
topic Psycho
Bates Motel
Psychoanalysis
Intermedia
Comparative studies.
Film.
Book.
TV series.
Bates Motel
Psicoanálisis
Intersemiótica
Intermedialidad
Estudios comparativos.
Pelicula.
Libro
Series de Televisión.
Psicose
Bates Motel
Psicanálise
Intermidialidade
Psicose
Bates Motel
Psicanálise
Intermidialidade
description In light of Irina Rajewsky’s intermedia concepts of transposition (adaptation of literary text or word art to audiovisual text or visual art) and reference (a work whose reference to another work is reflected in its structure) (2012), our purpose is to present some aspects of literary, filmic and television narratives, from Robert Bloch’s novel Psycho, originally published in 1959 (1961), to Hitchcock’s film adaptation (1960), to Bates Motel (2013-2017) TV show, produced by A&E. Our remarks show how the intermedia/intersemiotic transit was built, its interference with some narrative elements, and its contribution to the story. We adopted a psychoanalytic interpretation based on Lacan, which allows us to discuss some elements of the three pieces. We also examine some aspects related to psychoanalysis that can be productive for new readings.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Artigo avaliado pelos pares
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/894
10.22475/rebeca.v12n2.894
url https://rebeca.socine.org.br/1/article/view/894
identifier_str_mv 10.22475/rebeca.v12n2.894
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/894/583
https://rebeca.socine.org.br/1/article/view/894/584
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 2 (2023): Rebeca 24
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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