Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade.
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UNICAP |
Texto Completo: | http://tede2.unicap.br:8080/handle/tede/1329 |
Resumo: | This research paper had in its goal to reflect on TenChi Tessen from Winnicott’s psychoanalytic theory, aiming to estabilish the possible relations between the practice of TenChi Tessen’s movements and the expression of true self. The choice of this art form as the main subject of study was made because of our familiarity with it, which is imperative for the emergence of questionings fundamental to paving this path. Considering TenChi Tessen is defined as a Do (Way), its movements offer the practitioner the possibility of an encounter with themselves. For us to wander the proposed path, theorical research became a crucial element and gave rise to the following main goal: to reflect on TenChi Tessen from Winnicott’s psychoanalytic theory, aiming to establilish the possible relations between the practice of TenChi Tessen movments and the expression of true self. The specific goals are as follows: a) To comprehend the development of the self concept to the psychoanalytic theory; b) To estabilish the possible relations between movement and the expression of true self according to Winnicott’s chain of thought; c) To describe the art of TenChi Tessen and its main movements and d) To analyze the possible relations between the practice of TenChi Tessen and the expresson of true self. The hermeneutic conception of Reading was preferred due to its proposal, which makes it possible for the reader to interpret the work according from their personal experiences. Such modality made the articulation bewteen the key themes of each chapter possible and fed the building of the final analysis, which was composed of analogies built from the correlation between the main fundamentals of art and Winnicott’s chain of thought. During this path, the dimension of the self was featured so to draw nearer to the notion of movement, which, by revealing the innate potencial of the human being, is capable of revealing its singularity, through “spontaneous gestures” and creative actions, permitting the thought of the movement of the body as the one to open na aura of possibilities of creativity expression, which indicates the rising of the self. With this research paper, we hope to contribute to reflecting on the role of the movement as a fundamental aspect of one’s health or sickening proccess, as well as establishing the the movement arts as facilitators of the search whithin one’s interior dimension and expression of true self. |
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Donard, VéroniqueFerraz, Carlos HenriqueBarros, Paula Cristina Monteiro dehttp://lattes.cnpq.br/3536649587355144Cavalcanti, Amanda Pereira2021-03-22T14:18:06Z2020-06-01CAVALCANTI, Amanda Pereira. Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. 136 f. Dissertação (mestrado) - Universidade Católica de Pernambuco, Pró-reitoria de Pesquisa e Pós-graduação. Curso de Mestrado em Psicologia Clínica, 2020.http://tede2.unicap.br:8080/handle/tede/1329This research paper had in its goal to reflect on TenChi Tessen from Winnicott’s psychoanalytic theory, aiming to estabilish the possible relations between the practice of TenChi Tessen’s movements and the expression of true self. The choice of this art form as the main subject of study was made because of our familiarity with it, which is imperative for the emergence of questionings fundamental to paving this path. Considering TenChi Tessen is defined as a Do (Way), its movements offer the practitioner the possibility of an encounter with themselves. For us to wander the proposed path, theorical research became a crucial element and gave rise to the following main goal: to reflect on TenChi Tessen from Winnicott’s psychoanalytic theory, aiming to establilish the possible relations between the practice of TenChi Tessen movments and the expression of true self. The specific goals are as follows: a) To comprehend the development of the self concept to the psychoanalytic theory; b) To estabilish the possible relations between movement and the expression of true self according to Winnicott’s chain of thought; c) To describe the art of TenChi Tessen and its main movements and d) To analyze the possible relations between the practice of TenChi Tessen and the expresson of true self. The hermeneutic conception of Reading was preferred due to its proposal, which makes it possible for the reader to interpret the work according from their personal experiences. Such modality made the articulation bewteen the key themes of each chapter possible and fed the building of the final analysis, which was composed of analogies built from the correlation between the main fundamentals of art and Winnicott’s chain of thought. During this path, the dimension of the self was featured so to draw nearer to the notion of movement, which, by revealing the innate potencial of the human being, is capable of revealing its singularity, through “spontaneous gestures” and creative actions, permitting the thought of the movement of the body as the one to open na aura of possibilities of creativity expression, which indicates the rising of the self. With this research paper, we hope to contribute to reflecting on the role of the movement as a fundamental aspect of one’s health or sickening proccess, as well as establishing the the movement arts as facilitators of the search whithin one’s interior dimension and expression of true self.A presente pesquisa teve como objetivo refletir sobre o TenChi Tessen, a partir da teoria psicanalítica winnicottiana, visando estabelecer possíveis relações entre a prática de seus movimentos e a expressão do verdadeiro self. A escolha dessa arte como principal objeto do estudo se realizou em decorrência de nossa convivência com a mesma, indispensável para o surgimento de questionamentos fundamentais para a construção desse percurso. Tendo em vista que o TenChi Tessen se define por ser um Do (Caminho) seus movimentos oferecem ao praticante a possibilidade de encontro com si mesmo. Para se percorrer o caminho proposto, a pesquisa teórica tornou-se elemento crucial e ensejou o seguinte objetivo geral: refletir sobre o TenChi Tessen, a partir da teoria psicanalítica winnicottiana, visando estabelecer possíveis relações entre a prática de seus movimentos e a expressão do verdadeiro self. E os objetivos específicos: a) Compreender o desenvolvimento do conceito de self para a teoria psicanalítica; b) Estabelecer as possíveis relações entre o movimento e a expressão do verdadeiro self no pensamento winnicottiano, c) Descrever a arte do TenChi Tessen e seus principais movimentos, e d) Analisar as possíveis relações entre a prática do TenChi Tessen e a expressão do verdadeiro self. A concepção hermenêutica de leitura foi privilegiada em função de sua proposta, que oportuniza a criação de uma interpretação que responda à obra partindo da experiência pessoal do leitor. Tal modalidade viabilizou a articulação entre os temas centrais de cada capítulo e fomentou a construção da análise final, que foi composta por analogias construídas a partir da correlação entre os principais fundamentos da arte e o pensamento de Winnicott. Nesse percurso, a dimensão do self foi caracterizada de modo a aproximar-se da noção de movimento, que, ao indicar o potencial inato do ser humano, é capaz de revelar a sua singularidade, através do “gesto espontâneo” e da ação criativa, o que permite se pensar no movimento do corpo vivo como aquele que abre as possibilidades de expressão da criatividade, elemento que indica a emergência do self. Esperamos, com essa pesquisa, contribuir para a reflexão sobre o papel do movimento como elemento fundamental à saúde ou adoecimento do ser e das artes do movimento como facilitadores da busca à dimensão interior e expressão do verdadeiro self.Submitted by Biblioteca Central (biblioteca@unicap.br) on 2021-03-22T14:18:06Z No. of bitstreams: 2 Ok_amanda_pereira_cavalcanti.pdf: 884976 bytes, checksum: 06bf13bd6852d5afcaa09dd1dfa50d50 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2021-03-22T14:18:06Z (GMT). No. of bitstreams: 2 Ok_amanda_pereira_cavalcanti.pdf: 884976 bytes, checksum: 06bf13bd6852d5afcaa09dd1dfa50d50 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2020-09-29application/pdfporUniversidade Católica de PernambucoMestrado em Psicologia ClínicaUNICAPBrasilDepartamento de Pós-Graduaçãohttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessDissertaçõesPsicologia clínicaPsicanálisePsicoterapeutas - SupervisãoSaúde mentalDissertationsClinical psychologyPsychoanalysisPsychotherapists - SupervisionMental healthCIENCIAS HUMANAS::PSICOLOGIAPercorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade.info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis2996970088605564627500500600-88540523682731408353411867255817377423reponame:Biblioteca Digital de Teses e Dissertações da UNICAPinstname:Universidade Católica de Pernambuco (UNICAP)instacron:UNICAPORIGINALOk_amanda_pereira_cavalcanti.pdfOk_amanda_pereira_cavalcanti.pdfapplication/pdf884976http://tede2.unicap.br:8080/handle/tede/bitstream/tede/1329/5/Ok_amanda_pereira_cavalcanti.pdf06bf13bd6852d5afcaa09dd1dfa50d50MD55CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://tede2.unicap.br:8080/handle/tede/bitstream/tede/1329/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://tede2.unicap.br:8080/handle/tede/bitstream/tede/1329/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://tede2.unicap.br:8080/handle/tede/bitstream/tede/1329/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82170http://tede2.unicap.br:8080/handle/tede/bitstream/tede/1329/1/license.txt5d71329502a0e313f28be890c62f4ad8MD51tede/13292021-05-17 09:08:07.237oai:tede2.unicap.br:tede/1329Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.unicap.br:8080/http://tede2.unicap.br:8080/oai/requestbiblioteca@unicap.br||biblioteca@unicap.bropendoar:46462021-05-17T12:08:07Biblioteca Digital de Teses e Dissertações da UNICAP - Universidade Católica de Pernambuco (UNICAP)false |
dc.title.por.fl_str_mv |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
title |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
spellingShingle |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. Cavalcanti, Amanda Pereira Dissertações Psicologia clínica Psicanálise Psicoterapeutas - Supervisão Saúde mental Dissertations Clinical psychology Psychoanalysis Psychotherapists - Supervision Mental health CIENCIAS HUMANAS::PSICOLOGIA |
title_short |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
title_full |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
title_fullStr |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
title_full_unstemmed |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
title_sort |
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. |
author |
Cavalcanti, Amanda Pereira |
author_facet |
Cavalcanti, Amanda Pereira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Donard, Véronique |
dc.contributor.referee1.fl_str_mv |
Ferraz, Carlos Henrique |
dc.contributor.referee2.fl_str_mv |
Barros, Paula Cristina Monteiro de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3536649587355144 |
dc.contributor.author.fl_str_mv |
Cavalcanti, Amanda Pereira |
contributor_str_mv |
Donard, Véronique Ferraz, Carlos Henrique Barros, Paula Cristina Monteiro de |
dc.subject.por.fl_str_mv |
Dissertações Psicologia clínica Psicanálise Psicoterapeutas - Supervisão Saúde mental |
topic |
Dissertações Psicologia clínica Psicanálise Psicoterapeutas - Supervisão Saúde mental Dissertations Clinical psychology Psychoanalysis Psychotherapists - Supervision Mental health CIENCIAS HUMANAS::PSICOLOGIA |
dc.subject.eng.fl_str_mv |
Dissertations Clinical psychology Psychoanalysis Psychotherapists - Supervision Mental health |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::PSICOLOGIA |
description |
This research paper had in its goal to reflect on TenChi Tessen from Winnicott’s psychoanalytic theory, aiming to estabilish the possible relations between the practice of TenChi Tessen’s movements and the expression of true self. The choice of this art form as the main subject of study was made because of our familiarity with it, which is imperative for the emergence of questionings fundamental to paving this path. Considering TenChi Tessen is defined as a Do (Way), its movements offer the practitioner the possibility of an encounter with themselves. For us to wander the proposed path, theorical research became a crucial element and gave rise to the following main goal: to reflect on TenChi Tessen from Winnicott’s psychoanalytic theory, aiming to establilish the possible relations between the practice of TenChi Tessen movments and the expression of true self. The specific goals are as follows: a) To comprehend the development of the self concept to the psychoanalytic theory; b) To estabilish the possible relations between movement and the expression of true self according to Winnicott’s chain of thought; c) To describe the art of TenChi Tessen and its main movements and d) To analyze the possible relations between the practice of TenChi Tessen and the expresson of true self. The hermeneutic conception of Reading was preferred due to its proposal, which makes it possible for the reader to interpret the work according from their personal experiences. Such modality made the articulation bewteen the key themes of each chapter possible and fed the building of the final analysis, which was composed of analogies built from the correlation between the main fundamentals of art and Winnicott’s chain of thought. During this path, the dimension of the self was featured so to draw nearer to the notion of movement, which, by revealing the innate potencial of the human being, is capable of revealing its singularity, through “spontaneous gestures” and creative actions, permitting the thought of the movement of the body as the one to open na aura of possibilities of creativity expression, which indicates the rising of the self. With this research paper, we hope to contribute to reflecting on the role of the movement as a fundamental aspect of one’s health or sickening proccess, as well as establishing the the movement arts as facilitators of the search whithin one’s interior dimension and expression of true self. |
publishDate |
2020 |
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2020-06-01 |
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2021-03-22T14:18:06Z |
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CAVALCANTI, Amanda Pereira. Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. 136 f. Dissertação (mestrado) - Universidade Católica de Pernambuco, Pró-reitoria de Pesquisa e Pós-graduação. Curso de Mestrado em Psicologia Clínica, 2020. |
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http://tede2.unicap.br:8080/handle/tede/1329 |
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CAVALCANTI, Amanda Pereira. Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade. 136 f. Dissertação (mestrado) - Universidade Católica de Pernambuco, Pró-reitoria de Pesquisa e Pós-graduação. Curso de Mestrado em Psicologia Clínica, 2020. |
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