Performing academic writing... F(r)ictional writing: purity and danger
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Urdimento (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/urdimento/article/view/17759 |
Resumo: | This article discusses how we transform artistic experience into writing, reaching the performance dimension of this preliminary act (Turner apud Dawsey, 2005). From the friction between body/writing unveiled here, he suggests what he calls an artist/researcher of fiction (Lyra, 2011), a kind of cartographer who traces landscapes in the relationship with the self/otherness, generate electrifying moments of an academic f(r)ictional writing. It is necessary to emphasize that the framework of this text is based at the Center for Anthropology, Performance and Drama (Napedra/2005-2013); in the experiences with the subject taught by me in the graduate programs in arts at UERJ, UDESC and UFRN (2017-2019); and finally, in the production of articles, dissertations and theses developed with the research group MOTIM - Myth, Rite and Feminist Cartography in the Arts. |
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Performing academic writing... F(r)ictional writing: purity and dangerEscrita acadêmica performática... Escrita F(r)iccional: Pureza e perigoEscrita acadêmica performáticaEscrita F(r)iccionalArtista de f(r)icçãoPerforming academic writingF(r)ictional writingF(r)iction artistThis article discusses how we transform artistic experience into writing, reaching the performance dimension of this preliminary act (Turner apud Dawsey, 2005). From the friction between body/writing unveiled here, he suggests what he calls an artist/researcher of fiction (Lyra, 2011), a kind of cartographer who traces landscapes in the relationship with the self/otherness, generate electrifying moments of an academic f(r)ictional writing. It is necessary to emphasize that the framework of this text is based at the Center for Anthropology, Performance and Drama (Napedra/2005-2013); in the experiences with the subject taught by me in the graduate programs in arts at UERJ, UDESC and UFRN (2017-2019); and finally, in the production of articles, dissertations and theses developed with the research group MOTIM - Myth, Rite and Feminist Cartography in the Arts.Este artigo discute o modo como transformamos a experiência artística em escrita, alcançando a dimensão performática deste ato liminar (Turner apud Dawsey, 2005). Do atrito entre corpo/escritura sugere o que se intitula artista/pesquisadora(o) de f(r)icção (Lyra, 2011, p.44), uma espécie de cartógrafa(o) que traça paisagens na relação eu/alteridade, gerando momentos eletrizantes de uma escrita acadêmica f(r)iccional. Faz-se mister frisar que o texto é calcado nas pesquisas no Núcleo de Antropologia, Performance e Drama (Napedra/2005-2013); nas experiências com a disciplina ministrada pela pesquisadora nos programas de pós-graduações em artes da UERJ, UDESC e UFRN (2017-2019); e na produção de artigos, dissertações e teses elaboradas com o grupo de pesquisa MOTIM – Mito, Rito e Cartografias Feministas nas Artes.Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelo paresapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1775910.5965/14145731023820200033Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-13Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-13Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-132358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/17759/11964Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLyra, Luciana de Fátima Rocha Pereira2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/17759Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Performing academic writing... F(r)ictional writing: purity and danger Escrita acadêmica performática... Escrita F(r)iccional: Pureza e perigo |
title |
Performing academic writing... F(r)ictional writing: purity and danger |
spellingShingle |
Performing academic writing... F(r)ictional writing: purity and danger Lyra, Luciana de Fátima Rocha Pereira Escrita acadêmica performática Escrita F(r)iccional Artista de f(r)icção Performing academic writing F(r)ictional writing F(r)iction artist |
title_short |
Performing academic writing... F(r)ictional writing: purity and danger |
title_full |
Performing academic writing... F(r)ictional writing: purity and danger |
title_fullStr |
Performing academic writing... F(r)ictional writing: purity and danger |
title_full_unstemmed |
Performing academic writing... F(r)ictional writing: purity and danger |
title_sort |
Performing academic writing... F(r)ictional writing: purity and danger |
author |
Lyra, Luciana de Fátima Rocha Pereira |
author_facet |
Lyra, Luciana de Fátima Rocha Pereira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lyra, Luciana de Fátima Rocha Pereira |
dc.subject.por.fl_str_mv |
Escrita acadêmica performática Escrita F(r)iccional Artista de f(r)icção Performing academic writing F(r)ictional writing F(r)iction artist |
topic |
Escrita acadêmica performática Escrita F(r)iccional Artista de f(r)icção Performing academic writing F(r)ictional writing F(r)iction artist |
description |
This article discusses how we transform artistic experience into writing, reaching the performance dimension of this preliminary act (Turner apud Dawsey, 2005). From the friction between body/writing unveiled here, he suggests what he calls an artist/researcher of fiction (Lyra, 2011), a kind of cartographer who traces landscapes in the relationship with the self/otherness, generate electrifying moments of an academic f(r)ictional writing. It is necessary to emphasize that the framework of this text is based at the Center for Anthropology, Performance and Drama (Napedra/2005-2013); in the experiences with the subject taught by me in the graduate programs in arts at UERJ, UDESC and UFRN (2017-2019); and finally, in the production of articles, dissertations and theses developed with the research group MOTIM - Myth, Rite and Feminist Cartography in the Arts. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelo pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/17759 10.5965/14145731023820200033 |
url |
https://www.revistas.udesc.br/index.php/urdimento/article/view/17759 |
identifier_str_mv |
10.5965/14145731023820200033 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/17759/11964 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
dc.source.none.fl_str_mv |
Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-13 Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-13 Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-13 2358-6958 10.5965/1414573102382020 reponame:Urdimento (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Urdimento (Online) |
collection |
Urdimento (Online) |
repository.name.fl_str_mv |
Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
verareginacollaco@gmail.com |
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