Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro

Detalhes bibliográficos
Autor(a) principal: O’Hanlon, Barney
Data de Publicação: 2021
Outros Autores: Porteiro, Tiago Mora
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/20869
Resumo: In this interview, carried out at the SITI-Company workspace (NY) , in May 2017, at the end of the III SITI-Company Conservatory, in which the interviewer participated, Barney O'Hanlon, member from SITI-Company since 1994, shares a critical biography about his own path, reflects on his personal practice through the Suzuki and Viewpoints training and composition systems, while analyzing structural dimensions and operating modes of this company of which he is a part. In this context, it stands out the fact that the interviewee presents himself, in the Viewpoints domain, as the member of SITI-Company that most articulates Anne Bogart's approach with that of Mary Overlie, the artist who was in the origin of Viewpoints and with whom he worked and developed a close relationship.
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spelling Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago PorteiroAlrededor de Viewpoints y desde SITI-CompanyEm torno dos Viewpoints e a partir da SITI-CompanySITI-CompanySITI-ConservatoryViewpointsSuzukiArtes performativasSITI-CompanySITI-ConservatoryViewpointsSuzukiPerforming artsSITI-CompanySITI-ConservatoryViewpointsSuzukiArtes escénicasIn this interview, carried out at the SITI-Company workspace (NY) , in May 2017, at the end of the III SITI-Company Conservatory, in which the interviewer participated, Barney O'Hanlon, member from SITI-Company since 1994, shares a critical biography about his own path, reflects on his personal practice through the Suzuki and Viewpoints training and composition systems, while analyzing structural dimensions and operating modes of this company of which he is a part. In this context, it stands out the fact that the interviewee presents himself, in the Viewpoints domain, as the member of SITI-Company that most articulates Anne Bogart's approach with that of Mary Overlie, the artist who was in the origin of Viewpoints and with whom he worked and developed a close relationship.En esta entrevista, realizada en el espacio de trabajo de SITI-Company (NY), en mayo de 2017, al finalizar el III SITI-Company Conservatory, en el que participó el entrevistador, Barney O'Hanlon, miembro de la SITI-Company desde 1994, comparte una biografía crítica sobre su propio camino, reflexiona sobre su práctica personal a través de los sistemas de formación y composición Suzuki y Viewpoints, mientras analiza las dimensiones estructurales y modos de funcionamiento de la compañía de la que forma parte. En este contexto, el entrevistado se presenta, en el dominio de Viewpoints, como el miembro de SITI-Company que más articula el enfoque de Anne Bogart con el de Mary Overlie, la artista que estuvo en el origen de Viewpoints y con quien trabajó y convivió.Nesta entrevista, realizada no espaço de trabalho da SITI-Company (NY) em maio de 2017, no final do III Conservatory SITI-Company, em que o entrevistador participou, Barney O’Hanlon, membro da SITI-Company desde 1994, partilha uma biografia crítica sobre o seu próprio percurso, reflete sobre a sua prática pessoal através dos sistemas de treinamento e composição Suzuki e Viewpoints, ao mesmo tempo que analisa dimensões estruturantes e modos de funcionamento da companhia da qual faz parte. Salienta-se, neste contexto, o facto de o entrevistado se apresentar, no domínio dos Viewpoints, como o membro da SITI que mais articula a abordagem de Anne Bogart com a de Mary Overlie, a artista que esteve na origem dos Viewpoints e com a qual trabalhou e conviveu. Universidade do Estado de Santa Catarina (UDESC)2021-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/2086910.5965/1414573103422021e0502Urdimento: Revista de Estudos em Artes Cênicas; Vol. 3 No. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II; 1-24Urdimento; Vol. 3 Núm. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II; 1-24Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II; 1-242358-6958reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/20869/13682Copyright (c) 2021 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessO’Hanlon, BarneyPorteiro, Tiago Mora2024-02-29T14:45:48Zoai::article/20869Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2024-02-29T14:45:48Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
Alrededor de Viewpoints y desde SITI-Company
Em torno dos Viewpoints e a partir da SITI-Company
title Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
spellingShingle Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
O’Hanlon, Barney
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Artes performativas
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Performing arts
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Artes escénicas
title_short Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
title_full Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
title_fullStr Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
title_full_unstemmed Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
title_sort Around Viewpoints from SITI-Company: Interview with Barney O'Hanlon by Tiago Porteiro
author O’Hanlon, Barney
author_facet O’Hanlon, Barney
Porteiro, Tiago Mora
author_role author
author2 Porteiro, Tiago Mora
author2_role author
dc.contributor.author.fl_str_mv O’Hanlon, Barney
Porteiro, Tiago Mora
dc.subject.por.fl_str_mv SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Artes performativas
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Performing arts
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Artes escénicas
topic SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Artes performativas
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Performing arts
SITI-Company
SITI-Conservatory
Viewpoints
Suzuki
Artes escénicas
description In this interview, carried out at the SITI-Company workspace (NY) , in May 2017, at the end of the III SITI-Company Conservatory, in which the interviewer participated, Barney O'Hanlon, member from SITI-Company since 1994, shares a critical biography about his own path, reflects on his personal practice through the Suzuki and Viewpoints training and composition systems, while analyzing structural dimensions and operating modes of this company of which he is a part. In this context, it stands out the fact that the interviewee presents himself, in the Viewpoints domain, as the member of SITI-Company that most articulates Anne Bogart's approach with that of Mary Overlie, the artist who was in the origin of Viewpoints and with whom he worked and developed a close relationship.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/20869
10.5965/1414573103422021e0502
url https://www.revistas.udesc.br/index.php/urdimento/article/view/20869
identifier_str_mv 10.5965/1414573103422021e0502
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/20869/13682
dc.rights.driver.fl_str_mv Copyright (c) 2021 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento: Revista de Estudos em Artes Cênicas; Vol. 3 No. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II; 1-24
Urdimento; Vol. 3 Núm. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II; 1-24
Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 42 (2021): Viewpoints e Método Suzuki em praticas artísticas e pedagógicas | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto II; 1-24
2358-6958
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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