Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means

Detalhes bibliográficos
Autor(a) principal: Lucas, Ashley
Data de Publicação: 2020
Outros Autores: Friedman, Alexandra, Paredes, Efrén
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/18989
Resumo: In the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities.
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spelling Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation MeansPrisiones y activismo en la pandemia: cómo los supervivientes del encarcelamiento cambian lo que significa la participación cívicaPrisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation MeansPrisonActivismCitizenshipPrison newsletterWeb seriesPrison arts programmingPrisiónActivismoCiudadaníaBoletín de la prisiónSerie webProgramación de artes carcelariasPrisãoAtivismoCidadaniaBoletim informativo da prisãoWeb seriesProgramação artística da prisãoIn the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities.En medio de la pandemia de COVID-19, las personas encarceladas actualmente y anteriormente en el estado de Michigan en los Estados Unidos se están asociando con escritores y artistas del mundo libre para hacerse más visibles en este momento de crisis. Este artículo analiza tres estudios de caso (el boletín MYLIFEMATTERSTOO, la serie web Living on Loss of Privileges y la programación por correspondencia del Prison Creative Arts Project) en los que las personas encarceladas y las que han sido liberadas recientemente están utilizando su creatividad y sus redes de simpatizantes para hacer valer sus voces y derechos. Al hacerlo, insisten en que son ciudadanos que participan activamente en comunidades del mundo libre.In the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities.Universidade do Estado de Santa Catarina (UDESC)2020-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1898910.5965/14145731033920200103Urdimento; Vol. 3 Núm. 39 (2020): Artes da cena atrás das grades ; 1-22Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 39 (2020): Artes da cena atrás das grades ; 1-22Urdimento - Revista de Estudos em Artes Cênicas; Vol. 3 No. 39 (2020): Artes da cena atrás das grades ; 1-222358-695810.5965/1414573103392020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCenghttps://www.revistas.udesc.br/index.php/urdimento/article/view/18989/12409Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLucas, AshleyFriedman, AlexandraParedes, Efrén2020-12-30T23:13:55Zoai:ojs.revistas.udesc.br:article/18989Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-12-30T23:13:55Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
Prisiones y activismo en la pandemia: cómo los supervivientes del encarcelamiento cambian lo que significa la participación cívica
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
title Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
spellingShingle Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
Lucas, Ashley
Prison
Activism
Citizenship
Prison newsletter
Web series
Prison arts programming
Prisión
Activismo
Ciudadanía
Boletín de la prisión
Serie web
Programación de artes carcelarias
Prisão
Ativismo
Cidadania
Boletim informativo da prisão
Web series
Programação artística da prisão
title_short Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
title_full Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
title_fullStr Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
title_full_unstemmed Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
title_sort Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
author Lucas, Ashley
author_facet Lucas, Ashley
Friedman, Alexandra
Paredes, Efrén
author_role author
author2 Friedman, Alexandra
Paredes, Efrén
author2_role author
author
dc.contributor.author.fl_str_mv Lucas, Ashley
Friedman, Alexandra
Paredes, Efrén
dc.subject.por.fl_str_mv Prison
Activism
Citizenship
Prison newsletter
Web series
Prison arts programming
Prisión
Activismo
Ciudadanía
Boletín de la prisión
Serie web
Programación de artes carcelarias
Prisão
Ativismo
Cidadania
Boletim informativo da prisão
Web series
Programação artística da prisão
topic Prison
Activism
Citizenship
Prison newsletter
Web series
Prison arts programming
Prisión
Activismo
Ciudadanía
Boletín de la prisión
Serie web
Programación de artes carcelarias
Prisão
Ativismo
Cidadania
Boletim informativo da prisão
Web series
Programação artística da prisão
description In the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18989
10.5965/14145731033920200103
url https://www.revistas.udesc.br/index.php/urdimento/article/view/18989
identifier_str_mv 10.5965/14145731033920200103
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18989/12409
dc.rights.driver.fl_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 3 Núm. 39 (2020): Artes da cena atrás das grades ; 1-22
Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 39 (2020): Artes da cena atrás das grades ; 1-22
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 3 No. 39 (2020): Artes da cena atrás das grades ; 1-22
2358-6958
10.5965/1414573103392020
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
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instname_str Universidade do Estado de Santa Catarina (UDESC)
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reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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