Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Urdimento (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/urdimento/article/view/18989 |
Resumo: | In the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities. |
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Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation MeansPrisiones y activismo en la pandemia: cómo los supervivientes del encarcelamiento cambian lo que significa la participación cívicaPrisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation MeansPrisonActivismCitizenshipPrison newsletterWeb seriesPrison arts programmingPrisiónActivismoCiudadaníaBoletín de la prisiónSerie webProgramación de artes carcelariasPrisãoAtivismoCidadaniaBoletim informativo da prisãoWeb seriesProgramação artística da prisãoIn the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities.En medio de la pandemia de COVID-19, las personas encarceladas actualmente y anteriormente en el estado de Michigan en los Estados Unidos se están asociando con escritores y artistas del mundo libre para hacerse más visibles en este momento de crisis. Este artículo analiza tres estudios de caso (el boletín MYLIFEMATTERSTOO, la serie web Living on Loss of Privileges y la programación por correspondencia del Prison Creative Arts Project) en los que las personas encarceladas y las que han sido liberadas recientemente están utilizando su creatividad y sus redes de simpatizantes para hacer valer sus voces y derechos. Al hacerlo, insisten en que son ciudadanos que participan activamente en comunidades del mundo libre.In the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities.Universidade do Estado de Santa Catarina (UDESC)2020-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1898910.5965/14145731033920200103Urdimento; Vol. 3 Núm. 39 (2020): Artes da cena atrás das grades ; 1-22Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 39 (2020): Artes da cena atrás das grades ; 1-22Urdimento - Revista de Estudos em Artes Cênicas; Vol. 3 No. 39 (2020): Artes da cena atrás das grades ; 1-222358-695810.5965/1414573103392020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCenghttps://www.revistas.udesc.br/index.php/urdimento/article/view/18989/12409Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLucas, AshleyFriedman, AlexandraParedes, Efrén2020-12-30T23:13:55Zoai:ojs.revistas.udesc.br:article/18989Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-12-30T23:13:55Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means Prisiones y activismo en la pandemia: cómo los supervivientes del encarcelamiento cambian lo que significa la participación cívica Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
title |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
spellingShingle |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means Lucas, Ashley Prison Activism Citizenship Prison newsletter Web series Prison arts programming Prisión Activismo Ciudadanía Boletín de la prisión Serie web Programación de artes carcelarias Prisão Ativismo Cidadania Boletim informativo da prisão Web series Programação artística da prisão |
title_short |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
title_full |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
title_fullStr |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
title_full_unstemmed |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
title_sort |
Prisons and Activism in the Pandemic: How Survivors of Incarceration Shift What Civic Participation Means |
author |
Lucas, Ashley |
author_facet |
Lucas, Ashley Friedman, Alexandra Paredes, Efrén |
author_role |
author |
author2 |
Friedman, Alexandra Paredes, Efrén |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Lucas, Ashley Friedman, Alexandra Paredes, Efrén |
dc.subject.por.fl_str_mv |
Prison Activism Citizenship Prison newsletter Web series Prison arts programming Prisión Activismo Ciudadanía Boletín de la prisión Serie web Programación de artes carcelarias Prisão Ativismo Cidadania Boletim informativo da prisão Web series Programação artística da prisão |
topic |
Prison Activism Citizenship Prison newsletter Web series Prison arts programming Prisión Activismo Ciudadanía Boletín de la prisión Serie web Programación de artes carcelarias Prisão Ativismo Cidadania Boletim informativo da prisão Web series Programação artística da prisão |
description |
In the midst of the COVID-19 pandemic, currently and formerly incarcerated people in the state of Michigan in the United States are partnering with writers and artists in the free world to make themselves more visible in this moment of crisis. This article looks at three case studies (the MYLIFEMATTERSTOO newsletter, the Living on Loss of Privileges web series, and correspondence programming at the Prison Creative Arts Project) in which people in prison and those who have been recently released are using their creativity and networks of supporters to assert their voices and rights. In doing so, they insist that they are citizens actively participating in free world communities. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18989 10.5965/14145731033920200103 |
url |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18989 |
identifier_str_mv |
10.5965/14145731033920200103 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18989/12409 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
dc.source.none.fl_str_mv |
Urdimento; Vol. 3 Núm. 39 (2020): Artes da cena atrás das grades ; 1-22 Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 39 (2020): Artes da cena atrás das grades ; 1-22 Urdimento - Revista de Estudos em Artes Cênicas; Vol. 3 No. 39 (2020): Artes da cena atrás das grades ; 1-22 2358-6958 10.5965/1414573103392020 reponame:Urdimento (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Urdimento (Online) |
collection |
Urdimento (Online) |
repository.name.fl_str_mv |
Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
verareginacollaco@gmail.com |
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1798042506980491264 |