The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues

Detalhes bibliográficos
Autor(a) principal: Silva, Ilzy Gabrielle Soares da
Data de Publicação: 2021
Outros Autores: Carvalho, Mário de Faria
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869
Resumo: The present study is an aesthetic, sensitive and feminist analysis of the production of clay handicrafts by a master-artisan from the community of Alto do Moura, Caruaru, Pernambuco. The process of analysis and investigation refers to the works of the master artisan Marliete Rodrigues, considering that understanding the aesthetic, sensitive, symbolic and subjective recurrences present in the artistic production of women artisans can evidence the imaginary that is constituted from the daily socio-cultural experiences of women. artists on gender issues. From a given phenomenological dimension, we seek to answer questions such as: What is the centrality of the aesthetic and sensitive elements in the artisan's works? Which elements of gender and linked to the daily life of the community are materialized through the symbols present in the analyzed works? Is it possible to characterize as a feminist the aesthetic that develops from the imaginary and is expressed in your works? The results obtained show that although, at first glance, the master's work seems to be inscribed in a kind of compulsory femininity, due to the recurrent use of elements related to flowers, modesty in clothing and the actions of the women portrayed, Marliete's work is reveals dissent by proposing subtle ruptures in the structures from which the clay art of the Alto do Moura community is constituted.  
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spelling The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issuesEl arte figurativo de las maestras artesanas de Alto do Moura, Caruaru-PE, y los significados estéticos y sensibles en cuestiones de géneroA arte figurativa de mestras-artesãs do Alto do Moura, Caruaru - PE, e os sentidos estéticos e sensíveis sobre questões de gêneroFeminist AestheticsGender ImaginaryEstética feministaGéneroImaginarioEstética FeministaGêneroImaginárioThe present study is an aesthetic, sensitive and feminist analysis of the production of clay handicrafts by a master-artisan from the community of Alto do Moura, Caruaru, Pernambuco. The process of analysis and investigation refers to the works of the master artisan Marliete Rodrigues, considering that understanding the aesthetic, sensitive, symbolic and subjective recurrences present in the artistic production of women artisans can evidence the imaginary that is constituted from the daily socio-cultural experiences of women. artists on gender issues. From a given phenomenological dimension, we seek to answer questions such as: What is the centrality of the aesthetic and sensitive elements in the artisan's works? Which elements of gender and linked to the daily life of the community are materialized through the symbols present in the analyzed works? Is it possible to characterize as a feminist the aesthetic that develops from the imaginary and is expressed in your works? The results obtained show that although, at first glance, the master's work seems to be inscribed in a kind of compulsory femininity, due to the recurrent use of elements related to flowers, modesty in clothing and the actions of the women portrayed, Marliete's work is reveals dissent by proposing subtle ruptures in the structures from which the clay art of the Alto do Moura community is constituted.  El presente estudio es un análisis estético, sensible y feminista de la producción de artesanías en arcilla por un maestro artesano de la comunidad de Alto do Moura, Caruaru, Pernambuco. El proceso de análisis e investigación se refiere a la obra de la maestra artesana Marliete Rodrigues, considerando que comprender las recurrencias estéticas, sensibles, simbólicas y subjetivas presentes en la producción artística de las artesanas puede evidenciar el imaginario que se constituye desde la cotidianidad sociocultural. experiencias de mujeres artistas en temas de género. Desde una determinada dimensión fenomenológica, buscamos dar respuesta a preguntas como: ¿Cuál es la centralidad de los elementos estéticos y sensibles en las obras del artesano? ¿Qué elementos de género y relacionados con la vida cotidiana de la comunidad se materializan a través de los símbolos presentes en las obras analizadas? ¿Es posible caracterizar como feminista la estética que se desarrolla a partir del imaginario y se expresa en tus obras? Los resultados obtenidos muestran que aunque, a primera vista, la obra del maestro parece estar inscrita en una especie de feminidad obligatoria, debido al uso recurrente de elementos relacionados con las flores, la modestia en la vestimenta y las acciones de las mujeres retratadas, la obra de Marliete es revela un disidente al proponer sutiles rupturas en las estructuras a partir de las cuales se constituye el arte de barro de la comunidad de Alto do Moura.O presente estudo é uma análise estética, sensível e feminista da produção de artesanato em barro de uma mestra-artesã da comunidade do Alto do Moura, Caruaru, Pernambuco. O processo de análise e investigação refere-se às obras da mestra artesã Marliete Rodrigues, considerando que compreender as recorrências estéticas, sensíveis, simbólicas e subjetivas presentes na produção artística de mulheres artesãs pode evidenciar o imaginário que se constitui a partir das vivências socioculturais cotidianas das artistas sobre questões de gênero. A partir de dada dimensão fenomenológica, buscamos responder a perguntas como: Qual a centralidade dos elementos estéticos e sensíveis nas obras da artesã? Quais elementos de gênero e ligados ao cotidiano da comunidade são materializados através dos símbolos presentes nas obras analisadas? É possível caracterizar como feminista a estética que se desenvolve a partir do imaginário e é expressa em suas obras? Os resultados obtidos apontam que apesar de, à primeira vista, a obra da mestra parecer estar inscrita numa espécie de feminilidade compulsória, pelo uso recorrente de elementos ligados a flores, o recato no vestuário e as ações das mulheres retratadas, a obra de Marliete se revela dissidente ao propor sutis rupturas nas estruturas a partir das quais a arte em barro da comunidade do Alto do Moura é constituída.Universidade do Estado de Santa Catarina2021-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1986910.5965/25944630522021031Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 31-482594-463010.5965/25944630522021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869/12997https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869/12998Copyright (c) 2021 Ilzy Gabrielle Soares da Silva, Mário de Faria Carvalhohttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessSilva, Ilzy Gabrielle Soares daCarvalho, Mário de Faria2024-02-29T12:41:29Zoai::article/19869Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:41:29Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
El arte figurativo de las maestras artesanas de Alto do Moura, Caruaru-PE, y los significados estéticos y sensibles en cuestiones de género
A arte figurativa de mestras-artesãs do Alto do Moura, Caruaru - PE, e os sentidos estéticos e sensíveis sobre questões de gênero
title The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
spellingShingle The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
Silva, Ilzy Gabrielle Soares da
Feminist Aesthetics
Gender
Imaginary
Estética feminista
Género
Imaginario
Estética Feminista
Gênero
Imaginário
title_short The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
title_full The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
title_fullStr The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
title_full_unstemmed The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
title_sort The figurative art of master-artisans from Alto do Moura, Caruaru-PE, and the aesthetic and sensitive meanings on gender issues
author Silva, Ilzy Gabrielle Soares da
author_facet Silva, Ilzy Gabrielle Soares da
Carvalho, Mário de Faria
author_role author
author2 Carvalho, Mário de Faria
author2_role author
dc.contributor.author.fl_str_mv Silva, Ilzy Gabrielle Soares da
Carvalho, Mário de Faria
dc.subject.por.fl_str_mv Feminist Aesthetics
Gender
Imaginary
Estética feminista
Género
Imaginario
Estética Feminista
Gênero
Imaginário
topic Feminist Aesthetics
Gender
Imaginary
Estética feminista
Género
Imaginario
Estética Feminista
Gênero
Imaginário
description The present study is an aesthetic, sensitive and feminist analysis of the production of clay handicrafts by a master-artisan from the community of Alto do Moura, Caruaru, Pernambuco. The process of analysis and investigation refers to the works of the master artisan Marliete Rodrigues, considering that understanding the aesthetic, sensitive, symbolic and subjective recurrences present in the artistic production of women artisans can evidence the imaginary that is constituted from the daily socio-cultural experiences of women. artists on gender issues. From a given phenomenological dimension, we seek to answer questions such as: What is the centrality of the aesthetic and sensitive elements in the artisan's works? Which elements of gender and linked to the daily life of the community are materialized through the symbols present in the analyzed works? Is it possible to characterize as a feminist the aesthetic that develops from the imaginary and is expressed in your works? The results obtained show that although, at first glance, the master's work seems to be inscribed in a kind of compulsory femininity, due to the recurrent use of elements related to flowers, modesty in clothing and the actions of the women portrayed, Marliete's work is reveals dissent by proposing subtle ruptures in the structures from which the clay art of the Alto do Moura community is constituted.  
publishDate 2021
dc.date.none.fl_str_mv 2021-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869
10.5965/25944630522021031
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869
identifier_str_mv 10.5965/25944630522021031
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869/12997
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19869/12998
dc.rights.driver.fl_str_mv Copyright (c) 2021 Ilzy Gabrielle Soares da Silva, Mário de Faria Carvalho
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Ilzy Gabrielle Soares da Silva, Mário de Faria Carvalho
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 31-48
2594-4630
10.5965/25944630522021001
reponame:Revista de Ensino em Artes, Moda e Design
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Revista de Ensino em Artes, Moda e Design
collection Revista de Ensino em Artes, Moda e Design
repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv reamd.ceart@udesc.br || portal.periodicos@udesc.br
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