About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:

Detalhes bibliográficos
Autor(a) principal: Bove, Laurent
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/20118
Resumo: Bruegel’s paintings stand at the beginning of a period of profound change, of which Spinoza experienced the final episode. The intrinsic unity of a historical period binds the painter and the philosopher together in the common struggle for the freedom of expression. This symmetry of the painter and the philosopher was initially historical. Yet it gave rise to the hypothesis of a different symmetry, this time epistemological, between image and concept. This double symmetry lies at the beginning of my research questions. As with Spinoza a century later, did Bruegel’s pictorial work already produce a particular theoretical device which, in its domain, reflected on – and from – the distinction between imagination and intellect? This question, together with the conviction of a cognitive activity of art, supported at the same time my working hypothesis and my epistemological motivations.
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spelling About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: A propos de Pieter Bruegel, Le Tableau ou la sphère infinie. Pour une réforme théologique-politique de l’entendement: A propósito de Pieter Bruegel, O Quadro ou a esfera infinita. Por uma reforma teológico-política do entendimento: Verdade efetivaImaginaçãoImanênciaSegunda naturezaEsfera infinitaEffectual truthImaginationImmanenceSecond natureInfinite sphereVérité effectiveImaginationImmanenceSeconde natureSphère infinieBruegel’s paintings stand at the beginning of a period of profound change, of which Spinoza experienced the final episode. The intrinsic unity of a historical period binds the painter and the philosopher together in the common struggle for the freedom of expression. This symmetry of the painter and the philosopher was initially historical. Yet it gave rise to the hypothesis of a different symmetry, this time epistemological, between image and concept. This double symmetry lies at the beginning of my research questions. As with Spinoza a century later, did Bruegel’s pictorial work already produce a particular theoretical device which, in its domain, reflected on – and from – the distinction between imagination and intellect? This question, together with the conviction of a cognitive activity of art, supported at the same time my working hypothesis and my epistemological motivations.L’oeuvre peint de Bruegel se situe au début d’une période de profonds bouleversementsdont Spinoza a vécu l’épisode final. L’unité intrinsèque d’une période historique relie ainsi lepeintre et le philosophe : c’est l’unité d’un combat pour la liberté d’expression. Cette symétrie,d’abord historique, du peintre et du philosophe, suscitait l’hypothèse d’une autre symétrie,épistémologique, entre l’image et le concept. Cette double symétrie est au principe demes interrogations. Comme un siècle plus tard, chez Spinoza, le travail pictural de Bruegelne produisait-il pas, déjà aussi, un dispositif théorique particulier qui, dans son domainepropre, réfléchissait « sur » – et à partir « de » – la distinction entre imagination et entendement? Cette question et la conviction d’une activité cognitive de l’art, enveloppaient, à lafois, une hypothèse de travail et mes motivations épistémologiques.A obra pintada de Bruegel se situa no início de um período de profundas comoções cujo episódio final, Spinoza viveu. A unidade intrínseca de um período histórico vincula, portanto, o pintor e o filósofo: é a unidade de uma luta pela liberdade de expressão. Essa simetria, antes, histórica, do pintor e do filósofo, suscitava a hipótese de outra simetria, epistemológica, entre a imagem e o conceito. Essa dupla simetria está no princípio das minhas interrogações. Será que, como um século mais tarde em Spinoza, o trabalho pictórico de Bruegel já não produzia um dispositivo teórico peculiar que, no seu domínio próprio, refletia “sobre” – e a partir “de” – a distinção entre imaginação e entendimento? Essa questão e a convicção de uma atividade cognitiva da arte envolviam ao mesmo tempo uma hipótese de trabalho e minhas motivações epistemológicas.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2011810.5965/2175234613302021109Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-126Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-1262175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/20118/12905Copyright (c) 2021 Laurent Bovehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBove, Laurent 2024-02-29T12:47:46Zoai::article/20118Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:47:46Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
A propos de Pieter Bruegel, Le Tableau ou la sphère infinie. Pour une réforme théologique-politique de l’entendement:
A propósito de Pieter Bruegel, O Quadro ou a esfera infinita. Por uma reforma teológico-política do entendimento:
title About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
spellingShingle About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
Bove, Laurent
Verdade efetiva
Imaginação
Imanência
Segunda natureza
Esfera infinita
Effectual truth
Imagination
Immanence
Second nature
Infinite sphere
Vérité effective
Imagination
Immanence
Seconde nature
Sphère infinie
title_short About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
title_full About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
title_fullStr About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
title_full_unstemmed About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
title_sort About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
author Bove, Laurent
author_facet Bove, Laurent
author_role author
dc.contributor.author.fl_str_mv Bove, Laurent
dc.subject.por.fl_str_mv Verdade efetiva
Imaginação
Imanência
Segunda natureza
Esfera infinita
Effectual truth
Imagination
Immanence
Second nature
Infinite sphere
Vérité effective
Imagination
Immanence
Seconde nature
Sphère infinie
topic Verdade efetiva
Imaginação
Imanência
Segunda natureza
Esfera infinita
Effectual truth
Imagination
Immanence
Second nature
Infinite sphere
Vérité effective
Imagination
Immanence
Seconde nature
Sphère infinie
description Bruegel’s paintings stand at the beginning of a period of profound change, of which Spinoza experienced the final episode. The intrinsic unity of a historical period binds the painter and the philosopher together in the common struggle for the freedom of expression. This symmetry of the painter and the philosopher was initially historical. Yet it gave rise to the hypothesis of a different symmetry, this time epistemological, between image and concept. This double symmetry lies at the beginning of my research questions. As with Spinoza a century later, did Bruegel’s pictorial work already produce a particular theoretical device which, in its domain, reflected on – and from – the distinction between imagination and intellect? This question, together with the conviction of a cognitive activity of art, supported at the same time my working hypothesis and my epistemological motivations.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/20118
10.5965/2175234613302021109
url https://www.revistas.udesc.br/index.php/palindromo/article/view/20118
identifier_str_mv 10.5965/2175234613302021109
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/20118/12905
dc.rights.driver.fl_str_mv Copyright (c) 2021 Laurent Bove
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Laurent Bove
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-126
Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-126
2175-2346
1984-9532
10.5965/10.5965/2175234613302021
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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