About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding:
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/20118 |
Resumo: | Bruegel’s paintings stand at the beginning of a period of profound change, of which Spinoza experienced the final episode. The intrinsic unity of a historical period binds the painter and the philosopher together in the common struggle for the freedom of expression. This symmetry of the painter and the philosopher was initially historical. Yet it gave rise to the hypothesis of a different symmetry, this time epistemological, between image and concept. This double symmetry lies at the beginning of my research questions. As with Spinoza a century later, did Bruegel’s pictorial work already produce a particular theoretical device which, in its domain, reflected on – and from – the distinction between imagination and intellect? This question, together with the conviction of a cognitive activity of art, supported at the same time my working hypothesis and my epistemological motivations. |
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About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: A propos de Pieter Bruegel, Le Tableau ou la sphère infinie. Pour une réforme théologique-politique de l’entendement: A propósito de Pieter Bruegel, O Quadro ou a esfera infinita. Por uma reforma teológico-política do entendimento: Verdade efetivaImaginaçãoImanênciaSegunda naturezaEsfera infinitaEffectual truthImaginationImmanenceSecond natureInfinite sphereVérité effectiveImaginationImmanenceSeconde natureSphère infinieBruegel’s paintings stand at the beginning of a period of profound change, of which Spinoza experienced the final episode. The intrinsic unity of a historical period binds the painter and the philosopher together in the common struggle for the freedom of expression. This symmetry of the painter and the philosopher was initially historical. Yet it gave rise to the hypothesis of a different symmetry, this time epistemological, between image and concept. This double symmetry lies at the beginning of my research questions. As with Spinoza a century later, did Bruegel’s pictorial work already produce a particular theoretical device which, in its domain, reflected on – and from – the distinction between imagination and intellect? This question, together with the conviction of a cognitive activity of art, supported at the same time my working hypothesis and my epistemological motivations.L’oeuvre peint de Bruegel se situe au début d’une période de profonds bouleversementsdont Spinoza a vécu l’épisode final. L’unité intrinsèque d’une période historique relie ainsi lepeintre et le philosophe : c’est l’unité d’un combat pour la liberté d’expression. Cette symétrie,d’abord historique, du peintre et du philosophe, suscitait l’hypothèse d’une autre symétrie,épistémologique, entre l’image et le concept. Cette double symétrie est au principe demes interrogations. Comme un siècle plus tard, chez Spinoza, le travail pictural de Bruegelne produisait-il pas, déjà aussi, un dispositif théorique particulier qui, dans son domainepropre, réfléchissait « sur » – et à partir « de » – la distinction entre imagination et entendement? Cette question et la conviction d’une activité cognitive de l’art, enveloppaient, à lafois, une hypothèse de travail et mes motivations épistémologiques.A obra pintada de Bruegel se situa no início de um período de profundas comoções cujo episódio final, Spinoza viveu. A unidade intrínseca de um período histórico vincula, portanto, o pintor e o filósofo: é a unidade de uma luta pela liberdade de expressão. Essa simetria, antes, histórica, do pintor e do filósofo, suscitava a hipótese de outra simetria, epistemológica, entre a imagem e o conceito. Essa dupla simetria está no princípio das minhas interrogações. Será que, como um século mais tarde em Spinoza, o trabalho pictórico de Bruegel já não produzia um dispositivo teórico peculiar que, no seu domínio próprio, refletia “sobre” – e a partir “de” – a distinção entre imaginação e entendimento? Essa questão e a convicção de uma atividade cognitiva da arte envolviam ao mesmo tempo uma hipótese de trabalho e minhas motivações epistemológicas.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2011810.5965/2175234613302021109Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-126Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-1262175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/20118/12905Copyright (c) 2021 Laurent Bovehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBove, Laurent 2024-02-29T12:47:46Zoai::article/20118Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:47:46Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: A propos de Pieter Bruegel, Le Tableau ou la sphère infinie. Pour une réforme théologique-politique de l’entendement: A propósito de Pieter Bruegel, O Quadro ou a esfera infinita. Por uma reforma teológico-política do entendimento: |
title |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: |
spellingShingle |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: Bove, Laurent Verdade efetiva Imaginação Imanência Segunda natureza Esfera infinita Effectual truth Imagination Immanence Second nature Infinite sphere Vérité effective Imagination Immanence Seconde nature Sphère infinie |
title_short |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: |
title_full |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: |
title_fullStr |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: |
title_full_unstemmed |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: |
title_sort |
About Pieter Bruegel, The Picture or the infinite sphere. For a theological political reform of understanding: |
author |
Bove, Laurent |
author_facet |
Bove, Laurent |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bove, Laurent |
dc.subject.por.fl_str_mv |
Verdade efetiva Imaginação Imanência Segunda natureza Esfera infinita Effectual truth Imagination Immanence Second nature Infinite sphere Vérité effective Imagination Immanence Seconde nature Sphère infinie |
topic |
Verdade efetiva Imaginação Imanência Segunda natureza Esfera infinita Effectual truth Imagination Immanence Second nature Infinite sphere Vérité effective Imagination Immanence Seconde nature Sphère infinie |
description |
Bruegel’s paintings stand at the beginning of a period of profound change, of which Spinoza experienced the final episode. The intrinsic unity of a historical period binds the painter and the philosopher together in the common struggle for the freedom of expression. This symmetry of the painter and the philosopher was initially historical. Yet it gave rise to the hypothesis of a different symmetry, this time epistemological, between image and concept. This double symmetry lies at the beginning of my research questions. As with Spinoza a century later, did Bruegel’s pictorial work already produce a particular theoretical device which, in its domain, reflected on – and from – the distinction between imagination and intellect? This question, together with the conviction of a cognitive activity of art, supported at the same time my working hypothesis and my epistemological motivations. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/20118 10.5965/2175234613302021109 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/20118 |
identifier_str_mv |
10.5965/2175234613302021109 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/20118/12905 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Laurent Bove http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Laurent Bove http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-126 Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 109-126 2175-2346 1984-9532 10.5965/10.5965/2175234613302021 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
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1797041813290221568 |