The INKHOUK: notes on “a fight for construction instead of style”
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/5489 |
Resumo: | The Inkhouk was, between 1920 and 1924, one of the most significant organi- zational and institutional displays of Rus- sian and Soviet avant-gardes; deeply em- bedded in the establishment of a Modern State of a new kind and in the full core of a revolutionary dynamic, the Inkhouk was able to prove that not only was it possible for artists to collectively uphold a critical and continuous thinking on the pioneering language and cultural break that they were developing in their artistic work and in their creative methods but it also validated that the political revolution and its every day phenomena had changed the social and symbolic significance of the avant-garde work. The Inkhouk was the moment when modernist activism paused to discern itself while still fully involved in the whirlwind of events. |
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The INKHOUK: notes on “a fight for construction instead of style”O INKHOUK: Apontamentos sobre “a luta pela estrutura sobre o estilo"modernism revolution avant-gardeconstructivism suprematismmodernismo revolução vanguarda contrutivismo suprematismo The Inkhouk was, between 1920 and 1924, one of the most significant organi- zational and institutional displays of Rus- sian and Soviet avant-gardes; deeply em- bedded in the establishment of a Modern State of a new kind and in the full core of a revolutionary dynamic, the Inkhouk was able to prove that not only was it possible for artists to collectively uphold a critical and continuous thinking on the pioneering language and cultural break that they were developing in their artistic work and in their creative methods but it also validated that the political revolution and its every day phenomena had changed the social and symbolic significance of the avant-garde work. The Inkhouk was the moment when modernist activism paused to discern itself while still fully involved in the whirlwind of events.O Inkhouk foi entre 1920 e 1924 uma das mais significativas manifestações organizacionais dos grupos de vanguarda soviética; o presente artigo pretende refletir sobre o papel do Inkhouk e como integrado num Estado moderno e numa dinâmica revolucionária essa curta experiência institucional demonstrou que não só era possível aos artistas manterem coletivamente uma reflexão crítica e continuada sobre a linguagem inovadora e de rutura que estavam a desenvolver nas suas obras e nos seus métodos como também demonstrou que era possível aferir como a revolução política e a sua dimensão quotidiana transformara radicalmente o significado social e simbólico do trabalho artístico de vanguarda. O Inkhouk foi o momento em que o ativismo modernista se colocou em pausa reflexiva sem nunca se desligar do turbilhão dos acontecimentos.Universidade do Estado de Santa Catarina2014-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/548910.5965/2175234606122014041Palíndromo; Vol. 6 No. 12 (2014): Palíndromo nº12; 41 - 67Palíndromo; v. 6 n. 12 (2014): Palíndromo nº12; 41 - 672175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/5489/3904Copyright (c) 2014 Pedro Rodrigues Pousadahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPousada, Pedro Rodrigues2023-03-29T13:48:11Zoai::article/5489Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-29T13:48:11Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
The INKHOUK: notes on “a fight for construction instead of style” O INKHOUK: Apontamentos sobre “a luta pela estrutura sobre o estilo" |
title |
The INKHOUK: notes on “a fight for construction instead of style” |
spellingShingle |
The INKHOUK: notes on “a fight for construction instead of style” Pousada, Pedro Rodrigues modernism revolution avant-garde constructivism suprematism modernismo revolução vanguarda contrutivismo suprematismo |
title_short |
The INKHOUK: notes on “a fight for construction instead of style” |
title_full |
The INKHOUK: notes on “a fight for construction instead of style” |
title_fullStr |
The INKHOUK: notes on “a fight for construction instead of style” |
title_full_unstemmed |
The INKHOUK: notes on “a fight for construction instead of style” |
title_sort |
The INKHOUK: notes on “a fight for construction instead of style” |
author |
Pousada, Pedro Rodrigues |
author_facet |
Pousada, Pedro Rodrigues |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pousada, Pedro Rodrigues |
dc.subject.por.fl_str_mv |
modernism revolution avant-garde constructivism suprematism modernismo revolução vanguarda contrutivismo suprematismo |
topic |
modernism revolution avant-garde constructivism suprematism modernismo revolução vanguarda contrutivismo suprematismo |
description |
The Inkhouk was, between 1920 and 1924, one of the most significant organi- zational and institutional displays of Rus- sian and Soviet avant-gardes; deeply em- bedded in the establishment of a Modern State of a new kind and in the full core of a revolutionary dynamic, the Inkhouk was able to prove that not only was it possible for artists to collectively uphold a critical and continuous thinking on the pioneering language and cultural break that they were developing in their artistic work and in their creative methods but it also validated that the political revolution and its every day phenomena had changed the social and symbolic significance of the avant-garde work. The Inkhouk was the moment when modernist activism paused to discern itself while still fully involved in the whirlwind of events. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-12-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/5489 10.5965/2175234606122014041 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/5489 |
identifier_str_mv |
10.5965/2175234606122014041 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/5489/3904 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Pedro Rodrigues Pousada http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Pedro Rodrigues Pousada http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 6 No. 12 (2014): Palíndromo nº12; 41 - 67 Palíndromo; v. 6 n. 12 (2014): Palíndromo nº12; 41 - 67 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041812640104448 |