The INKHOUK: notes on “a fight for construction instead of style”

Detalhes bibliográficos
Autor(a) principal: Pousada, Pedro Rodrigues
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/5489
Resumo: The Inkhouk was, between 1920 and 1924, one of the most significant organi- zational and institutional displays of Rus- sian and Soviet avant-gardes; deeply em- bedded in the establishment of a Modern State of a new kind and in the full core of a revolutionary dynamic, the Inkhouk was able to prove that not only was it possible for artists to collectively uphold a critical and continuous thinking on the pioneering language and cultural break that they were developing in their artistic work and in their creative methods but it also validated that the political revolution and its every day phenomena had changed the social and symbolic significance of the avant-garde work. The Inkhouk was the moment when modernist activism paused to discern itself while still fully involved in the whirlwind of events.
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spelling The INKHOUK: notes on “a fight for construction instead of style”O INKHOUK: Apontamentos sobre “a luta pela estrutura sobre o estilo"modernism revolution avant-gardeconstructivism suprematismmodernismo revolução vanguarda contrutivismo suprematismo The Inkhouk was, between 1920 and 1924, one of the most significant organi- zational and institutional displays of Rus- sian and Soviet avant-gardes; deeply em- bedded in the establishment of a Modern State of a new kind and in the full core of a revolutionary dynamic, the Inkhouk was able to prove that not only was it possible for artists to collectively uphold a critical and continuous thinking on the pioneering language and cultural break that they were developing in their artistic work and in their creative methods but it also validated that the political revolution and its every day phenomena had changed the social and symbolic significance of the avant-garde work. The Inkhouk was the moment when modernist activism paused to discern itself while still fully involved in the whirlwind of events.O Inkhouk foi entre 1920 e 1924 uma das mais significativas manifestações organizacionais dos grupos de vanguarda soviética; o presente artigo pretende refletir sobre o papel do Inkhouk e como integrado num Estado moderno e numa dinâmica revolucionária essa curta experiência institucional demonstrou que não só era possível aos artistas manterem coletivamente uma reflexão crítica e continuada sobre a linguagem inovadora e de rutura que estavam a desenvolver nas suas obras e nos seus métodos como também demonstrou que era possível aferir como a revolução política e a sua dimensão quotidiana transformara radicalmente o significado social e simbólico do trabalho artístico de vanguarda. O Inkhouk foi o momento em que o ativismo modernista se colocou em pausa reflexiva sem nunca se desligar do turbilhão dos acontecimentos.Universidade do Estado de Santa Catarina2014-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/548910.5965/2175234606122014041Palíndromo; Vol. 6 No. 12 (2014): Palíndromo nº12; 41 - 67Palíndromo; v. 6 n. 12 (2014): Palíndromo nº12; 41 - 672175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/5489/3904Copyright (c) 2014 Pedro Rodrigues Pousadahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPousada, Pedro Rodrigues2023-03-24T14:37:40Zoai:ojs.revistas.udesc.br:article/5489Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:40Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The INKHOUK: notes on “a fight for construction instead of style”
O INKHOUK: Apontamentos sobre “a luta pela estrutura sobre o estilo"
title The INKHOUK: notes on “a fight for construction instead of style”
spellingShingle The INKHOUK: notes on “a fight for construction instead of style”
Pousada, Pedro Rodrigues
modernism
revolution
avant-garde
constructivism
suprematism
modernismo
revolução
vanguarda
contrutivismo
suprematismo
title_short The INKHOUK: notes on “a fight for construction instead of style”
title_full The INKHOUK: notes on “a fight for construction instead of style”
title_fullStr The INKHOUK: notes on “a fight for construction instead of style”
title_full_unstemmed The INKHOUK: notes on “a fight for construction instead of style”
title_sort The INKHOUK: notes on “a fight for construction instead of style”
author Pousada, Pedro Rodrigues
author_facet Pousada, Pedro Rodrigues
author_role author
dc.contributor.author.fl_str_mv Pousada, Pedro Rodrigues
dc.subject.por.fl_str_mv modernism
revolution
avant-garde
constructivism
suprematism
modernismo
revolução
vanguarda
contrutivismo
suprematismo
topic modernism
revolution
avant-garde
constructivism
suprematism
modernismo
revolução
vanguarda
contrutivismo
suprematismo
description The Inkhouk was, between 1920 and 1924, one of the most significant organi- zational and institutional displays of Rus- sian and Soviet avant-gardes; deeply em- bedded in the establishment of a Modern State of a new kind and in the full core of a revolutionary dynamic, the Inkhouk was able to prove that not only was it possible for artists to collectively uphold a critical and continuous thinking on the pioneering language and cultural break that they were developing in their artistic work and in their creative methods but it also validated that the political revolution and its every day phenomena had changed the social and symbolic significance of the avant-garde work. The Inkhouk was the moment when modernist activism paused to discern itself while still fully involved in the whirlwind of events.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/5489
10.5965/2175234606122014041
url https://www.revistas.udesc.br/index.php/palindromo/article/view/5489
identifier_str_mv 10.5965/2175234606122014041
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/5489/3904
dc.rights.driver.fl_str_mv Copyright (c) 2014 Pedro Rodrigues Pousada
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Pedro Rodrigues Pousada
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 6 No. 12 (2014): Palíndromo nº12; 41 - 67
Palíndromo; v. 6 n. 12 (2014): Palíndromo nº12; 41 - 67
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041814648127489

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