The moon, the wolf, the glass of wine and the wild heart of art
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2021 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Palíndromo (Online) |
| Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/19609 |
Resumo: | Based on fragments of an autobiographical cut, the text seeks, not to answer, but to dialogue with the question proposed by the editor: "what motivates me/us/you in art?". From the perspective of Heidegger's phenomenology, it starts from the ontological analysis of Being-in, the way of being of the being that we are, in its constituent aspects, to extend it to the being of the artist and of art. To do so, it seeks to extend the dialogue to genealogies that electively affect the author in his practical and theoretical relationship with art, as well as with the contextual conditions that involve the production, circulation and reception of art work in contemporary society, its limits and contingencies . Finally, it looks at the current and recent moment of its author's work, in order to dive in search of the interests and motivations that lead to its realization, as well as to the transit between languages of the expanded field of art and related fields. |
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The moon, the wolf, the glass of wine and the wild heart of artLa lune, le loup, le verre de vin et le coeur sauvage de l’artA lua, o lobo, o copo de vinho e o coração selvagem da arteLanguagesart processesvalue judgmentartistart artistaartelinguagensprocessos de artejuízo de valorartartistelangagesprocès de l'artjugement de valeurBased on fragments of an autobiographical cut, the text seeks, not to answer, but to dialogue with the question proposed by the editor: "what motivates me/us/you in art?". From the perspective of Heidegger's phenomenology, it starts from the ontological analysis of Being-in, the way of being of the being that we are, in its constituent aspects, to extend it to the being of the artist and of art. To do so, it seeks to extend the dialogue to genealogies that electively affect the author in his practical and theoretical relationship with art, as well as with the contextual conditions that involve the production, circulation and reception of art work in contemporary society, its limits and contingencies . Finally, it looks at the current and recent moment of its author's work, in order to dive in search of the interests and motivations that lead to its realization, as well as to the transit between languages of the expanded field of art and related fields. Basé sur des fragments d'une coupe autobiographique, le texte cherche, non pas à répondre, mais à dialoguer avec la question proposée par l'éditeur: «qu'est-ce qui me/ nous/vous motive dans l'art?». Du point de vue de la phénoménologie de Heidegger, il part de l'analyse ontologique du Dasein, l'être-là ou présence, la manière d'être de l'étant que nous sommes, dans ses aspects constitutifs, pour l'étendre à l'être de l'artiste et de l'art. À cette fin, il cherche à étendre le dialogue aux généalogies qui affectent électivement l'auteur dans sa relation pratique et théorique avec l'art, ainsi qu'avec les conditions contextuelles qui impliquent la production, la circulation et la réception de l'œuvre d'art dans la société contemporaine, ses limites et ses contingences. Enfin, il se penche sur le moment actuel et récent du travail de son auteur, afin de plonger à la recherche des intérêts et motivations qui conduisent à sa réalisation, ainsi qu’au transit entre les langues du champ élargi de l'art et les domaines connexe.A partir de fragmentos de um recorte autobiográfico, o texto procura, não responder, mas dialogar com a questão proposta pelo editor: “o que me/nos/vos motiva em arte?”. Sob a perspectiva da fenomenologia de Heidegger, parte da análise ontológica do Ser-aí, o modo de ser do ente que somos, em seus aspectos constituintes, para estendê-la ao ser do artista e da arte. Para isso, busca estender o diálogo às genealogias que afetam eletivamente o autor em sua relação prática e teórica com a arte, assim como com as condições contextuais que envolvem a produção, circulação e recepção do trabalho de arte na sociedade contemporânea, seus limites e contingências. Finalmente, debruça-se sobre o momento atual e recente do trabalho de seu autor, de modo a mergulhar em busca dos interesses e motivações que levam a sua realização, assim como ao trânsito entre linguagens do campo ampliado da arte e de campos afins.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1960910.5965/2175234613302021066Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 66-83Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 66-832175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19609/12902Copyright (c) 2021 Ricardo Maurício Gonzagahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGonzaga, Ricardo Maurício2021-05-01T10:37:02Zoai:ojs.revistas.udesc.br:article/19609Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-05-01T10:37:02Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
| dc.title.none.fl_str_mv |
The moon, the wolf, the glass of wine and the wild heart of art La lune, le loup, le verre de vin et le coeur sauvage de l’art A lua, o lobo, o copo de vinho e o coração selvagem da arte |
| title |
The moon, the wolf, the glass of wine and the wild heart of art |
| spellingShingle |
The moon, the wolf, the glass of wine and the wild heart of art Gonzaga, Ricardo Maurício Languages art processes value judgment artist art artista arte linguagens processos de arte juízo de valor art artiste langages procès de l'art jugement de valeur |
| title_short |
The moon, the wolf, the glass of wine and the wild heart of art |
| title_full |
The moon, the wolf, the glass of wine and the wild heart of art |
| title_fullStr |
The moon, the wolf, the glass of wine and the wild heart of art |
| title_full_unstemmed |
The moon, the wolf, the glass of wine and the wild heart of art |
| title_sort |
The moon, the wolf, the glass of wine and the wild heart of art |
| author |
Gonzaga, Ricardo Maurício |
| author_facet |
Gonzaga, Ricardo Maurício |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Gonzaga, Ricardo Maurício |
| dc.subject.por.fl_str_mv |
Languages art processes value judgment artist art artista arte linguagens processos de arte juízo de valor art artiste langages procès de l'art jugement de valeur |
| topic |
Languages art processes value judgment artist art artista arte linguagens processos de arte juízo de valor art artiste langages procès de l'art jugement de valeur |
| description |
Based on fragments of an autobiographical cut, the text seeks, not to answer, but to dialogue with the question proposed by the editor: "what motivates me/us/you in art?". From the perspective of Heidegger's phenomenology, it starts from the ontological analysis of Being-in, the way of being of the being that we are, in its constituent aspects, to extend it to the being of the artist and of art. To do so, it seeks to extend the dialogue to genealogies that electively affect the author in his practical and theoretical relationship with art, as well as with the contextual conditions that involve the production, circulation and reception of art work in contemporary society, its limits and contingencies . Finally, it looks at the current and recent moment of its author's work, in order to dive in search of the interests and motivations that lead to its realization, as well as to the transit between languages of the expanded field of art and related fields. |
| publishDate |
2021 |
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2021-05-01 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://www.revistas.udesc.br/index.php/palindromo/article/view/19609 10.5965/2175234613302021066 |
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https://www.revistas.udesc.br/index.php/palindromo/article/view/19609 |
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10.5965/2175234613302021066 |
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por |
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por |
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https://www.revistas.udesc.br/index.php/palindromo/article/view/19609/12902 |
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Copyright (c) 2021 Ricardo Maurício Gonzaga http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2021 Ricardo Maurício Gonzaga http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
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Universidade do Estado de Santa Catarina |
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Universidade do Estado de Santa Catarina |
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Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 66-83 Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 66-83 2175-2346 1984-9532 10.5965/10.5965/2175234613302021 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
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Universidade do Estado de Santa Catarina (UDESC) |
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UDESC |
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UDESC |
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Palíndromo (Online) |
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Palíndromo (Online) |
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Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
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palindromorevista@gmail.com || revistapalindromo@udesc.br |
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1797041816059510784 |