FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/12569 |
Resumo: | What do we see in a photograph corresponds to reality? To be closer to an intimacy considered as credible it is possible due to selfie practice in recent years. However, what we see can be a performance of the daily life through the staged image (POIVERT, 2010) with spec-ificities of selfie (TIFENTALE, 2016) face of the (traditional) portrait. To exemplify this phenomenon with selfies an analysis is made of “Excellences and Perfections” by the artist Amalia Ulman who forges a narrative of her daily life through posts in the Instagram app. Through her work it is possible to elucidate how the (self)portrait/selfie can be ambiguous, putting the relationship between “real life” and the staged at stake. |
id |
UDESC-5_a797c74fbbdd6070572df04727f664ae |
---|---|
oai_identifier_str |
oai:ojs.revistas.udesc.br:article/12569 |
network_acronym_str |
UDESC-5 |
network_name_str |
Palíndromo (Online) |
repository_id_str |
|
spelling |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAMForjando narrativas do eu através de registros de si: Amalia Ulman e sua encenação com selfies no Instagramretrato fotográficoencenaçãoselfieInstagramAmalia Ulmanphotographic portraitperformanceselfieInstagramAmalia UlmanWhat do we see in a photograph corresponds to reality? To be closer to an intimacy considered as credible it is possible due to selfie practice in recent years. However, what we see can be a performance of the daily life through the staged image (POIVERT, 2010) with spec-ificities of selfie (TIFENTALE, 2016) face of the (traditional) portrait. To exemplify this phenomenon with selfies an analysis is made of “Excellences and Perfections” by the artist Amalia Ulman who forges a narrative of her daily life through posts in the Instagram app. Through her work it is possible to elucidate how the (self)portrait/selfie can be ambiguous, putting the relationship between “real life” and the staged at stake.O que vemos em uma fotografia corresponde com a realidade? Com a prática das selfies nos últimos anos, foi possível estar mais próximo de uma intimidade tida como verossímil. Todavia, o que vemos pode ser uma encenação do cotidiano através da imagem encenada (POIVERT, 2010) com as especificidades da selfie (TIFENTALE, 2016) frente ao (autor)retrato tradicional moderno. Para exemplificar este fenômeno com as selfies é feita a análise de “Excellences and Perfections” da artista Amalia Ulman que forja uma narrativa de seu cotidiano através de postagens no aplicativo Instagram. O trabalho possibilita elucidar como o (autor)retrato/selfie pode ser ambíguo, colocando em jogo a relação entre “vida real” e o encenado.Universidade do Estado de Santa Catarina2019-06-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1256910.5965/2175234611242019137Palíndromo; Vol. 11 No. 24 (2019): Palíndromo; 137-151Palíndromo; v. 11 n. 24 (2019): Palíndromo; 137-1512175-23461984-953210.5965/2175234611242019reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12569/10132Copyright (c) 2019 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Thiago Lethi2020-09-09T16:38:33Zoai:ojs.revistas.udesc.br:article/12569Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T16:38:33Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM Forjando narrativas do eu através de registros de si: Amalia Ulman e sua encenação com selfies no Instagram |
title |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM |
spellingShingle |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM Costa, Thiago Lethi retrato fotográfico encenação selfie Amalia Ulman photographic portrait performance selfie Amalia Ulman |
title_short |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM |
title_full |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM |
title_fullStr |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM |
title_full_unstemmed |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM |
title_sort |
FORGING STORYTELLING OF SELF THROUGH SELF-REGISTERS: AMALIA ULMAN AND HER PERFORMANCE WITH SELFIES ON INSTAGRAM |
author |
Costa, Thiago Lethi |
author_facet |
Costa, Thiago Lethi |
author_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Thiago Lethi |
dc.subject.por.fl_str_mv |
retrato fotográfico encenação selfie Amalia Ulman photographic portrait performance selfie Amalia Ulman |
topic |
retrato fotográfico encenação selfie Amalia Ulman photographic portrait performance selfie Amalia Ulman |
description |
What do we see in a photograph corresponds to reality? To be closer to an intimacy considered as credible it is possible due to selfie practice in recent years. However, what we see can be a performance of the daily life through the staged image (POIVERT, 2010) with spec-ificities of selfie (TIFENTALE, 2016) face of the (traditional) portrait. To exemplify this phenomenon with selfies an analysis is made of “Excellences and Perfections” by the artist Amalia Ulman who forges a narrative of her daily life through posts in the Instagram app. Through her work it is possible to elucidate how the (self)portrait/selfie can be ambiguous, putting the relationship between “real life” and the staged at stake. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-06-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12569 10.5965/2175234611242019137 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12569 |
identifier_str_mv |
10.5965/2175234611242019137 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12569/10132 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 11 No. 24 (2019): Palíndromo; 137-151 Palíndromo; v. 11 n. 24 (2019): Palíndromo; 137-151 2175-2346 1984-9532 10.5965/2175234611242019 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041815281467392 |