THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART

Detalhes bibliográficos
Autor(a) principal: Oliveira, Emerson Dionisio Gomes de
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/13355
Resumo: In the last four decades, a considerable amount of museal institutions with differing goals turned themselves to constituting narratives that aimed to propose a meaning to their collections and how they were displayed. The main hypothesis of this text is centered on the curator-museum as an institution capable of producing a particular Art History, not always articulating with this discipli-ne’s canon and more attentive to tactics and devices of a “curatorship culture”. To such an end, we seek to debate a set of actions-in-artwork that expressed by the curatorial culture, the existence of an artistic production deliberately created, transformed and extinguished for and within museological institutions.
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spelling THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ARTO MUSEU CURADOR: APARECIMENTO, CONSERVAÇÃO E APAGAMENTO DA OBRA DE ARTEmuseu de artecuradoriaarte imaterialacervosart museumcuratorshipimmaterial artcollectionsIn the last four decades, a considerable amount of museal institutions with differing goals turned themselves to constituting narratives that aimed to propose a meaning to their collections and how they were displayed. The main hypothesis of this text is centered on the curator-museum as an institution capable of producing a particular Art History, not always articulating with this discipli-ne’s canon and more attentive to tactics and devices of a “curatorship culture”. To such an end, we seek to debate a set of actions-in-artwork that expressed by the curatorial culture, the existence of an artistic production deliberately created, transformed and extinguished for and within museological institutions.Nas últimas quatro décadas uma quantidade considerável de instituições museais, díspares em suas finalidades, voltaram-se para constituir narrativas que objetivaram propor sentidos a suas coleções e as formas de exibi-las. A hipótese central deste texto centra-se no museu curador como uma instituição capaz de produzir uma história da arte particular, nem sempre articulada com os cânones da disciplina e mais atenta às táticas e aos dispositivos de uma “cultura da curadoria”. Para tanto, buscaremos debater, um conjunto ações-em-obra que expressaram pela cultura curatorial, a existência de uma produção artística deliberadamente criada, transformada e extinta para e dentro de instituições museológicas.Universidade do Estado de Santa Catarina2018-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1335510.5965/21752346102202018167Palíndromo; Vol. 10 No. 22 (2018): Palíndromo 22; 167-180Palíndromo; v. 10 n. 22 (2018): Palíndromo 22; 167-1802175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/13355/9095Copyright (c) 2018 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessOliveira, Emerson Dionisio Gomes de2020-09-09T16:59:05Zoai:ojs.revistas.udesc.br:article/13355Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T16:59:05Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
O MUSEU CURADOR: APARECIMENTO, CONSERVAÇÃO E APAGAMENTO DA OBRA DE ARTE
title THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
spellingShingle THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
Oliveira, Emerson Dionisio Gomes de
museu de arte
curadoria
arte imaterial
acervos
art museum
curatorship
immaterial art
collections
title_short THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
title_full THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
title_fullStr THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
title_full_unstemmed THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
title_sort THE CURATOR-MUSEUM: APPEARANCE, CONSERVATION AND DISAPPEARANCE OF THE WORK OF ART
author Oliveira, Emerson Dionisio Gomes de
author_facet Oliveira, Emerson Dionisio Gomes de
author_role author
dc.contributor.author.fl_str_mv Oliveira, Emerson Dionisio Gomes de
dc.subject.por.fl_str_mv museu de arte
curadoria
arte imaterial
acervos
art museum
curatorship
immaterial art
collections
topic museu de arte
curadoria
arte imaterial
acervos
art museum
curatorship
immaterial art
collections
description In the last four decades, a considerable amount of museal institutions with differing goals turned themselves to constituting narratives that aimed to propose a meaning to their collections and how they were displayed. The main hypothesis of this text is centered on the curator-museum as an institution capable of producing a particular Art History, not always articulating with this discipli-ne’s canon and more attentive to tactics and devices of a “curatorship culture”. To such an end, we seek to debate a set of actions-in-artwork that expressed by the curatorial culture, the existence of an artistic production deliberately created, transformed and extinguished for and within museological institutions.
publishDate 2018
dc.date.none.fl_str_mv 2018-10-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/13355
10.5965/21752346102202018167
url https://www.revistas.udesc.br/index.php/palindromo/article/view/13355
identifier_str_mv 10.5965/21752346102202018167
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/13355/9095
dc.rights.driver.fl_str_mv Copyright (c) 2018 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 10 No. 22 (2018): Palíndromo 22; 167-180
Palíndromo; v. 10 n. 22 (2018): Palíndromo 22; 167-180
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041815310827520

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