THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS

Detalhes bibliográficos
Autor(a) principal: Presta, Gustavo Antoniuk
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/12542
Resumo: This research analyzes the theoretical, technical and practical procedures of the production of the documentary "O mar de Omar". The short film revisits the dawn of February 27th, 2010, when Chile was rocked by one of the most devastating earthquakes in history, causing a tsunami with waves of up to ten meters, leaving hundreds dead and missing. The story is depicts the memories of Omar, a Chilean man, who for fourteen years built his house on the beach, with mate-rials brought by the sea and lost everything in the catastrophe. The article aims to reflect the implications of modernity / coloniality on globalization and some consequences on the nature and life of people living apart from capitalist systems of power. The theoretical path starts from cultural and postcolonial studies critical to modernity / coloniality and globalization, trying to understand the process of separation of man with nature and reflections that are present today in the cultures of the southern hemisphere.
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spelling THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTSO MAR DE OMAR: LA PRÁCTICA DEL DOCUMENTAL COMO NARRATIVO DEL YO Y DEL OTRO EN LAS ARTES VISUALESO mar de omar: a prática do documentário como narrativa do eu e do outro nas Artes Visuaisdocumentarymodernity/colonialityglobalizationnaturedocumentáriomodernidade/colonialidadeglobalizaçãonaturezadocumentalmodernidad/colonialidadglobalizaciónnaturalezaThis research analyzes the theoretical, technical and practical procedures of the production of the documentary "O mar de Omar". The short film revisits the dawn of February 27th, 2010, when Chile was rocked by one of the most devastating earthquakes in history, causing a tsunami with waves of up to ten meters, leaving hundreds dead and missing. The story is depicts the memories of Omar, a Chilean man, who for fourteen years built his house on the beach, with mate-rials brought by the sea and lost everything in the catastrophe. The article aims to reflect the implications of modernity / coloniality on globalization and some consequences on the nature and life of people living apart from capitalist systems of power. The theoretical path starts from cultural and postcolonial studies critical to modernity / coloniality and globalization, trying to understand the process of separation of man with nature and reflections that are present today in the cultures of the southern hemisphere.El presente trabajo analiza los procedimientos teóricos, técnicos y prácticos de la producción del documental “O mar de Omar”. El cortometraje retoma la madrugada del 27 de febrero de 2010, cuando el Chile fue sacudido por uno de los terremotos más devastadores de su historia, que causó un tsunami con olas de hasta diez metros, dejando cientos de muertos y desaparecidos. La historia se presenta a través de los recuerdos de Omar, un marero chileno que durante catorce años construyó su casa en la playa, con materiales traídos por el mar y perdió todo con la catástrofe. El artículo pretende reflejar las implicaciones de la modernidad / colonialidad en la globalización y algunas consecuencias sobre la naturaleza y la vida de las personas que viven separadas de los sistemas capitalistas de poder. El camino teórico comienza a partir de estudios culturales y poscoloniales críticos a la modernidad / colonialidad y la globalización, tratando de comprender el proceso de separación del hombre con la Naturaleza y las reflexiones que están presentes hoy en las culturas del sur global.O presente trabalho analisa os pro-cedimentos teóricos, técnicos e práticos da produção do documentário “O mar de Omar”. O curta-metragem revisita a madrugada de 27 de fevereiro de 2010, quando o Chile foi sacudido por um dos terremotos mais devastadores de sua his-tória, que causou um tsunami com ondas de até dez metros, deixando centenas de mortos e desaparecidos. A história é apresentada através das memórias de Omar, um “mareiro” chileno que durante quatorze anos construiu sua casa na bei-ra da praia, com materiais trazidos pelo mar e perdeu tudo com a catástrofe. O artigo visa refletir implicações da moder-nidade/colonialidade na globalização e algumas consequências sobre a Nature-za e a vida de pessoas que vivem à parte de sistemas capitalistas de poder. O per-curso teórico parte de estudos culturais e pós-coloniais críticos à modernidade/colonialidade e à globalização, tentando compreender o processo de separação do homem com a Natureza e reflexos que hoje se apresentam nas culturas do Sul-Global.Universidade do Estado de Santa Catarina2019-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1254210.5965/2175234611252019230Palíndromo; Vol. 11 No. 25 (2019): Pesquisa em Arte e Arte Educação; 230-245Palíndromo; v. 11 n. 25 (2019): Pesquisa em Arte e Arte Educação; 230-2452175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12542/10451Copyright (c) 2019 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPresta, Gustavo Antoniuk2023-04-10T12:14:42Zoai::article/12542Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-10T12:14:42Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
O MAR DE OMAR: LA PRÁCTICA DEL DOCUMENTAL COMO NARRATIVO DEL YO Y DEL OTRO EN LAS ARTES VISUALES
O mar de omar: a prática do documentário como narrativa do eu e do outro nas Artes Visuais
title THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
spellingShingle THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
Presta, Gustavo Antoniuk
documentary
modernity/coloniality
globalization
nature
documentário
modernidade/colonialidade
globalização
natureza
documental
modernidad/colonialidad
globalización
naturaleza
title_short THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
title_full THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
title_fullStr THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
title_full_unstemmed THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
title_sort THE SEA OF OMAR: THE PRACTICE OF THE DOCUMENTARY AS NARRATIVE FROM THE EU AND THE OTHER IN THE VISUAL ARTS
author Presta, Gustavo Antoniuk
author_facet Presta, Gustavo Antoniuk
author_role author
dc.contributor.author.fl_str_mv Presta, Gustavo Antoniuk
dc.subject.por.fl_str_mv documentary
modernity/coloniality
globalization
nature
documentário
modernidade/colonialidade
globalização
natureza
documental
modernidad/colonialidad
globalización
naturaleza
topic documentary
modernity/coloniality
globalization
nature
documentário
modernidade/colonialidade
globalização
natureza
documental
modernidad/colonialidad
globalización
naturaleza
description This research analyzes the theoretical, technical and practical procedures of the production of the documentary "O mar de Omar". The short film revisits the dawn of February 27th, 2010, when Chile was rocked by one of the most devastating earthquakes in history, causing a tsunami with waves of up to ten meters, leaving hundreds dead and missing. The story is depicts the memories of Omar, a Chilean man, who for fourteen years built his house on the beach, with mate-rials brought by the sea and lost everything in the catastrophe. The article aims to reflect the implications of modernity / coloniality on globalization and some consequences on the nature and life of people living apart from capitalist systems of power. The theoretical path starts from cultural and postcolonial studies critical to modernity / coloniality and globalization, trying to understand the process of separation of man with nature and reflections that are present today in the cultures of the southern hemisphere.
publishDate 2019
dc.date.none.fl_str_mv 2019-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12542
10.5965/2175234611252019230
url https://www.revistas.udesc.br/index.php/palindromo/article/view/12542
identifier_str_mv 10.5965/2175234611252019230
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12542/10451
dc.rights.driver.fl_str_mv Copyright (c) 2019 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 11 No. 25 (2019): Pesquisa em Arte e Arte Educação; 230-245
Palíndromo; v. 11 n. 25 (2019): Pesquisa em Arte e Arte Educação; 230-245
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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