The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase

Detalhes bibliográficos
Autor(a) principal: Heberle, Viviane Maria
Data de Publicação: 2021
Outros Autores: de Souza, Felipe Antonio, Dodl, Luiza Horbach
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Linguagem em Foco (Online)
Texto Completo: https://revistas.uece.br/index.php/linguagememfoco/article/view/3983
Resumo: Drawing on insights from a social semiotic perspective as proposed by Halliday (1985), and its adaptation to the grammar of visual design (KRESS; VAN LEEUWEN, 2006), and spatial discourse analysis (RAVELLI, 2000, RAVELLI; HEBERLE, 2016), this article aims to analyze semiotic resources used in EPCOT’s World Showcase, Disney World, Florida, USA, specifically, the eleven thematic pavilions in the attraction. The analysis considered the three metafunctions, adapted from Halliday (1985) to investigate images (KRESS; VAN LEEUWEN, 2006) as well as physical spaces (RAVELLI, 2000). Results show that the representation relies mainly on the reproduction of semiotic resources that are popular in each country in the Showcase, such as monuments, architectural styles and symbols that enable the guests to immerse in the country's culture. The immersion also happens through the consumption in shops with local products and restaurants with local foods, as well as the interaction with local cast members. The composition analysis showed a common pattern regarding the placement of items that are more approachable and real in the lower part, while items that symbolize idealization and fantasy are usually placed in the upper part of the spaces. Overall, despite the concern to portray the countries with authenticity, it can be seen that they are represented in an idealistic and fanciful way which follows the ideology of Disney’s theme parks of providing an environment of perfection and fantasy to the guests.
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spelling The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World ShowcaseO Lugar Mais Feliz da Terra: Uma Análise do Discurso Espacial do Epcot World Showcase da Disney WorldAnálise do Discurso EspacialDisney World ShowcaseMultimodalidadeSpatial Discourse AnalysisDisney World ShowcaseMultimodalityDrawing on insights from a social semiotic perspective as proposed by Halliday (1985), and its adaptation to the grammar of visual design (KRESS; VAN LEEUWEN, 2006), and spatial discourse analysis (RAVELLI, 2000, RAVELLI; HEBERLE, 2016), this article aims to analyze semiotic resources used in EPCOT’s World Showcase, Disney World, Florida, USA, specifically, the eleven thematic pavilions in the attraction. The analysis considered the three metafunctions, adapted from Halliday (1985) to investigate images (KRESS; VAN LEEUWEN, 2006) as well as physical spaces (RAVELLI, 2000). Results show that the representation relies mainly on the reproduction of semiotic resources that are popular in each country in the Showcase, such as monuments, architectural styles and symbols that enable the guests to immerse in the country's culture. The immersion also happens through the consumption in shops with local products and restaurants with local foods, as well as the interaction with local cast members. The composition analysis showed a common pattern regarding the placement of items that are more approachable and real in the lower part, while items that symbolize idealization and fantasy are usually placed in the upper part of the spaces. Overall, despite the concern to portray the countries with authenticity, it can be seen that they are represented in an idealistic and fanciful way which follows the ideology of Disney’s theme parks of providing an environment of perfection and fantasy to the guests.A partir de insights da perspectiva sociossemiótica conforme proposta por Halliday (1985), e sua adaptação para a gramática do design visual de Kress e van Leeuwen (2006) e da análise do discurso espacial (RAVELLI, 2000, RAVELLI; HEBERLE, 2016), este artigo visa analisar os recursos semióticos usados na atração The World Showcase, do parque temático EPCOT, na Flórida, especificamente, os onze pavilhões da atração. A análise considerou as três metafunções, adaptadas de Halliday (1985) para se investigar imagens (KRESS; VAN LEEUWEN, 2006) e também espaços físicos, entendidos como textos, conforme Ravelli (2000): os significados representacionais, interativos e composicionais. Os resultados demonstram que a representação se dá principalmente pela reprodução de recursos semióticos que são populares em cada país retratado, tais como monumentos, estilo arquitetônico e símbolos que permitem aos visitantes imergir na cultura do país. A imersão também ocorre através do consumo de produtos em lojas e em restaurantes com comidas locais, além da interação com os funcionários do parque. A análise da composição evidenciou um padrão comum em relação à localização de itens que são mais acessíveis e reais na parte inferior, enquanto itens que simbolizam idealização e fantasia ocupam normalmente a parte superior dos espaços. Em termos gerais, apesar da preocupação em retratar os países com autenticidade, pode-se observar que eles são representados de uma maneira idealizada e fantasiosa, em consonância com a filosofia dos parques temáticos da Disney em prover um espaço de perfeição e fantasia para os visitantes.EdUECE2021-01-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/epub+ziphttps://revistas.uece.br/index.php/linguagememfoco/article/view/398310.46230/2674-8266-12-3983Revista Linguagem em Foco; Vol. 12 No. 3 (2020): Número atemático; 405-426Revista Linguagem em Foco; v. 12 n. 3 (2020): Número atemático; 405-4262674-82662176-7955reponame:Revista Linguagem em Foco (Online)instname:Universidade Estadual do Ceará (UECE)instacron:UECEenghttps://revistas.uece.br/index.php/linguagememfoco/article/view/3983/3853https://revistas.uece.br/index.php/linguagememfoco/article/view/3983/3854Copyright (c) 2021 Viviane Maria Heberle, Felipe Antonio de Souza, Luiza Horbach Dodlhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessHeberle, Viviane Mariade Souza, Felipe AntonioDodl, Luiza Horbach2021-12-30T15:02:40Zoai:ojs.revistas.uece.br:article/3983Revistahttps://revistas.uece.br/index.php/linguagememfocoPUBhttps://revistas.uece.br/index.php/linguagememfoco/oailinguagememfoco@uece.br||2674-82662176-7955opendoar:2021-12-30T15:02:40Revista Linguagem em Foco (Online) - Universidade Estadual do Ceará (UECE)false
dc.title.none.fl_str_mv The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
O Lugar Mais Feliz da Terra: Uma Análise do Discurso Espacial do Epcot World Showcase da Disney World
title The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
spellingShingle The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
Heberle, Viviane Maria
Análise do Discurso Espacial
Disney World Showcase
Multimodalidade
Spatial Discourse Analysis
Disney World Showcase
Multimodality
title_short The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
title_full The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
title_fullStr The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
title_full_unstemmed The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
title_sort The Happiest Place on Earth: A Spatial Discourse Analysis of Disney's Epcot World Showcase
author Heberle, Viviane Maria
author_facet Heberle, Viviane Maria
de Souza, Felipe Antonio
Dodl, Luiza Horbach
author_role author
author2 de Souza, Felipe Antonio
Dodl, Luiza Horbach
author2_role author
author
dc.contributor.author.fl_str_mv Heberle, Viviane Maria
de Souza, Felipe Antonio
Dodl, Luiza Horbach
dc.subject.por.fl_str_mv Análise do Discurso Espacial
Disney World Showcase
Multimodalidade
Spatial Discourse Analysis
Disney World Showcase
Multimodality
topic Análise do Discurso Espacial
Disney World Showcase
Multimodalidade
Spatial Discourse Analysis
Disney World Showcase
Multimodality
description Drawing on insights from a social semiotic perspective as proposed by Halliday (1985), and its adaptation to the grammar of visual design (KRESS; VAN LEEUWEN, 2006), and spatial discourse analysis (RAVELLI, 2000, RAVELLI; HEBERLE, 2016), this article aims to analyze semiotic resources used in EPCOT’s World Showcase, Disney World, Florida, USA, specifically, the eleven thematic pavilions in the attraction. The analysis considered the three metafunctions, adapted from Halliday (1985) to investigate images (KRESS; VAN LEEUWEN, 2006) as well as physical spaces (RAVELLI, 2000). Results show that the representation relies mainly on the reproduction of semiotic resources that are popular in each country in the Showcase, such as monuments, architectural styles and symbols that enable the guests to immerse in the country's culture. The immersion also happens through the consumption in shops with local products and restaurants with local foods, as well as the interaction with local cast members. The composition analysis showed a common pattern regarding the placement of items that are more approachable and real in the lower part, while items that symbolize idealization and fantasy are usually placed in the upper part of the spaces. Overall, despite the concern to portray the countries with authenticity, it can be seen that they are represented in an idealistic and fanciful way which follows the ideology of Disney’s theme parks of providing an environment of perfection and fantasy to the guests.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.uece.br/index.php/linguagememfoco/article/view/3983
10.46230/2674-8266-12-3983
url https://revistas.uece.br/index.php/linguagememfoco/article/view/3983
identifier_str_mv 10.46230/2674-8266-12-3983
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.uece.br/index.php/linguagememfoco/article/view/3983/3853
https://revistas.uece.br/index.php/linguagememfoco/article/view/3983/3854
dc.rights.driver.fl_str_mv Copyright (c) 2021 Viviane Maria Heberle, Felipe Antonio de Souza, Luiza Horbach Dodl
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Viviane Maria Heberle, Felipe Antonio de Souza, Luiza Horbach Dodl
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv EdUECE
publisher.none.fl_str_mv EdUECE
dc.source.none.fl_str_mv Revista Linguagem em Foco; Vol. 12 No. 3 (2020): Número atemático; 405-426
Revista Linguagem em Foco; v. 12 n. 3 (2020): Número atemático; 405-426
2674-8266
2176-7955
reponame:Revista Linguagem em Foco (Online)
instname:Universidade Estadual do Ceará (UECE)
instacron:UECE
instname_str Universidade Estadual do Ceará (UECE)
instacron_str UECE
institution UECE
reponame_str Revista Linguagem em Foco (Online)
collection Revista Linguagem em Foco (Online)
repository.name.fl_str_mv Revista Linguagem em Foco (Online) - Universidade Estadual do Ceará (UECE)
repository.mail.fl_str_mv linguagememfoco@uece.br||
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