O Método Lapelinc: possibilidades para a transcrição paleográfica
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | A Cor das Letras |
Texto Completo: | http://periodicos.uefs.br/index.php/acordasletras/article/view/7641 |
Resumo: | With the advent of new technologies, it became possible to preserve the memory and/or crucial information of a people's historical past in a scientific way. Among other possible methods of preservation and access to historical documents, we highlight the method developed by the Corpus Linguistics Research Laboratory (LAPELINC). Through scientifically controlled photography, the Lapelinc method aims at the formation of linguistic-electronic corpora, considering, in this case, Photography as a technical language. According to Santos and Namiuti (2019, p. 1383), the Lapelinc Method is characterized as a method of construction of annotated and scientifically controlled digital corpora, in which one starts from a Physical Document (DF) is started and a Digital Image Document is built (DDI), the latter will serve as an original digital source for the processes of constitution of annotated electronic corpora, processes that will result in the Digital Text Document (DDT). According to the authors, this method has three main steps in the workflow: transposition, transcription and corpora compilation. Here, by clipping, we show how the second stage of the Lapelinc Method takes place, that is, transcription, highlighting the different contributions that the paleographer can have when developing paleographic transcription from a digital image support, since there are paleographic difficulties as the type of writing, deformed letters and others, which, according to Contreras (1994), come from two opposite influences: from the hand that writes and from the eye that reads. Within the scope of this section, we seek to answer the following questions: What “new” possibilities does the Lapelinc Method give to paleography through DDI, as this is a digital photographic document? How does the Lapelinc Method help in the difficulties encountered by paleography to read a handwritten document, more specifically, the nineteenth century? To answer them, we mobilized the assumptions of Namiuti and Santos (2017), Santos and Brito (2014), Namiuti-Temponi Santos, Costa and Farias (2013), Souza and Santos (2013), main authors who proposed and developed such a method. |
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O Método Lapelinc: possibilidades para a transcrição paleográficaDigital DocumentsPhotographyLapelinc MethodPalaeographic TranscriptDocumentos digitaisFotografiaMétodo LapelincTranscrição paleográficaWith the advent of new technologies, it became possible to preserve the memory and/or crucial information of a people's historical past in a scientific way. Among other possible methods of preservation and access to historical documents, we highlight the method developed by the Corpus Linguistics Research Laboratory (LAPELINC). Through scientifically controlled photography, the Lapelinc method aims at the formation of linguistic-electronic corpora, considering, in this case, Photography as a technical language. According to Santos and Namiuti (2019, p. 1383), the Lapelinc Method is characterized as a method of construction of annotated and scientifically controlled digital corpora, in which one starts from a Physical Document (DF) is started and a Digital Image Document is built (DDI), the latter will serve as an original digital source for the processes of constitution of annotated electronic corpora, processes that will result in the Digital Text Document (DDT). According to the authors, this method has three main steps in the workflow: transposition, transcription and corpora compilation. Here, by clipping, we show how the second stage of the Lapelinc Method takes place, that is, transcription, highlighting the different contributions that the paleographer can have when developing paleographic transcription from a digital image support, since there are paleographic difficulties as the type of writing, deformed letters and others, which, according to Contreras (1994), come from two opposite influences: from the hand that writes and from the eye that reads. Within the scope of this section, we seek to answer the following questions: What “new” possibilities does the Lapelinc Method give to paleography through DDI, as this is a digital photographic document? How does the Lapelinc Method help in the difficulties encountered by paleography to read a handwritten document, more specifically, the nineteenth century? To answer them, we mobilized the assumptions of Namiuti and Santos (2017), Santos and Brito (2014), Namiuti-Temponi Santos, Costa and Farias (2013), Souza and Santos (2013), main authors who proposed and developed such a method.Com o advento das novas tecnologias tornou-se possível preservar a memória e/ou informações cruciais do passado histórico de um povo de forma científica. Dentre outros métodos possíveis de preservação e acesso a documentos históricos, destacamos o método desenvolvido pelo Laboratório de Pesquisa em Linguística de Corpus (LAPELINC). Por meio da fotografia cientificamente controlada, o Método Lapelinc visa à formação de corpora linguístico-eletrônicos, considerando-se, neste caso, a Fotografia como linguagem técnica. Conforme Santos e Namiuti (2019, p. 1383), o Método Lapelinc se caracteriza por ser um método de construção de corpora digitais anotados e cientificamente controlados, no qual se parte de um Documento Físico (DF) e constrói-se um Documento Digital Imagem (DDI), este último servirá de fonte original digital para os processos de constituição de corpora eletrônicos anotados, processos estes que terão como resultado o Documento Digital Texto (DDT). De acordo com os autores, esse método possui três etapas de fluxo de trabalho: a transposição, a transcrição e a compilação de corpora. Aqui, por recorte, mostraremos como se dá a segunda etapa do Método Lapelinc, isto é, a transcrição, salientando as diferentes contribuições que o paleógrafo pode ter ao desenvolver a transcrição paleográfica a partir de um suporte digital imagem, visto que existem dificuldades paleográficas como o tipo de escrita, letras deformadas e outras, que, de acordo com Contreras (1994), advêm de duas influências contrárias: da mão que escreve e do olho que lê. No âmbito deste recorte, procura-se responder às seguintes questões: Quais novas possibilidades o Método Lapelinc dá à paleografia através do DDI, por ser este um documento digital fotográfico? Como o Método Lapelinc auxilia nas dificuldades encontradas pela paleografia para ler um documento manuscrito, mais especificamente o oitocentista? Para respondê-las, mobilizamos os pressupostos de Namiuti e Santos (2017), Santos e Brito (2014), Namiuti-Temponi Santos, Costa e Farias (2013), Souza e Santos (2013), principais autores que propuseram e desenvolveram tal método.UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.uefs.br/index.php/acordasletras/article/view/764110.13102/cl.v23i2.7641A Cor das Letras; v. 23 n. 2 (2022): Estudos Linguísticos e Filológicos ; 170-1872594-96751415-8973reponame:A Cor das Letrasinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSporhttp://periodicos.uefs.br/index.php/acordasletras/article/view/7641/7654Copyright (c) 2022 A Cor das Letrashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessde Almeida Nascimento Ferraz, Lilianada Silva de Souza, Graciethe Cunha Ribeiro, JaquelinePereira Campos Brito, Patrick Viana Santos, Jorge2022-12-28T21:28:27Zoai:ojs3.uefs.br:article/7641Revistahttp://periodicos.uefs.br/index.php/acordasletrasPUBhttp://periodicos.uefs.br/index.php/acordasletras/oairevistacordasletras@uefs.br||revistacordasletras@uefs.br1415-89732594-9675opendoar:2022-12-28T21:28:27A Cor das Letras - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.none.fl_str_mv |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
title |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
spellingShingle |
O Método Lapelinc: possibilidades para a transcrição paleográfica de Almeida Nascimento Ferraz, Liliana Digital Documents Photography Lapelinc Method Palaeographic Transcript Documentos digitais Fotografia Método Lapelinc Transcrição paleográfica |
title_short |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
title_full |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
title_fullStr |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
title_full_unstemmed |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
title_sort |
O Método Lapelinc: possibilidades para a transcrição paleográfica |
author |
de Almeida Nascimento Ferraz, Liliana |
author_facet |
de Almeida Nascimento Ferraz, Liliana da Silva de Souza, Graciethe Cunha Ribeiro, Jaqueline Pereira Campos Brito, Patrick Viana Santos, Jorge |
author_role |
author |
author2 |
da Silva de Souza, Graciethe Cunha Ribeiro, Jaqueline Pereira Campos Brito, Patrick Viana Santos, Jorge |
author2_role |
author author author author |
dc.contributor.author.fl_str_mv |
de Almeida Nascimento Ferraz, Liliana da Silva de Souza, Graciethe Cunha Ribeiro, Jaqueline Pereira Campos Brito, Patrick Viana Santos, Jorge |
dc.subject.por.fl_str_mv |
Digital Documents Photography Lapelinc Method Palaeographic Transcript Documentos digitais Fotografia Método Lapelinc Transcrição paleográfica |
topic |
Digital Documents Photography Lapelinc Method Palaeographic Transcript Documentos digitais Fotografia Método Lapelinc Transcrição paleográfica |
description |
With the advent of new technologies, it became possible to preserve the memory and/or crucial information of a people's historical past in a scientific way. Among other possible methods of preservation and access to historical documents, we highlight the method developed by the Corpus Linguistics Research Laboratory (LAPELINC). Through scientifically controlled photography, the Lapelinc method aims at the formation of linguistic-electronic corpora, considering, in this case, Photography as a technical language. According to Santos and Namiuti (2019, p. 1383), the Lapelinc Method is characterized as a method of construction of annotated and scientifically controlled digital corpora, in which one starts from a Physical Document (DF) is started and a Digital Image Document is built (DDI), the latter will serve as an original digital source for the processes of constitution of annotated electronic corpora, processes that will result in the Digital Text Document (DDT). According to the authors, this method has three main steps in the workflow: transposition, transcription and corpora compilation. Here, by clipping, we show how the second stage of the Lapelinc Method takes place, that is, transcription, highlighting the different contributions that the paleographer can have when developing paleographic transcription from a digital image support, since there are paleographic difficulties as the type of writing, deformed letters and others, which, according to Contreras (1994), come from two opposite influences: from the hand that writes and from the eye that reads. Within the scope of this section, we seek to answer the following questions: What “new” possibilities does the Lapelinc Method give to paleography through DDI, as this is a digital photographic document? How does the Lapelinc Method help in the difficulties encountered by paleography to read a handwritten document, more specifically, the nineteenth century? To answer them, we mobilized the assumptions of Namiuti and Santos (2017), Santos and Brito (2014), Namiuti-Temponi Santos, Costa and Farias (2013), Souza and Santos (2013), main authors who proposed and developed such a method. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.uefs.br/index.php/acordasletras/article/view/7641 10.13102/cl.v23i2.7641 |
url |
http://periodicos.uefs.br/index.php/acordasletras/article/view/7641 |
identifier_str_mv |
10.13102/cl.v23i2.7641 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.uefs.br/index.php/acordasletras/article/view/7641/7654 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 A Cor das Letras https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 A Cor das Letras https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA |
publisher.none.fl_str_mv |
UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA |
dc.source.none.fl_str_mv |
A Cor das Letras; v. 23 n. 2 (2022): Estudos Linguísticos e Filológicos ; 170-187 2594-9675 1415-8973 reponame:A Cor das Letras instname:Universidade Estadual de Feira de Santana (UEFS) instacron:UEFS |
instname_str |
Universidade Estadual de Feira de Santana (UEFS) |
instacron_str |
UEFS |
institution |
UEFS |
reponame_str |
A Cor das Letras |
collection |
A Cor das Letras |
repository.name.fl_str_mv |
A Cor das Letras - Universidade Estadual de Feira de Santana (UEFS) |
repository.mail.fl_str_mv |
revistacordasletras@uefs.br||revistacordasletras@uefs.br |
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1798321161561440256 |