Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity
Autor(a) principal: | |
---|---|
Data de Publicação: | 2015 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Projética Revista Científica de Design |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/23333 |
Resumo: | In our relationship with the objects within the culture of consumerism, we do not consume the objects, but the relationship itself instead. Brands are representations of this relationship idea, which is, in fact, consumed and renewed in the materiality the objects present. More than a discourse on the object, brands become consumerism objects. In the context of graphic brands design, the diversity of styles and trends in visual identity creation showcases the variety of positioning spots our symbolic differentiation culture produces. Each style creates visual codes whose intention is to represent a discourse – or a message – to be communicated to a specific target audience. Based on an analysis report over more than 24.000 visual identities, Logo Lounge website categorized 14 top trend styles in 2014. Among them is the Mono Crest style. The objective of this paper is to identify, in the visual features of this graphic style, the logic of its visual code, and then discuss its use on the visual identity of a brand. |
id |
UEL-10_c6aab6448417c3afa5bbe1b063a4fb23 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/23333 |
network_acronym_str |
UEL-10 |
network_name_str |
Projética Revista Científica de Design |
repository_id_str |
|
spelling |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identityEstilo gráfico Monocrest em identidades visuais: uma análise da coerência entre a identidade visual e a imagem da marcaMarcaIdentidade VisualLinguagem VisualEstilo Mono crestIn our relationship with the objects within the culture of consumerism, we do not consume the objects, but the relationship itself instead. Brands are representations of this relationship idea, which is, in fact, consumed and renewed in the materiality the objects present. More than a discourse on the object, brands become consumerism objects. In the context of graphic brands design, the diversity of styles and trends in visual identity creation showcases the variety of positioning spots our symbolic differentiation culture produces. Each style creates visual codes whose intention is to represent a discourse – or a message – to be communicated to a specific target audience. Based on an analysis report over more than 24.000 visual identities, Logo Lounge website categorized 14 top trend styles in 2014. Among them is the Mono Crest style. The objective of this paper is to identify, in the visual features of this graphic style, the logic of its visual code, and then discuss its use on the visual identity of a brand. Em nossa relação com os objetos em uma cultura de consumo, não consumimos objetos mas sim a própria relação. A marca, enquanto representação da ideia desta relação, que de fato é consumida e renovada na materialidade que os objetos lhe ofertam. Além de um discurso sobre o objeto, as marcas tornam-se elas próprias objeto de consumo. No contexto do design de marcas gráficas, a diversificação de estilos e tendências na criação de identidades visuais reflete a variedade de posicionamentos que nossa cultura de diferenciação simbólica produz. Cada um destes estilos produz códigos visuais que buscam representar um discurso, ou mensagem a ser comunicada a um determinado público. Com base em um relatório da análise de mais de 24.000 identidades visuais, o site Logo Lounge categorizou 14 estilos que foram tendência no ano de 2014. Dentre eles está o estilo Mono Crest. O objetivo deste artigo é identificar nas características visuais deste estilo gráfico a lógica do seu código visual, para em seguida explanar sobre sua utilização na identidade visual de uma marca.Universidade Estadual de Londrina2015-07-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelo comité científico do IDEMI 2015application/pdfhttps://ojs.uel.br/revistas/uel/index.php/projetica/article/view/2333310.5433/2236-2207.2015v6n2p54Projetica; v. 6 n. 2 (2015); 54-602236-2207reponame:Projética Revista Científica de Designinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/projetica/article/view/23333/19142Copyright (c) 2015 Projeticainfo:eu-repo/semantics/openAccessAros, Kammiri CorinaldesiStraioto, Ricardo Goulart TredeziniFigueiredo, Luiz Fernando Gonçalves deSousa, Richard Perassi Luiz de2021-11-09T18:20:46Zoai:ojs.pkp.sfu.ca:article/23333Revistahttps://www.uel.br/revistas/uel/index.php/projetica/PUBhttps://www.uel.br/revistas/uel/index.php/projetica/oai||projetica@uel.br2236-22072236-2207opendoar:2021-11-09T18:20:46Projética Revista Científica de Design - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity Estilo gráfico Monocrest em identidades visuais: uma análise da coerência entre a identidade visual e a imagem da marca |
title |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity |
spellingShingle |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity Aros, Kammiri Corinaldesi Marca Identidade Visual Linguagem Visual Estilo Mono crest |
title_short |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity |
title_full |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity |
title_fullStr |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity |
title_full_unstemmed |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity |
title_sort |
Mono Crest graphic style in visual identity: a coherence analysis between visual identity and brand identity |
author |
Aros, Kammiri Corinaldesi |
author_facet |
Aros, Kammiri Corinaldesi Straioto, Ricardo Goulart Tredezini Figueiredo, Luiz Fernando Gonçalves de Sousa, Richard Perassi Luiz de |
author_role |
author |
author2 |
Straioto, Ricardo Goulart Tredezini Figueiredo, Luiz Fernando Gonçalves de Sousa, Richard Perassi Luiz de |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Aros, Kammiri Corinaldesi Straioto, Ricardo Goulart Tredezini Figueiredo, Luiz Fernando Gonçalves de Sousa, Richard Perassi Luiz de |
dc.subject.por.fl_str_mv |
Marca Identidade Visual Linguagem Visual Estilo Mono crest |
topic |
Marca Identidade Visual Linguagem Visual Estilo Mono crest |
description |
In our relationship with the objects within the culture of consumerism, we do not consume the objects, but the relationship itself instead. Brands are representations of this relationship idea, which is, in fact, consumed and renewed in the materiality the objects present. More than a discourse on the object, brands become consumerism objects. In the context of graphic brands design, the diversity of styles and trends in visual identity creation showcases the variety of positioning spots our symbolic differentiation culture produces. Each style creates visual codes whose intention is to represent a discourse – or a message – to be communicated to a specific target audience. Based on an analysis report over more than 24.000 visual identities, Logo Lounge website categorized 14 top trend styles in 2014. Among them is the Mono Crest style. The objective of this paper is to identify, in the visual features of this graphic style, the logic of its visual code, and then discuss its use on the visual identity of a brand. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-07-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelo comité científico do IDEMI 2015 |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/23333 10.5433/2236-2207.2015v6n2p54 |
url |
https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/23333 |
identifier_str_mv |
10.5433/2236-2207.2015v6n2p54 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/23333/19142 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Projetica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Projetica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Projetica; v. 6 n. 2 (2015); 54-60 2236-2207 reponame:Projética Revista Científica de Design instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Projética Revista Científica de Design |
collection |
Projética Revista Científica de Design |
repository.name.fl_str_mv |
Projética Revista Científica de Design - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||projetica@uel.br |
_version_ |
1799315450994098176 |