The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)

Detalhes bibliográficos
Autor(a) principal: Rossi, Fernando
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603
Resumo: This study aims to investigate the possibilities of historical knowledge construction about the 1964’s Brazilian dictatorship by using cinematographic language as a tool for the teacher’s mediating action. The film, like other audiovisual languages, has become an educational tool with great potential to establish contact between a highly “mediatized” public and the historical knowledge. Through the concept of cultural mediation, we investigated the impacts caused by the teacher, as mediator in the learning process, by stimulating the students through exhibition and discussion of the movie Batismo de Sangue. This analysis makes use of students’ narratives in questionnaires developed in the Focus Group practice in order to investigate prior knowledge, oral narratives and changes in thinking. By comparing previous narratives with discussions after the film and reflecting about the stimuli situations created by the participants, we search for changes in the students’ thinking and understanding about the topic. Developing a methodology of work with students in the focus group, a dialogic process was set up in the group, which made it possible to verify the mobilization of historical knowledge, modification of comprehension of the past and its relationship with the present. The analysis of students’ oral narratives proved it possible to use the film as a mediator, able to act as a tool for the teacher’s purposes and as subsidies to the students in the development of discussions that led to changes in their thinking, an exercise of empathy which increased the students’ knowledge of the period and the use of this historical knowledge to understand the present.
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spelling The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)O cinema como mediação na produção do conhecimento histórico sobre a Ditadura no Brasil (1964-1985)History and teachingFilmCultural mediationKnowledge constructionStudents' narrativesBrazilian dictatorship of 1964História e ensinoCinemaMediação culturalProdução de conhecimentoNarrativas de alunosDitadura de 1964This study aims to investigate the possibilities of historical knowledge construction about the 1964’s Brazilian dictatorship by using cinematographic language as a tool for the teacher’s mediating action. The film, like other audiovisual languages, has become an educational tool with great potential to establish contact between a highly “mediatized” public and the historical knowledge. Through the concept of cultural mediation, we investigated the impacts caused by the teacher, as mediator in the learning process, by stimulating the students through exhibition and discussion of the movie Batismo de Sangue. This analysis makes use of students’ narratives in questionnaires developed in the Focus Group practice in order to investigate prior knowledge, oral narratives and changes in thinking. By comparing previous narratives with discussions after the film and reflecting about the stimuli situations created by the participants, we search for changes in the students’ thinking and understanding about the topic. Developing a methodology of work with students in the focus group, a dialogic process was set up in the group, which made it possible to verify the mobilization of historical knowledge, modification of comprehension of the past and its relationship with the present. The analysis of students’ oral narratives proved it possible to use the film as a mediator, able to act as a tool for the teacher’s purposes and as subsidies to the students in the development of discussions that led to changes in their thinking, an exercise of empathy which increased the students’ knowledge of the period and the use of this historical knowledge to understand the present.Este trabalho se propõe a investigar as possibilidades de construção do conhecimento histórico sobre a ditadura de 1964 no Brasil por meio do uso da linguagem cinematográfica enquanto uma ferramenta para a ação mediadora do professor. O cinema, assim como as demais linguagens audiovisuais, tem se mostrado uma ferramenta pedagógica com grandes potencialidades para estabelecer o contato entre um público altamente midiatizado e o conhecimento histórico. Utilizando o conceito de mediação cultural, investigamos os impactos causados pelo professor, enquanto mediador do processo de aprendizagem, ao estimular os estudantes por meio da exibição e do debate do filme Batismo de Sangue. A presente análise utiliza narrativas escritas pelos alunos na resolução de questionários para investigação de conhecimentos prévios e narrativas orais elaboradas mediante a prática de Grupo Focal para investigação de mudanças de pensamento. Por meio da comparação das narrativas prévias com as discussões posteriores ao filme e da reflexão sobre as situações de estímulos criadas pelos envolvidos, buscamos mudanças nas formas de pensamento e nos entendimentos dos alunos a respeito do tema. Elaborando uma metodologia de trabalho de Grupo Focal com os alunos, estabeleceu-se um processo dialógico entre os envolvidos em que foi possível verificar a mobilização de conhecimentos históricos, modificação de entendimentos sobre o passado e compreensão da sua relação com o presente. As análises das narrativas orais dos alunos demonstraram ser possível utilizar o filme como um mediador, capaz de agir como uma ferramenta para os propósitos do professor e subsídio para os alunos no desenvolvimento de discussões que levaram a mudanças de pensamento, um exercício de empatia que ampliou o conhecimento dos alunos sobre o período e o uso destes conhecimentos históricos para entendimento do seu presente.Universidade Estadual de Londrina2013-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/1560310.5433/1984-3356.2013v6n11p339Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-340Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-3401984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603/12816Copyright (c) 2013 Antítesesinfo:eu-repo/semantics/openAccessRossi, Fernando2022-04-05T14:40:49Zoai:ojs.pkp.sfu.ca:article/15603Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-04-05T14:40:49Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
O cinema como mediação na produção do conhecimento histórico sobre a Ditadura no Brasil (1964-1985)
title The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
spellingShingle The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
Rossi, Fernando
History and teaching
Film
Cultural mediation
Knowledge construction
Students' narratives
Brazilian dictatorship of 1964
História e ensino
Cinema
Mediação cultural
Produção de conhecimento
Narrativas de alunos
Ditadura de 1964
title_short The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
title_full The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
title_fullStr The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
title_full_unstemmed The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
title_sort The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
author Rossi, Fernando
author_facet Rossi, Fernando
author_role author
dc.contributor.author.fl_str_mv Rossi, Fernando
dc.subject.por.fl_str_mv History and teaching
Film
Cultural mediation
Knowledge construction
Students' narratives
Brazilian dictatorship of 1964
História e ensino
Cinema
Mediação cultural
Produção de conhecimento
Narrativas de alunos
Ditadura de 1964
topic History and teaching
Film
Cultural mediation
Knowledge construction
Students' narratives
Brazilian dictatorship of 1964
História e ensino
Cinema
Mediação cultural
Produção de conhecimento
Narrativas de alunos
Ditadura de 1964
description This study aims to investigate the possibilities of historical knowledge construction about the 1964’s Brazilian dictatorship by using cinematographic language as a tool for the teacher’s mediating action. The film, like other audiovisual languages, has become an educational tool with great potential to establish contact between a highly “mediatized” public and the historical knowledge. Through the concept of cultural mediation, we investigated the impacts caused by the teacher, as mediator in the learning process, by stimulating the students through exhibition and discussion of the movie Batismo de Sangue. This analysis makes use of students’ narratives in questionnaires developed in the Focus Group practice in order to investigate prior knowledge, oral narratives and changes in thinking. By comparing previous narratives with discussions after the film and reflecting about the stimuli situations created by the participants, we search for changes in the students’ thinking and understanding about the topic. Developing a methodology of work with students in the focus group, a dialogic process was set up in the group, which made it possible to verify the mobilization of historical knowledge, modification of comprehension of the past and its relationship with the present. The analysis of students’ oral narratives proved it possible to use the film as a mediator, able to act as a tool for the teacher’s purposes and as subsidies to the students in the development of discussions that led to changes in their thinking, an exercise of empathy which increased the students’ knowledge of the period and the use of this historical knowledge to understand the present.
publishDate 2013
dc.date.none.fl_str_mv 2013-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603
10.5433/1984-3356.2013v6n11p339
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603
identifier_str_mv 10.5433/1984-3356.2013v6n11p339
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603/12816
dc.rights.driver.fl_str_mv Copyright (c) 2013 Antíteses
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Antíteses
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-340
Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-340
1984-3356
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reponame_str Antíteses
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