The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)
Autor(a) principal: | |
---|---|
Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603 |
Resumo: | This study aims to investigate the possibilities of historical knowledge construction about the 1964’s Brazilian dictatorship by using cinematographic language as a tool for the teacher’s mediating action. The film, like other audiovisual languages, has become an educational tool with great potential to establish contact between a highly “mediatized” public and the historical knowledge. Through the concept of cultural mediation, we investigated the impacts caused by the teacher, as mediator in the learning process, by stimulating the students through exhibition and discussion of the movie Batismo de Sangue. This analysis makes use of students’ narratives in questionnaires developed in the Focus Group practice in order to investigate prior knowledge, oral narratives and changes in thinking. By comparing previous narratives with discussions after the film and reflecting about the stimuli situations created by the participants, we search for changes in the students’ thinking and understanding about the topic. Developing a methodology of work with students in the focus group, a dialogic process was set up in the group, which made it possible to verify the mobilization of historical knowledge, modification of comprehension of the past and its relationship with the present. The analysis of students’ oral narratives proved it possible to use the film as a mediator, able to act as a tool for the teacher’s purposes and as subsidies to the students in the development of discussions that led to changes in their thinking, an exercise of empathy which increased the students’ knowledge of the period and the use of this historical knowledge to understand the present. |
id |
UEL-13_00611b4f4cfded4124fe56d86c527b74 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/15603 |
network_acronym_str |
UEL-13 |
network_name_str |
Antíteses |
repository_id_str |
|
spelling |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985)O cinema como mediação na produção do conhecimento histórico sobre a Ditadura no Brasil (1964-1985)History and teachingFilmCultural mediationKnowledge constructionStudents' narrativesBrazilian dictatorship of 1964História e ensinoCinemaMediação culturalProdução de conhecimentoNarrativas de alunosDitadura de 1964This study aims to investigate the possibilities of historical knowledge construction about the 1964’s Brazilian dictatorship by using cinematographic language as a tool for the teacher’s mediating action. The film, like other audiovisual languages, has become an educational tool with great potential to establish contact between a highly “mediatized” public and the historical knowledge. Through the concept of cultural mediation, we investigated the impacts caused by the teacher, as mediator in the learning process, by stimulating the students through exhibition and discussion of the movie Batismo de Sangue. This analysis makes use of students’ narratives in questionnaires developed in the Focus Group practice in order to investigate prior knowledge, oral narratives and changes in thinking. By comparing previous narratives with discussions after the film and reflecting about the stimuli situations created by the participants, we search for changes in the students’ thinking and understanding about the topic. Developing a methodology of work with students in the focus group, a dialogic process was set up in the group, which made it possible to verify the mobilization of historical knowledge, modification of comprehension of the past and its relationship with the present. The analysis of students’ oral narratives proved it possible to use the film as a mediator, able to act as a tool for the teacher’s purposes and as subsidies to the students in the development of discussions that led to changes in their thinking, an exercise of empathy which increased the students’ knowledge of the period and the use of this historical knowledge to understand the present.Este trabalho se propõe a investigar as possibilidades de construção do conhecimento histórico sobre a ditadura de 1964 no Brasil por meio do uso da linguagem cinematográfica enquanto uma ferramenta para a ação mediadora do professor. O cinema, assim como as demais linguagens audiovisuais, tem se mostrado uma ferramenta pedagógica com grandes potencialidades para estabelecer o contato entre um público altamente midiatizado e o conhecimento histórico. Utilizando o conceito de mediação cultural, investigamos os impactos causados pelo professor, enquanto mediador do processo de aprendizagem, ao estimular os estudantes por meio da exibição e do debate do filme Batismo de Sangue. A presente análise utiliza narrativas escritas pelos alunos na resolução de questionários para investigação de conhecimentos prévios e narrativas orais elaboradas mediante a prática de Grupo Focal para investigação de mudanças de pensamento. Por meio da comparação das narrativas prévias com as discussões posteriores ao filme e da reflexão sobre as situações de estímulos criadas pelos envolvidos, buscamos mudanças nas formas de pensamento e nos entendimentos dos alunos a respeito do tema. Elaborando uma metodologia de trabalho de Grupo Focal com os alunos, estabeleceu-se um processo dialógico entre os envolvidos em que foi possível verificar a mobilização de conhecimentos históricos, modificação de entendimentos sobre o passado e compreensão da sua relação com o presente. As análises das narrativas orais dos alunos demonstraram ser possível utilizar o filme como um mediador, capaz de agir como uma ferramenta para os propósitos do professor e subsídio para os alunos no desenvolvimento de discussões que levaram a mudanças de pensamento, um exercício de empatia que ampliou o conhecimento dos alunos sobre o período e o uso destes conhecimentos históricos para entendimento do seu presente.Universidade Estadual de Londrina2013-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/1560310.5433/1984-3356.2013v6n11p339Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-340Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-3401984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603/12816Copyright (c) 2013 Antítesesinfo:eu-repo/semantics/openAccessRossi, Fernando2022-04-05T14:40:49Zoai:ojs.pkp.sfu.ca:article/15603Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-04-05T14:40:49Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) O cinema como mediação na produção do conhecimento histórico sobre a Ditadura no Brasil (1964-1985) |
title |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) |
spellingShingle |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) Rossi, Fernando History and teaching Film Cultural mediation Knowledge construction Students' narratives Brazilian dictatorship of 1964 História e ensino Cinema Mediação cultural Produção de conhecimento Narrativas de alunos Ditadura de 1964 |
title_short |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) |
title_full |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) |
title_fullStr |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) |
title_full_unstemmed |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) |
title_sort |
The cinema as mediation in the production of historical knowledge about Brazilian dictatorship (1964-1985) |
author |
Rossi, Fernando |
author_facet |
Rossi, Fernando |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rossi, Fernando |
dc.subject.por.fl_str_mv |
History and teaching Film Cultural mediation Knowledge construction Students' narratives Brazilian dictatorship of 1964 História e ensino Cinema Mediação cultural Produção de conhecimento Narrativas de alunos Ditadura de 1964 |
topic |
History and teaching Film Cultural mediation Knowledge construction Students' narratives Brazilian dictatorship of 1964 História e ensino Cinema Mediação cultural Produção de conhecimento Narrativas de alunos Ditadura de 1964 |
description |
This study aims to investigate the possibilities of historical knowledge construction about the 1964’s Brazilian dictatorship by using cinematographic language as a tool for the teacher’s mediating action. The film, like other audiovisual languages, has become an educational tool with great potential to establish contact between a highly “mediatized” public and the historical knowledge. Through the concept of cultural mediation, we investigated the impacts caused by the teacher, as mediator in the learning process, by stimulating the students through exhibition and discussion of the movie Batismo de Sangue. This analysis makes use of students’ narratives in questionnaires developed in the Focus Group practice in order to investigate prior knowledge, oral narratives and changes in thinking. By comparing previous narratives with discussions after the film and reflecting about the stimuli situations created by the participants, we search for changes in the students’ thinking and understanding about the topic. Developing a methodology of work with students in the focus group, a dialogic process was set up in the group, which made it possible to verify the mobilization of historical knowledge, modification of comprehension of the past and its relationship with the present. The analysis of students’ oral narratives proved it possible to use the film as a mediator, able to act as a tool for the teacher’s purposes and as subsidies to the students in the development of discussions that led to changes in their thinking, an exercise of empathy which increased the students’ knowledge of the period and the use of this historical knowledge to understand the present. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-06-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603 10.5433/1984-3356.2013v6n11p339 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603 |
identifier_str_mv |
10.5433/1984-3356.2013v6n11p339 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/15603/12816 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2013 Antíteses info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2013 Antíteses |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-340 Antíteses; Vol. 6, n. 11, jan./jun. 2013 - Dossiê: História, Literatura e Literatos; 339-340 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
_version_ |
1797069046402777088 |