The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613 |
Resumo: | This article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination. |
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The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examplesO Diabo e suas múltiplas imagens nas iluminuras do Monstro Devorador e do Anjo Caído (século XV): alguns exemplosDevilImagesLes Très Riches Heures of the Duc de BerryVision of TondalMultiplicityHistoryDiaboImagensLes Très Riches Heures do Duc de BerryVision de TondalMultiplicidadeHistóriaThis article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination.Este artigo realizou uma análise sobre as múltiplas imagens do Diabo, com base em três iluminuras do século XV. Foi possível observar os seguintes elementos: 1- o ente maléfico como uma cabeça, com uma imensa boca aberta, conhecida como a Boca do Inferno; 2-o ser do Mal humano, mas com características animalizadas, portando garras, pelo, rabo, entre outros aspectos, ainda com aspecto devorador; 3-Lúcifer representado de forma bela, como o anjo rebelde expulso do Céu por Deus. Foram analisadas três imagens; uma da obra Vision de Tondal, na qual é representado como a Besta Aqueronte, em forma de Boca do Inferno, e duas imagens do livro Les Très Riches Heures do Duc de Berry, quando é figurado com traços animalescos na imagem intitulada “Inferno” (fl.108r) e ainda com suas características angélicas em “A queda dos Anjos Rebeldes” (fl. 64v). Nas duas últimas iluminuras o Diabo apresenta elementos de soberano do Inferno. Além disso, foi possível constatar que esse ser apresenta traços ambíguos no imaginário cristão.Universidade Estadual de Londrina2016-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistorical researchPesquisa históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2461310.5433/1984-3356.2016v9n17p12Antíteses; Vol. 9 No. 17 (2016): Dossìe: Imagem na Idade Média; 12-35Antíteses; v. 9 n. 17 (2016): Dossìe: Imagem na Idade Média; 12-351984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613/19644Copyright (c) 2016 Antítesesinfo:eu-repo/semantics/openAccessZierer, Adriana Maria de Souza2021-10-20T14:34:13Zoai:ojs.pkp.sfu.ca:article/24613Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2021-10-20T14:34:13Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples O Diabo e suas múltiplas imagens nas iluminuras do Monstro Devorador e do Anjo Caído (século XV): alguns exemplos |
title |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples |
spellingShingle |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples Zierer, Adriana Maria de Souza Devil Images Les Très Riches Heures of the Duc de Berry Vision of Tondal Multiplicity History Diabo Imagens Les Très Riches Heures do Duc de Berry Vision de Tondal Multiplicidade História |
title_short |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples |
title_full |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples |
title_fullStr |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples |
title_full_unstemmed |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples |
title_sort |
The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples |
author |
Zierer, Adriana Maria de Souza |
author_facet |
Zierer, Adriana Maria de Souza |
author_role |
author |
dc.contributor.author.fl_str_mv |
Zierer, Adriana Maria de Souza |
dc.subject.por.fl_str_mv |
Devil Images Les Très Riches Heures of the Duc de Berry Vision of Tondal Multiplicity History Diabo Imagens Les Très Riches Heures do Duc de Berry Vision de Tondal Multiplicidade História |
topic |
Devil Images Les Très Riches Heures of the Duc de Berry Vision of Tondal Multiplicity History Diabo Imagens Les Très Riches Heures do Duc de Berry Vision de Tondal Multiplicidade História |
description |
This article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-09-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Historical research Pesquisa histórica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613 10.5433/1984-3356.2016v9n17p12 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613 |
identifier_str_mv |
10.5433/1984-3356.2016v9n17p12 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613/19644 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Antíteses info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Antíteses |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 9 No. 17 (2016): Dossìe: Imagem na Idade Média; 12-35 Antíteses; v. 9 n. 17 (2016): Dossìe: Imagem na Idade Média; 12-35 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
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1797069047333912576 |