The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples

Detalhes bibliográficos
Autor(a) principal: Zierer, Adriana Maria de Souza
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613
Resumo: This article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination.
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spelling The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examplesO Diabo e suas múltiplas imagens nas iluminuras do Monstro Devorador e do Anjo Caído (século XV): alguns exemplosDevilImagesLes Très Riches Heures of the Duc de BerryVision of TondalMultiplicityHistoryDiaboImagensLes Très Riches Heures do Duc de BerryVision de TondalMultiplicidadeHistóriaThis article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination.Este artigo realizou uma análise sobre as múltiplas imagens do Diabo, com base em três iluminuras do século XV. Foi possível observar os seguintes elementos: 1- o ente maléfico como uma cabeça, com uma imensa boca aberta, conhecida como a Boca do Inferno; 2-o ser do Mal humano, mas com características animalizadas, portando garras, pelo, rabo, entre outros aspectos, ainda com aspecto devorador; 3-Lúcifer representado de forma bela, como o anjo rebelde expulso do Céu por Deus. Foram analisadas três imagens; uma da obra Vision de Tondal, na qual é representado como a Besta Aqueronte, em forma de Boca do Inferno, e duas imagens do livro Les Très Riches Heures do Duc de Berry, quando é figurado com traços animalescos na imagem intitulada “Inferno” (fl.108r) e ainda com suas características angélicas em “A queda dos Anjos Rebeldes” (fl. 64v). Nas duas últimas iluminuras o Diabo apresenta elementos de soberano do Inferno. Além disso, foi possível constatar que esse ser apresenta traços ambíguos no imaginário cristão.Universidade Estadual de Londrina2016-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistorical researchPesquisa históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2461310.5433/1984-3356.2016v9n17p12Antíteses; Vol. 9 No. 17 (2016): Dossìe: Imagem na Idade Média; 12-35Antíteses; v. 9 n. 17 (2016): Dossìe: Imagem na Idade Média; 12-351984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613/19644Copyright (c) 2016 Antítesesinfo:eu-repo/semantics/openAccessZierer, Adriana Maria de Souza2021-10-20T14:34:13Zoai:ojs.pkp.sfu.ca:article/24613Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2021-10-20T14:34:13Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
O Diabo e suas múltiplas imagens nas iluminuras do Monstro Devorador e do Anjo Caído (século XV): alguns exemplos
title The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
spellingShingle The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
Zierer, Adriana Maria de Souza
Devil
Images
Les Très Riches Heures of the Duc de Berry
Vision of Tondal
Multiplicity
History
Diabo
Imagens
Les Très Riches Heures do Duc de Berry
Vision de Tondal
Multiplicidade
História
title_short The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
title_full The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
title_fullStr The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
title_full_unstemmed The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
title_sort The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples
author Zierer, Adriana Maria de Souza
author_facet Zierer, Adriana Maria de Souza
author_role author
dc.contributor.author.fl_str_mv Zierer, Adriana Maria de Souza
dc.subject.por.fl_str_mv Devil
Images
Les Très Riches Heures of the Duc de Berry
Vision of Tondal
Multiplicity
History
Diabo
Imagens
Les Très Riches Heures do Duc de Berry
Vision de Tondal
Multiplicidade
História
topic Devil
Images
Les Très Riches Heures of the Duc de Berry
Vision of Tondal
Multiplicity
History
Diabo
Imagens
Les Très Riches Heures do Duc de Berry
Vision de Tondal
Multiplicidade
História
description This article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination.
publishDate 2016
dc.date.none.fl_str_mv 2016-09-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Historical research
Pesquisa histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613
10.5433/1984-3356.2016v9n17p12
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613
identifier_str_mv 10.5433/1984-3356.2016v9n17p12
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/24613/19644
dc.rights.driver.fl_str_mv Copyright (c) 2016 Antíteses
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Antíteses
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 9 No. 17 (2016): Dossìe: Imagem na Idade Média; 12-35
Antíteses; v. 9 n. 17 (2016): Dossìe: Imagem na Idade Média; 12-35
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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