The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century

Detalhes bibliográficos
Autor(a) principal: Duarte, Flavia Maris Gil
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/18154
Resumo: This article intends to analyze some of the social changes in England in the last decades of the Eighteenth century from the poem in London that is in the work Songs of Innocence and of Experience of the poet and engraver William Blake – an author inserted in the English Romantic movement. His work has been marked, as a whole, by mystical thought culminating in the creation of a cosmogony able to explain, according to the author, the human condition. We can notice in the poems of William Blake his vision about the time in which he lived, his interpretation of reality can elucidate some of the experiences of English society in the transition between the Eighteenth and Nineteenth centuries: that was part of the process of industrialization, the increasing displacement of reason as center of thought and heard the echoes of the French Revolution. Songs of Innocence and of Experience contains the foundations of thought developed over the later works of William Blake – expresses social transformations he lived in a universe where politics, religion and art intertwine in building a peculiar interpretation of the formation of modern industrial society.
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spelling The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth centuryA cidade de Londres nas canções da experiência de William Blake: uma interpretação das transformações ocorridas na sociedade industrial inglesa nas últimas décadas do século XVIIIWilliam BlakeReligiousnessIndustrial societyLiteratureRomanticismWilliam BlakeReligiosidadeSociedade industrialLiteraturaRomantismoThis article intends to analyze some of the social changes in England in the last decades of the Eighteenth century from the poem in London that is in the work Songs of Innocence and of Experience of the poet and engraver William Blake – an author inserted in the English Romantic movement. His work has been marked, as a whole, by mystical thought culminating in the creation of a cosmogony able to explain, according to the author, the human condition. We can notice in the poems of William Blake his vision about the time in which he lived, his interpretation of reality can elucidate some of the experiences of English society in the transition between the Eighteenth and Nineteenth centuries: that was part of the process of industrialization, the increasing displacement of reason as center of thought and heard the echoes of the French Revolution. Songs of Innocence and of Experience contains the foundations of thought developed over the later works of William Blake – expresses social transformations he lived in a universe where politics, religion and art intertwine in building a peculiar interpretation of the formation of modern industrial society.Este artigo pretende analisar algumas das transformações sociais ocorridas na Inglaterra nas últimas décadas do século XVIII a partir do poema London presente na obra Songs of Innocence and of Experience do poeta e gravador William Blake, autor inserido no movimento romântico inglês. Sua obra foi marcada, como um todo, pelo pensamento místico culminando na criação de uma cosmogonia capaz de explicar, segundo o autor, a condição humana. Podemos perceber nos poemas de William Blake sua visão sobre a época em que viveu, sua interpretação da realidade pode elucidar algumas das experiências da sociedade inglesa na transição entre os séculos XVIII e XIX: que integrava o processo de industrialização, o crescente deslocamento da razão como centro do pensamento e ouvia os ecos da revolução francesa. Songs of Innocence and of Experience contém os fundamentos do pensamento desenvolvido ao longo das obras posteriores de William Blake, expressa as transformações sociais por ele vivenciadas num universo onde política, religião e arte se entrelaçam na construção de uma interpretação peculiar da formação da sociedade industrial moderna.Universidade Estadual de Londrina2014-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistorical researchPesquisa históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/1815410.5433/1984-3356.2014v7n14p469Antíteses; Vol. 7 No. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 469-491Antíteses; v. 7 n. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 469-4911984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/18154/15620Copyright (c) 2014 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDuarte, Flavia Maris Gil2022-11-03T17:40:59Zoai:ojs.pkp.sfu.ca:article/18154Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-11-03T17:40:59Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
A cidade de Londres nas canções da experiência de William Blake: uma interpretação das transformações ocorridas na sociedade industrial inglesa nas últimas décadas do século XVIII
title The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
spellingShingle The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
Duarte, Flavia Maris Gil
William Blake
Religiousness
Industrial society
Literature
Romanticism
William Blake
Religiosidade
Sociedade industrial
Literatura
Romantismo
title_short The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
title_full The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
title_fullStr The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
title_full_unstemmed The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
title_sort The city of London on the songs of experience from William Blake: an interpretation of social changes occurred in english industrial society in the last decades of the eighteenth century
author Duarte, Flavia Maris Gil
author_facet Duarte, Flavia Maris Gil
author_role author
dc.contributor.author.fl_str_mv Duarte, Flavia Maris Gil
dc.subject.por.fl_str_mv William Blake
Religiousness
Industrial society
Literature
Romanticism
William Blake
Religiosidade
Sociedade industrial
Literatura
Romantismo
topic William Blake
Religiousness
Industrial society
Literature
Romanticism
William Blake
Religiosidade
Sociedade industrial
Literatura
Romantismo
description This article intends to analyze some of the social changes in England in the last decades of the Eighteenth century from the poem in London that is in the work Songs of Innocence and of Experience of the poet and engraver William Blake – an author inserted in the English Romantic movement. His work has been marked, as a whole, by mystical thought culminating in the creation of a cosmogony able to explain, according to the author, the human condition. We can notice in the poems of William Blake his vision about the time in which he lived, his interpretation of reality can elucidate some of the experiences of English society in the transition between the Eighteenth and Nineteenth centuries: that was part of the process of industrialization, the increasing displacement of reason as center of thought and heard the echoes of the French Revolution. Songs of Innocence and of Experience contains the foundations of thought developed over the later works of William Blake – expresses social transformations he lived in a universe where politics, religion and art intertwine in building a peculiar interpretation of the formation of modern industrial society.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Historical research
Pesquisa histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/18154
10.5433/1984-3356.2014v7n14p469
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/18154
identifier_str_mv 10.5433/1984-3356.2014v7n14p469
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/18154/15620
dc.rights.driver.fl_str_mv Copyright (c) 2014 Antíteses
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Antíteses
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 7 No. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 469-491
Antíteses; v. 7 n. 14 (2014): Histórias e Antropologias dos Patrimônios Culturais; 469-491
1984-3356
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