Mise en scène: photography and staging strategies in the beginnig of the modernity

Detalhes bibliográficos
Autor(a) principal: Diego, Juan Albarrán
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/5268
Resumo: With the birth of photography, in 1839, several discussions about the artistic condition of photographic image have been opened. Many authors have defended that the photography must be just an auxiliary tool of the Fine Arts, a mirror with memory that reproduce faithfully the reality. Nevertheless, since her origins, the photography tried to reach an artistic status using staged strategies in order to create images in a dialogue with the artistic and theatrical practices of the epoch. This fictional impulse, based on the staged image, will be a constant in the photographic theories until the beginning of the 20th century. Then, the straight photography displaces the pictorial photography as the photographic main stream.
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spelling Mise en scène: photography and staging strategies in the beginnig of the modernityMise en scène: fotografía y escenificación en los albores de la modernidadPhotographyPictorialismStaging strategiesTableu.Análise Fotográfica. Encenação. Pictorialismo. Tableau Vivant.With the birth of photography, in 1839, several discussions about the artistic condition of photographic image have been opened. Many authors have defended that the photography must be just an auxiliary tool of the Fine Arts, a mirror with memory that reproduce faithfully the reality. Nevertheless, since her origins, the photography tried to reach an artistic status using staged strategies in order to create images in a dialogue with the artistic and theatrical practices of the epoch. This fictional impulse, based on the staged image, will be a constant in the photographic theories until the beginning of the 20th century. Then, the straight photography displaces the pictorial photography as the photographic main stream.Con el nacimiento de la fotografía, en 1839, se inauguran una serie de debates a propósito de la artisticidad de la imagen fotográfica. Para muchos, la fotografía debía resignarse a ser uma mera herramienta auxiliar de las Bellas Artes, un espejo con memória que reprodujese fielmente la realidad. Sin embargo, desde SUS orígenes, la fotografía intentó alcanzar un estatus artístico acudiendo a la escenificación como medio para crear imágenes que dialogaban con las prácticas pictóricas y teatrales de la época. Ese impulso ficcional basado en la escenificación será una constante en los discursos fotográficos hasta que a principios del siglo XX la fotografia directa (straight photography) desplace al pictorialismo como corriente fotográfica dominante.Universidade Estadual de Londrina2010-12-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresPesquisa Históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/526810.5433/1984-7939.2010v6n9p193Discursos Fotograficos; v. 6 n. 9 (2010); 193-2091984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/5268/7031Diego, Juan Albarráninfo:eu-repo/semantics/openAccess2017-05-18T17:54:28Zoai:ojs.pkp.sfu.ca:article/5268Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-05-18T17:54:28Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Mise en scène: photography and staging strategies in the beginnig of the modernity
Mise en scène: fotografía y escenificación en los albores de la modernidad
title Mise en scène: photography and staging strategies in the beginnig of the modernity
spellingShingle Mise en scène: photography and staging strategies in the beginnig of the modernity
Diego, Juan Albarrán
Photography
Pictorialism
Staging strategies
Tableu.
Análise Fotográfica. Encenação. Pictorialismo. Tableau Vivant.
title_short Mise en scène: photography and staging strategies in the beginnig of the modernity
title_full Mise en scène: photography and staging strategies in the beginnig of the modernity
title_fullStr Mise en scène: photography and staging strategies in the beginnig of the modernity
title_full_unstemmed Mise en scène: photography and staging strategies in the beginnig of the modernity
title_sort Mise en scène: photography and staging strategies in the beginnig of the modernity
author Diego, Juan Albarrán
author_facet Diego, Juan Albarrán
author_role author
dc.contributor.author.fl_str_mv Diego, Juan Albarrán
dc.subject.por.fl_str_mv Photography
Pictorialism
Staging strategies
Tableu.
Análise Fotográfica. Encenação. Pictorialismo. Tableau Vivant.
topic Photography
Pictorialism
Staging strategies
Tableu.
Análise Fotográfica. Encenação. Pictorialismo. Tableau Vivant.
description With the birth of photography, in 1839, several discussions about the artistic condition of photographic image have been opened. Many authors have defended that the photography must be just an auxiliary tool of the Fine Arts, a mirror with memory that reproduce faithfully the reality. Nevertheless, since her origins, the photography tried to reach an artistic status using staged strategies in order to create images in a dialogue with the artistic and theatrical practices of the epoch. This fictional impulse, based on the staged image, will be a constant in the photographic theories until the beginning of the 20th century. Then, the straight photography displaces the pictorial photography as the photographic main stream.
publishDate 2010
dc.date.none.fl_str_mv 2010-12-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
Pesquisa Histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/5268
10.5433/1984-7939.2010v6n9p193
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/5268
identifier_str_mv 10.5433/1984-7939.2010v6n9p193
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/5268/7031
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 6 n. 9 (2010); 193-209
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
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