La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211 |
Resumo: | The article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considering as constructions of social illusions through visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organize the material in series and analyses them by the confection of sheets that allow the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding reality |
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Discursos Fotográficos |
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La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos Photography in the construction of a public image: Xul Solar and his portraitsXul SolarPortraitPhotograph analysesPrint mediaFotografíaImagenArteXul SolarRetratoThe article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considering as constructions of social illusions through visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organize the material in series and analyses them by the confection of sheets that allow the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding realityEl artículo indaga retratos fotográficos de Xul Solar, publicados en medios gráficos y organizados por su esposa en un álbum de recortes. Las fotografías, como construcción de una ilusión social, mediante el uso de convenciones visuales (Burke), permiten asistir a un componente visual de la figura de Xul, tal como esta se presenta en los medios de comunicación. El retrato es resultado de una interacción entre, al menos, dos fuerzas: la imagen que quiere producir quien retrata y la que quiere proyectar la persona retratada que, en este caso, al tratarse de un pintor, domina el lenguaje visual en el que se compone su imagen. Organizamos el material en series y trabajamos a partir de fichas que permiten la descomposición de la imagen en unidades mínimas (Becker, Mauad). Entendemos que su estudio permite observar aspectos de la producción de una figura de creador extravagante más conectado con dimensiones espirituales y metafísicas que con la realidad circundante.The article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considered as constructions of social illusions through the usage of visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organized the material in series and analyzed them by files that allowed the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding reality.Universidade Estadual de Londrina2021-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos parescrítica; semiótica; estudios culturalesapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/4421110.5433/1984-7939.2021v18n31p33Discursos Fotograficos; v. 18 n. 31 (2021); 33-531984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211/48770Copyright (c) 2021 Discursos Fotograficoshttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccessGil, Sabrina Soledad2023-05-03T16:12:52Zoai:ojs.pkp.sfu.ca:article/44211Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2023-05-03T16:12:52Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos Photography in the construction of a public image: Xul Solar and his portraits |
title |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos |
spellingShingle |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos Gil, Sabrina Soledad Xul Solar Portrait Photograph analyses Print media Fotografía Imagen Arte Xul Solar Retrato |
title_short |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos |
title_full |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos |
title_fullStr |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos |
title_full_unstemmed |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos |
title_sort |
La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos |
author |
Gil, Sabrina Soledad |
author_facet |
Gil, Sabrina Soledad |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gil, Sabrina Soledad |
dc.subject.por.fl_str_mv |
Xul Solar Portrait Photograph analyses Print media Fotografía Imagen Arte Xul Solar Retrato |
topic |
Xul Solar Portrait Photograph analyses Print media Fotografía Imagen Arte Xul Solar Retrato |
description |
The article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considering as constructions of social illusions through visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organize the material in series and analyses them by the confection of sheets that allow the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding reality |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares crítica; semiótica; estudios culturales |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211 10.5433/1984-7939.2021v18n31p33 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211 |
identifier_str_mv |
10.5433/1984-7939.2021v18n31p33 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211/48770 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Discursos Fotograficos http://creativecommons.org/licenses/by-nc/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Discursos Fotograficos http://creativecommons.org/licenses/by-nc/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 18 n. 31 (2021); 33-53 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315410439372800 |