La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos

Detalhes bibliográficos
Autor(a) principal: Gil, Sabrina Soledad
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211
Resumo: The article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considering as constructions of social illusions through visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organize the material in series and analyses them by the confection of sheets that allow the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding reality
id UEL-4_d50698aa06c88bca50933f7507f40a59
oai_identifier_str oai:ojs.pkp.sfu.ca:article/44211
network_acronym_str UEL-4
network_name_str Discursos Fotográficos
repository_id_str
spelling La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos Photography in the construction of a public image: Xul Solar and his portraitsXul SolarPortraitPhotograph analysesPrint mediaFotografíaImagenArteXul SolarRetratoThe article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considering as constructions of social illusions through visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organize the material in series and analyses them by the confection of sheets that allow the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding realityEl artículo indaga retratos fotográficos de Xul Solar, publicados en medios gráficos y organizados por su esposa en un álbum de recortes. Las fotografías, como construcción de una ilusión social, mediante el uso de convenciones visuales (Burke), permiten asistir a un componente visual de la figura de Xul, tal como esta se presenta en los medios de comunicación. El retrato es resultado de una interacción entre, al menos, dos fuerzas: la imagen que quiere producir quien retrata y la que quiere proyectar la persona retratada que, en este caso, al tratarse de un pintor, domina el lenguaje visual en el que se compone su imagen. Organizamos el material en series y trabajamos a partir de fichas que permiten la descomposición de la imagen en unidades mínimas (Becker, Mauad). Entendemos que su estudio permite observar aspectos de la producción de una figura de creador extravagante más conectado con dimensiones espirituales y metafísicas que con la realidad circundante.The article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considered as constructions of social illusions through the usage of visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organized the material in series and analyzed them by files that allowed the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding reality.Universidade Estadual de Londrina2021-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos parescrítica; semiótica; estudios culturalesapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/4421110.5433/1984-7939.2021v18n31p33Discursos Fotograficos; v. 18 n. 31 (2021); 33-531984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211/48770Copyright (c) 2021 Discursos Fotograficoshttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccessGil, Sabrina Soledad2023-05-03T16:12:52Zoai:ojs.pkp.sfu.ca:article/44211Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2023-05-03T16:12:52Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
Photography in the construction of a public image: Xul Solar and his portraits
title La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
spellingShingle La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
Gil, Sabrina Soledad
Xul Solar
Portrait
Photograph analyses
Print media
Fotografía
Imagen
Arte
Xul Solar
Retrato
title_short La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
title_full La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
title_fullStr La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
title_full_unstemmed La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
title_sort La fotografía en la construcción de una imagen pública: Xul Solar y sus retratos
author Gil, Sabrina Soledad
author_facet Gil, Sabrina Soledad
author_role author
dc.contributor.author.fl_str_mv Gil, Sabrina Soledad
dc.subject.por.fl_str_mv Xul Solar
Portrait
Photograph analyses
Print media
Fotografía
Imagen
Arte
Xul Solar
Retrato
topic Xul Solar
Portrait
Photograph analyses
Print media
Fotografía
Imagen
Arte
Xul Solar
Retrato
description The article investigates portraits of Xul Solar published in the Argentinian press and organized by his wife in a newspaper clippings folder. The photographs, considering as constructions of social illusions through visual conventions (Burke), allow us to see a visual component of Xul Solar figure, just as it is presented in the media. The portrait is the result of an interaction between at least two forces: the image that the photographer wants to produce and the one that the portrayed wants to project, who, in this case, dominates the visual language in which he is portrayed, because he is a painter. We organize the material in series and analyses them by the confection of sheets that allow the decomposition of the image in minimum units (Becker, Mauad). We understand that its study allows us to observe aspects of the production of a figure of an extravagant creator, who is more connected with spiritual and metaphysical dimensions than with the surrounding reality
publishDate 2021
dc.date.none.fl_str_mv 2021-12-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
crítica; semiótica; estudios culturales
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211
10.5433/1984-7939.2021v18n31p33
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211
identifier_str_mv 10.5433/1984-7939.2021v18n31p33
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44211/48770
dc.rights.driver.fl_str_mv Copyright (c) 2021 Discursos Fotograficos
http://creativecommons.org/licenses/by-nc/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Discursos Fotograficos
http://creativecommons.org/licenses/by-nc/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 18 n. 31 (2021); 33-53
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
_version_ 1799315410439372800