The semiotics of the image in "Flemish proverbs" by Bruegel
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Entretextos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/18526 |
Resumo: | This article brings an analysis regarding The Netherlandish Proverbs (1559), by the Flemish painter usually known as Bruegel, the Elder (1525 -1569), one of the most considerable Renaissance representatives, whose pictorial material, we believe, fosters a fertile area to the phenomenon of image studies. We tried to detect in the very rich typical elements of the picture, references that brought some observations about the discourse constituency level: expression and content, based on Algirdas Julien Greimas investigations and Jean-Marie Floch’s Plastic Semiotics theory. With the expression plan as reference, we made an effort to identify the different elements that compose images: Luminosity, Spatiality and Temporality. From the initial analysis of the expression plan, we completed the trajectory with the content plan, showing in this phase, in a dialogue with the expression plan, the elements of meaning effects or signification of the analyzed peace of art. |
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The semiotics of the image in "Flemish proverbs" by BruegelA semiótica da imagem em “Provérbios flamengos”, de BruegelPictorial SemioticsVisual discourseProverbsSemiótica da ImagemDiscurso imagéticoProvérbiosThis article brings an analysis regarding The Netherlandish Proverbs (1559), by the Flemish painter usually known as Bruegel, the Elder (1525 -1569), one of the most considerable Renaissance representatives, whose pictorial material, we believe, fosters a fertile area to the phenomenon of image studies. We tried to detect in the very rich typical elements of the picture, references that brought some observations about the discourse constituency level: expression and content, based on Algirdas Julien Greimas investigations and Jean-Marie Floch’s Plastic Semiotics theory. With the expression plan as reference, we made an effort to identify the different elements that compose images: Luminosity, Spatiality and Temporality. From the initial analysis of the expression plan, we completed the trajectory with the content plan, showing in this phase, in a dialogue with the expression plan, the elements of meaning effects or signification of the analyzed peace of art.Este artigo traz uma análise dos Provérbios Flamengos (1559), do pintor flamengo mais conhecido como Bruegel, o Velho (1525 - 1569), um dos mais significativos representantes do Renascimento, cujo acervo pictórico, acreditamos, propicia um fecundo campo para os estudos dos fenômenos imagéticos. Buscamos detectar nos riquíssimos elementos distintivos da pintura em questão, referências que suscitaram observações a respeito dos níveis constituintes do discurso: o da expressão e o do conteúdo, tendo por base as investigações de Algirdas Julien Greimas e a Semiótica Plástica de Jean-Marie Floch. Tomando por referência o plano da expressão, procuramos identificar os diferentes elementos componentes da imagem: luminosidade, espacialidade e temporalidade. A partir da análise inicial do plano de expressão, completamos o percurso com o plano de conteúdo evidenciando nesta fase, num diálogo com o plano de expressão, os elementos de efeitos de sentido ou de significação da obra de arte analisada. Universidade Estadual de Londrina2014-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/1852610.5433/1519-5392.2007v7n1p22Entretextos; v. 7 n. 1 (2007); 22-412764-08091519-5392reponame:Revista Entretextosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/18526/14475Copyright (c) 2007 Entretextosinfo:eu-repo/semantics/openAccessNascimento, Suzate Silva2021-05-21T14:36:29Zoai:ojs.pkp.sfu.ca:article/18526Revistahttps://www.uel.br/revistas/uel/index.php/entretextosPUBhttps://www.uel.br/revistas/uel/index.php/entretextos/oai||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br1519-53922764-0809opendoar:2021-05-21T14:36:29Revista Entretextos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The semiotics of the image in "Flemish proverbs" by Bruegel A semiótica da imagem em “Provérbios flamengos”, de Bruegel |
title |
The semiotics of the image in "Flemish proverbs" by Bruegel |
spellingShingle |
The semiotics of the image in "Flemish proverbs" by Bruegel Nascimento, Suzate Silva Pictorial Semiotics Visual discourse Proverbs Semiótica da Imagem Discurso imagético Provérbios |
title_short |
The semiotics of the image in "Flemish proverbs" by Bruegel |
title_full |
The semiotics of the image in "Flemish proverbs" by Bruegel |
title_fullStr |
The semiotics of the image in "Flemish proverbs" by Bruegel |
title_full_unstemmed |
The semiotics of the image in "Flemish proverbs" by Bruegel |
title_sort |
The semiotics of the image in "Flemish proverbs" by Bruegel |
author |
Nascimento, Suzate Silva |
author_facet |
Nascimento, Suzate Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nascimento, Suzate Silva |
dc.subject.por.fl_str_mv |
Pictorial Semiotics Visual discourse Proverbs Semiótica da Imagem Discurso imagético Provérbios |
topic |
Pictorial Semiotics Visual discourse Proverbs Semiótica da Imagem Discurso imagético Provérbios |
description |
This article brings an analysis regarding The Netherlandish Proverbs (1559), by the Flemish painter usually known as Bruegel, the Elder (1525 -1569), one of the most considerable Renaissance representatives, whose pictorial material, we believe, fosters a fertile area to the phenomenon of image studies. We tried to detect in the very rich typical elements of the picture, references that brought some observations about the discourse constituency level: expression and content, based on Algirdas Julien Greimas investigations and Jean-Marie Floch’s Plastic Semiotics theory. With the expression plan as reference, we made an effort to identify the different elements that compose images: Luminosity, Spatiality and Temporality. From the initial analysis of the expression plan, we completed the trajectory with the content plan, showing in this phase, in a dialogue with the expression plan, the elements of meaning effects or signification of the analyzed peace of art. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-06-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/18526 10.5433/1519-5392.2007v7n1p22 |
url |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/18526 |
identifier_str_mv |
10.5433/1519-5392.2007v7n1p22 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/18526/14475 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2007 Entretextos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2007 Entretextos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Entretextos; v. 7 n. 1 (2007); 22-41 2764-0809 1519-5392 reponame:Revista Entretextos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Revista Entretextos |
collection |
Revista Entretextos |
repository.name.fl_str_mv |
Revista Entretextos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br |
_version_ |
1799315388436054016 |