An essay on iconographic analysis: relations between the theory of art and the archaeological method

Detalhes bibliográficos
Autor(a) principal: Mazzola, Renan Belmonte
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Acta Scientiarum. Language and Culture (Online)
Texto Completo: http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108
Resumo: In this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of ‘iconological interpretation’ proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres.
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spelling An essay on iconographic analysis: relations between the theory of art and the archaeological methodUm ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológicoMichel FoucaultErwin PanofskydiscoursepaintingbodyMichel FoucaultErwin PanofskydiscursopinturacorpoDiscurso e pinturaIn this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of ‘iconological interpretation’ proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres.Neste artigo, investigamos a teoria da arte que subsidia o pensamento de Michel Foucault e analisamos aspectos estéticos e históricos de desproporções anatômicas na pintura europeia. A partir do ensaio As palavras e as imagens, de Foucault, é possível visualizar o método analítico de Erwin Panofsky. A influência do historiador da arte sobre o filósofo francês evidencia-se na fase de ‘interpretação iconológica’ proposta por Panofsky, em que a sintomatologia cultural encontra lugar de destaque. Essa sintomatologia é buscada nas análises que realizamos de três artistas da Europa: Peter Paul Rubens, Sandro Botticelli e Jean-Auguste Dominique Ingres. Universidade Estadual De Maringá2015-10-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAnálise do discurso francesa e História da arteapplication/pdfapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/2710810.4025/actascilangcult.v37i4.27108Acta Scientiarum. Language and Culture; Vol 37 No 4 (2015); 413-421Acta Scientiarum. Language and Culture; v. 37 n. 4 (2015); 413-4211983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporenghttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_108http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_112Mazzola, Renan Belmonteinfo:eu-repo/semantics/openAccess2016-01-27T13:58:47Zoai:periodicos.uem.br/ojs:article/27108Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2016-01-27T13:58:47Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false
dc.title.none.fl_str_mv An essay on iconographic analysis: relations between the theory of art and the archaeological method
Um ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico
title An essay on iconographic analysis: relations between the theory of art and the archaeological method
spellingShingle An essay on iconographic analysis: relations between the theory of art and the archaeological method
Mazzola, Renan Belmonte
Michel Foucault
Erwin Panofsky
discourse
painting
body
Michel Foucault
Erwin Panofsky
discurso
pintura
corpo
Discurso e pintura
title_short An essay on iconographic analysis: relations between the theory of art and the archaeological method
title_full An essay on iconographic analysis: relations between the theory of art and the archaeological method
title_fullStr An essay on iconographic analysis: relations between the theory of art and the archaeological method
title_full_unstemmed An essay on iconographic analysis: relations between the theory of art and the archaeological method
title_sort An essay on iconographic analysis: relations between the theory of art and the archaeological method
author Mazzola, Renan Belmonte
author_facet Mazzola, Renan Belmonte
author_role author
dc.contributor.author.fl_str_mv Mazzola, Renan Belmonte
dc.subject.por.fl_str_mv Michel Foucault
Erwin Panofsky
discourse
painting
body
Michel Foucault
Erwin Panofsky
discurso
pintura
corpo
Discurso e pintura
topic Michel Foucault
Erwin Panofsky
discourse
painting
body
Michel Foucault
Erwin Panofsky
discurso
pintura
corpo
Discurso e pintura
description In this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of ‘iconological interpretation’ proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres.
publishDate 2015
dc.date.none.fl_str_mv 2015-10-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Análise do discurso francesa e História da arte
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108
10.4025/actascilangcult.v37i4.27108
url http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108
identifier_str_mv 10.4025/actascilangcult.v37i4.27108
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_108
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_112
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dc.publisher.none.fl_str_mv Universidade Estadual De Maringá
publisher.none.fl_str_mv Universidade Estadual De Maringá
dc.source.none.fl_str_mv Acta Scientiarum. Language and Culture; Vol 37 No 4 (2015); 413-421
Acta Scientiarum. Language and Culture; v. 37 n. 4 (2015); 413-421
1983-4683
1983-4675
reponame:Acta Scientiarum. Language and Culture (Online)
instname:Universidade Estadual de Maringá (UEM)
instacron:UEM
instname_str Universidade Estadual de Maringá (UEM)
instacron_str UEM
institution UEM
reponame_str Acta Scientiarum. Language and Culture (Online)
collection Acta Scientiarum. Language and Culture (Online)
repository.name.fl_str_mv Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)
repository.mail.fl_str_mv ||actalan@uem.br
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