An essay on iconographic analysis: relations between the theory of art and the archaeological method
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108 |
Resumo: | In this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of ‘iconological interpretation’ proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres. |
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An essay on iconographic analysis: relations between the theory of art and the archaeological methodUm ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológicoMichel FoucaultErwin PanofskydiscoursepaintingbodyMichel FoucaultErwin PanofskydiscursopinturacorpoDiscurso e pinturaIn this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of ‘iconological interpretation’ proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres.Neste artigo, investigamos a teoria da arte que subsidia o pensamento de Michel Foucault e analisamos aspectos estéticos e históricos de desproporções anatômicas na pintura europeia. A partir do ensaio As palavras e as imagens, de Foucault, é possível visualizar o método analítico de Erwin Panofsky. A influência do historiador da arte sobre o filósofo francês evidencia-se na fase de ‘interpretação iconológica’ proposta por Panofsky, em que a sintomatologia cultural encontra lugar de destaque. Essa sintomatologia é buscada nas análises que realizamos de três artistas da Europa: Peter Paul Rubens, Sandro Botticelli e Jean-Auguste Dominique Ingres. Universidade Estadual De Maringá2015-10-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAnálise do discurso francesa e História da arteapplication/pdfapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/2710810.4025/actascilangcult.v37i4.27108Acta Scientiarum. Language and Culture; Vol 37 No 4 (2015); 413-421Acta Scientiarum. Language and Culture; v. 37 n. 4 (2015); 413-4211983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporenghttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_108http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_112Mazzola, Renan Belmonteinfo:eu-repo/semantics/openAccess2016-01-27T13:58:47Zoai:periodicos.uem.br/ojs:article/27108Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2016-01-27T13:58:47Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
An essay on iconographic analysis: relations between the theory of art and the archaeological method Um ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico |
title |
An essay on iconographic analysis: relations between the theory of art and the archaeological method |
spellingShingle |
An essay on iconographic analysis: relations between the theory of art and the archaeological method Mazzola, Renan Belmonte Michel Foucault Erwin Panofsky discourse painting body Michel Foucault Erwin Panofsky discurso pintura corpo Discurso e pintura |
title_short |
An essay on iconographic analysis: relations between the theory of art and the archaeological method |
title_full |
An essay on iconographic analysis: relations between the theory of art and the archaeological method |
title_fullStr |
An essay on iconographic analysis: relations between the theory of art and the archaeological method |
title_full_unstemmed |
An essay on iconographic analysis: relations between the theory of art and the archaeological method |
title_sort |
An essay on iconographic analysis: relations between the theory of art and the archaeological method |
author |
Mazzola, Renan Belmonte |
author_facet |
Mazzola, Renan Belmonte |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mazzola, Renan Belmonte |
dc.subject.por.fl_str_mv |
Michel Foucault Erwin Panofsky discourse painting body Michel Foucault Erwin Panofsky discurso pintura corpo Discurso e pintura |
topic |
Michel Foucault Erwin Panofsky discourse painting body Michel Foucault Erwin Panofsky discurso pintura corpo Discurso e pintura |
description |
In this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of ‘iconological interpretation’ proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-10-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Análise do discurso francesa e História da arte |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108 10.4025/actascilangcult.v37i4.27108 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108 |
identifier_str_mv |
10.4025/actascilangcult.v37i4.27108 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_108 http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/27108/pdf_112 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 37 No 4 (2015); 413-421 Acta Scientiarum. Language and Culture; v. 37 n. 4 (2015); 413-421 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
_version_ |
1799317464267358208 |