Three natures: Schiller and artistic creation

Detalhes bibliográficos
Autor(a) principal: Barbosa, Ricardo
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Matraga (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/matraga/article/view/26068
Resumo: Schiller describes the artistic creation as a fight between three natures: the nature of the object to be represented, the nature of the material to be used in this representation, and the very nature of the artist. As stated by him, the nature of the artist should promote the harmony between those natures according to certain standards. If the nature of the material prevails over the others, the result is rude. If the nature of the artist is predominating, then the work of art becomes mannered. The style is the creation of ideals. That means that the pure objectivity of the representation should be admitted as the highest principle of art. The artistic creation is therefore like a fight in which the simple nature of the material and the subjective nature of the artist should disappear to open space for the individuality of the object to be represented.
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spelling Three natures: Schiller and artistic creationAs três naturezas: Schiller e a criação artísticaSchillercriação artísticaestéticapoesialinguagem.Schillerartistic creationaestheticspoetrylanguage.Schiller describes the artistic creation as a fight between three natures: the nature of the object to be represented, the nature of the material to be used in this representation, and the very nature of the artist. As stated by him, the nature of the artist should promote the harmony between those natures according to certain standards. If the nature of the material prevails over the others, the result is rude. If the nature of the artist is predominating, then the work of art becomes mannered. The style is the creation of ideals. That means that the pure objectivity of the representation should be admitted as the highest principle of art. The artistic creation is therefore like a fight in which the simple nature of the material and the subjective nature of the artist should disappear to open space for the individuality of the object to be represented.Schiller descreve a criação artística como uma luta entre as três naturezas envolvidas na representação: a natureza do objeto a ser representado, a natureza do material empregado e a natureza do artista. Esta última deve promover a harmonia entre aquelas, de acordo com certos padrões. Se a natureza do material prevalece sobre as demais, o resultado é rude. Se a natureza do artista predomina, a obra de arte se torna amaneirada. O estilo é o ideal da criação. Daí se infere que a pura objetividade da representação deve ser admitida como o mais alto princípio da arte. A criação artística é, portanto, como uma luta na qual a simples natureza do material e a natureza subjetiva do artista devem desaparecer, abrir espaço para que a individualidade do objeto seja representada.Universidade do Estado do Rio de Janeiro2011-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionartigo de literaturaartigos de literaturaapplication/pdfhttps://www.e-publicacoes.uerj.br/matraga/article/view/26068Matraga - Revista do Programa de Pós-Graduação em Letras da UERJ; v. 18 n. 29 (2011): Século XVIIIMATRAGA - Journal published by the Graduate Program in Letters at Rio de Janeiro State University (UERJ); Vol. 18 No. 29 (2011): The 18th Century2446-69051414-7165reponame:Matraga (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/matraga/article/view/26068/18660Barbosa, Ricardoinfo:eu-repo/semantics/openAccess2019-07-09T04:04:38Zoai:ojs.www.e-publicacoes.uerj.br:article/26068Revistahttps://www.e-publicacoes.uerj.br/index.php/matragaPUBhttps://www.e-publicacoes.uerj.br/index.php/matraga/oai||letrasmatraga@uerj.br2446-69051414-7165opendoar:2019-07-09T04:04:38Matraga (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.none.fl_str_mv Three natures: Schiller and artistic creation
As três naturezas: Schiller e a criação artística
title Three natures: Schiller and artistic creation
spellingShingle Three natures: Schiller and artistic creation
Barbosa, Ricardo
Schiller
criação artística
estética
poesia
linguagem.
Schiller
artistic creation
aesthetics
poetry
language.
title_short Three natures: Schiller and artistic creation
title_full Three natures: Schiller and artistic creation
title_fullStr Three natures: Schiller and artistic creation
title_full_unstemmed Three natures: Schiller and artistic creation
title_sort Three natures: Schiller and artistic creation
author Barbosa, Ricardo
author_facet Barbosa, Ricardo
author_role author
dc.contributor.author.fl_str_mv Barbosa, Ricardo
dc.subject.por.fl_str_mv Schiller
criação artística
estética
poesia
linguagem.
Schiller
artistic creation
aesthetics
poetry
language.
topic Schiller
criação artística
estética
poesia
linguagem.
Schiller
artistic creation
aesthetics
poetry
language.
description Schiller describes the artistic creation as a fight between three natures: the nature of the object to be represented, the nature of the material to be used in this representation, and the very nature of the artist. As stated by him, the nature of the artist should promote the harmony between those natures according to certain standards. If the nature of the material prevails over the others, the result is rude. If the nature of the artist is predominating, then the work of art becomes mannered. The style is the creation of ideals. That means that the pure objectivity of the representation should be admitted as the highest principle of art. The artistic creation is therefore like a fight in which the simple nature of the material and the subjective nature of the artist should disappear to open space for the individuality of the object to be represented.
publishDate 2011
dc.date.none.fl_str_mv 2011-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
artigo de literatura
artigos de literatura
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/matraga/article/view/26068
url https://www.e-publicacoes.uerj.br/matraga/article/view/26068
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/matraga/article/view/26068/18660
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Matraga - Revista do Programa de Pós-Graduação em Letras da UERJ; v. 18 n. 29 (2011): Século XVIII
MATRAGA - Journal published by the Graduate Program in Letters at Rio de Janeiro State University (UERJ); Vol. 18 No. 29 (2011): The 18th Century
2446-6905
1414-7165
reponame:Matraga (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Matraga (Online)
collection Matraga (Online)
repository.name.fl_str_mv Matraga (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv ||letrasmatraga@uerj.br
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