Deslocamentos da dança contemporânea: por uma condição conceitual

• Autor(a) principal: Müller, Cláudia Góes
• Data de Publicação: 2012
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/7452
• topic: Contemporary dance; Contemporary art; Conceptualism; Dança moderna; Dança na arte; Arte moderna Séc. XXI; Schartz, Wagner Entrevistas; Sehgal, Tino Entrevistas; Dança contemporânea; Arte contemporânea; Conceitualismo; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCA

This study focusses on the dialogue between contemporary dance and visual arts from the 1990s on, discussing the new configurations and debates proposed in works by artists who move through these two fields. Dance is thought over as contemporary art, asking itself on its condition, on what constructs and defines it. Relationships between contemporary dance and conceptualism are sketched by observing works that, having cast aside formalism and the sheer exercise of aesthetics, propose to add something in terms of art conception and inquire on their own nature. Main issues addressed here include rethinking dance s very conventions, models of show or presentations, spaces, and forms of visibility; they are discussed against the background of works by Tino Sehgal (born in Britain, 1976), Wagner Schwartz (born in Brazil, 1972) and the author s own production, pleading for a conceptual condition of their works in contemporary dance. The destabilization and fissures generated by such condition are taken as tools to strengthen and amplify the vision of dance as contemporary art